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Act I
Scene i :
The play opens in an unidentified street of London around the year 1480. Richard
of Gloucester, the chief protagonist of the play is the brother of King Edward
IV and of George, the Duke of Clarence, most often called "Clarence"
in the play. Alone on stage, the figure of Richard, misshapen with a hunchback
from his premature birth, first tells us that the recent civil wars between the
houses of Lancaster and York are now over, that Richard's side (York) is
victorious, but that he himself is discontent. Being "ill-formed" by
nature, Richard is not suited to peaceful times when romance holds sway. That
being so, he is "determined to prove a villain." He has laid a plot
against his own brother, Clarence, inciting his other brother (the recently
crowned King Edward) to arrest the innocent Clarence, by pouring "drunken
prophecies, libels, and dreams" into the King's ear. After this extensive
opening soliloquy is done, Clarence appears in the custody of the king's guards,
headed for the prison Tower of London. Richard pretends to sympathize with
Clarence, blaming King Edward's wife (Queen Elizabeth born the Lady Grey) for
Clarence's plight. Clarence is led away, and the recently jailed Lord Hastings,
arrives with news that the new King is gravely ill. When he departs, Richard has
another opportunity to disclose his plans for his brother, saying that he will
engineer Clarence execution because his brother is an obstacle to his own regal
ambitions. Incredibly, he also reveals that he plans to marry the Lady Anne,
whose husband (Edward, Prince of Wales) he helped to murder at the end of Henry
VI: Part III.
Scene ii:
In another London street, we see the Lady Anne attending the funeral of Henry
VI, her former father-in-law, a fallen monarch whom Richard of Gloucester also
had a hand in killing. Richard then enters, and though he denies any involvement
in the deaths of her husband and her father-in-law, Lady Anne calls him a
"black magician" and a "hedgehog." For his part, Richard
speaks of his desire to visit Lady Anne's bedchamber and eventually marry the
woman he has made into a widow. At this perverse suggestion, she spits in his
face while calling him a "foul toad." Claiming that any involvement in
the murder of Anne's husband was motivated by his love for her beauty, Richard
hands Lady Anne a dagger and opens his breast to its point. Anne refuses to be
his executioner, and when Richard assumes a penitent stance, she agrees to
accept a ring from him. After Lady Anne exits, Richard exalts in his own powers,
asking the rhetorical question: "Was ever woman in this humor won?"
Scene iii:
The scene now shifts to the royal palace in London. Queen Elizabeth speaks with
her relatives and expresses the fear that when the current monarch (Edward IV)
dies, Richard of Gloucester will be named protector over his two sons, providing
the uncle with a means to take the throne himself. She knows that this will also
bode ill for her entire family, including her brother (the Lord Rivers) and her
own sons (the Lords Dorset and Grey). One of the villain Richard's allies,
Buckingham appears, and then Richard himself enters. Richard professes his
innocence on all counts and argues with the old Queen Elizabeth. Accompanied by
Hastings, Richard blames the Queen and her family for Hastings false
imprisonment. Queen Margaret, the wife of the deceased Henry VI enters, and she
too expresses her hatred toward Richard, warning Buckingham against him. When
all of these characters except Richard himself depart, the villain reveals his
plans to have Clarence killed in the Tower by two murderers. When they arrive,
Richard tells the felons not to listen to Clarence's pleas for mercy.
Scene iv:
The scene shifts to Clarence's prison cell within the Tower of London. Clarence
tells his jailer that he has had horrible dreams that seem to say that his real
enemy is not the Queen, but his own brother, Richard of Gloucester. Richard's
two henchmen appear. Against Richard's instructions, they speak with Clarence
and disclose that Richard, in fact, hates Clarence. He implores them to relent.
One of the murderers feels pangs of conscience, but the other says that to
relent now would be "cowardly and womanish." He then stabs Clarence to
death.
Act II
Scene i
The action shifts back to the royal palace where we see a gravely-ill King
Edward IV anticipating his own death and trying to resolve the rancor that still
divides his court into vengeful camps. Richard then arrives and reports that
Clarence has been executed. Edward is deeply disturbed by this report, for he
reversed his own punishment decree of his brother. The dying king expresses
remorse at this sad turn of events as Richard feigns complete innocence.
Scene ii:
In another room of the palace, the two young sons of the murdered Clarence and
their grandmother (the old Duchess of York, Richard's own mother) are on stage.
She denies that Clarence is dead, but one of the boys says that his father has
been killed at the order of King Richard and that he knows this because his good
uncle, Richard of Gloucester told him so. She curses her son Richard, but the
boys refuse to believe that he is behind their father's death. Queen Elizabeth
arrives with word that her ailing husband, King Edward, has died. The villain
Richard then appears accompanied by Buckingham and several other members of his
party, including the nobles Hastings, Stanley, and Ratcliffe. Plans are made to
bring one of the dead king's two young sons, the Prince of Wales, to London for
coronation as the new monarch. When everyone leaves except for Richard and
Buckingham, the two speak of their ultimate plan to make Richard himself
England's next king.
Scene iii:
An example of a common Shakespearean device, the scene consists of three
citizens speaking about the turbulent events that have already taken place and
the dangers that lie ahead for England. They do not want to be ruled by a boy
(the Prince of Wales) and they fear the Richard, Duke of Gloucester who is
"full of danger." The prospect of still more civil wars lies ahead.
Scene iv:
Back at the palace, the widowed queen, the Duchess of York and the younger
brother of the Prince of Wales (also a boy) speak of the impending arrival of
the Prince of Wales for his coronation as successor to Edward IV's throne. Word
arrives that Richard of Gloucester has had several of their family members and
political allies jailed. Hearing this, the Queen says that she will flee London
with her younger boy, rightfully fearing Richard's plans to put them out of the
way.
Act III
Scene i
On a street in London, the young Prince of Wales arrives and meets with his
uncle, Richard and his confederate Buckingham. Richard tells the young prince
that he and his younger brother are to be housed in the Tower of London until
the ceremony takes place. The young Prince of Wales says that he does not like
the Tower, and in an exchange with his uncle Richard, the youth shows himself to
be wise beyond his years and we sense that he sees through Richard's false,
tender front. The Prince's younger brother arrives and the two are sent to the
Tower to repose. When the other characters exit, Richard conspires with
Buckingham. He says that he has sent the noble Catesby to sound out Lord
Hastings about whether he would support Richard's plans to become king. If
Hastings refuses to support this plot, then Richard will have him executed.
Richard also tells Buckingham that his loyal service will be rewarded with an
earldom once he becomes king.
Scene ii:
At the home of Lord Hastings, a messenger arrives from Lord Stanley who says
that a plot is afoot, that two councils of state will be held, and that Hastings
should flee with him at once. Hastings tells Stanley's messenger that he does
not fear the divided council. Just then, Catesby arrives and reveals Richard's
plan to become King of England. Hastings refuses to join Richard's side,
affirming his support for the Prince of Wales, and thereby inadvertently seals
his own doom.
Scene iii:
At the execution grounds of Pomfret Castle, several of Richard's political
opponents (the nobles Rivers, Grey and Vaughn) are seen in chains and bound for
execution. They curse Richard and the fate that has befallen them.
Scene iv:
At the Tower of London, a council of state is in session, with Buckingham and
several of Richard's other minions in attendance, including the defiant
Hastings. Richard leaves for a moment, and then returns in a furor, claiming
that he is under a spell of black magic cast by Edward's widow, Queen Elizabeth.
When Hastings defends her honor, Richard calls him a traitor and commands that
Hastings's head be cut off. The victim now realizes what Richard has had in mind
all the time, and he predicts that Richard and his ilk will soon be in the grave
alongside him.
Scene v: In
front of the Tower walls, Richard and Buckingham tell the Mayor of London that
Hastings is a traitor and is about to be executed without trial. The Mayor
believes their false stories about Hastings and says that he will report
Hastings's execution to the people as being justly caused. When the Mayor
leaves, Richard instructs Buckingham to raise questions about the legitimacy of
Edward's two sons. This, in turn, will provide a pretext for the Protector of
the Prince of Wales, Richard himself, to replace the boy as England's king.
Scene vi:
In another common Shakespearean device, a scrivener (or herald) reads an
indictment of Hastings to the citizens of London that speaks of the (already
executed) nobleman as a traitor who deserves death.
Scene vii:
At his home (or lair) in London's Baynard's Castle, Richard is told by
Buckingham that the Mayor of London has been persuaded to speak to the people on
behalf of making him King of England, bypassing the illegitimate Prince of
Wales. But the Mayor's words have fallen on deaf ears, for the citizens are
dumbstruck by this proposal and refuse to join in on the cry of "Long live
Richard, King of England." Richard must appear before the people himself
and pretend to be a reluctant candidate for the throne. Led by the Mayor, a
crowd of citizens appears. Buckingham addresses them as Richard stands between
two clergymen. Buckingham puts forth a full spiel to the people of London: he
says that the Prince of Wales (and his younger brother) are bastards and the
Richard of Gloucester is the rightful successor to his brother Edward. Richard
feigns a reluctance to become king, crown, but then returns and announces that
he will take the crown for England's sake, naming tomorrow as his coronation
day.
Act IV
Scene i :
Before the Tower of London, with widowed Queen Elizabeth and the Duchess of York
speak with Lady Anne (who has, in fact, become the villain Richard's wife). The
mother and grandmother of the two boy princes are told that Richard will not
permit them to visit the young royals. Lord Stanley enters with word that
Richard of Gloucester is now King Richard III. He assists the Queen and the
Duchess to make plans for escape. Lady Anne realizes that Richard is a villain
but she must be crowned as his new queen.
Scene ii:
At the royal palace, King Richard III speaks with Buckingham and tells him that
he wants the two princes dead. Buckingham, however, is not completely willing to
go along with their execution. Richard summons a discontented gentleman, Tyrell,
to murder the two young princes. He also orders that a rumor be started that his
wife, Lady Anne, is deathly ill: in fact, he plans to do away with her as well
and then marry the daughter of Queen Elizabeth, cementing the legitimacy of his
own reign. Buckingham appears and claims his reward of an earldom. Richard
refuses, telling his erstwhile ally that he is not in a giving vein today.
Scene iii:
Some time thereafter and still at the palace, Tyrell tells Richard III that
"the tyrannous and bloody act is done," the two princes have been
smothered to death. In a very complex part of his plot, Richard schemes on
killing the Earl of Richmond, who is a suitor to the daughter of Queen
Elizabeth. News then comes that Richmond is assembling a force to depose Richard
and that he has been joined by Buckingham in this cause.
Scene iv:
Continuing at the palace, another set of complications arises, as news of the
young princes' murder reaches their mother and grandmother. Richard III then
appears and is denounced by his own mother, the old Duchess of York. But he
presses on with his plans and proposes to the widowed Queen Elizabeth that he
wed her daughter, arguing that this will allow her future grandsons to become
kings after Richard's reign is over. She berates him but she also plays along
with his proposal. Word comes that Richmond is on the seas with an invasion
force and that Buckingham is in the field with an army intent upon ridding
England of its murdering, tyrant king. Fearing that Lord Stanley will go over to
the other side, Richard orders Stanley's son to be taken into custody: should
Stanley betray him, Richard will order young George Stanley's execution. More
messages arrive from the front: Richmond's invasion force has been scattered by
a storm; Buckingham has been captured. Richard is elated by these events and
plans to lead his own army against the remaining rebels.
Scene v: At
the home of Lord Stanley, the nobleman speaks with one of Richmond's
representatives, asking that he tell Richmond that he will take the field on
Richard's side only because of the threat that Richard has made toward the life
of his young son.
Act V
Scene i
At an open place near Salisbury, the captured Buckingham is led away to
execution, ruing his involvement with Richard and the assassination of Henry VI.
Scene ii:
At a camp on the English coast, Richmond relishes the prospect of relieving
England of Richard's yoke of tyranny and accepts the message that Stanley is
only on Richard's side because of the coercive threat to his son.
Scene iii:
On Bosworth Field (where the remainder of the play unfolds), Richard and his
remaining loyal allies appear in a tent on one side of the stage, while Richmond
and his rebels are seen in a tent on the other side of the stage. Lord Stanley
enters and goes to Richmond's tent, promising that he will try to sabotage
Richard's battle plans by delaying the arrival of forces under his command.
Between the two tents a succession of ghosts appears---Henry VI, Clarence,
Rivers, Grey, Vaughn, the murdered princes, Hastings, Lady Anne and
Buckingham---each of whom accuses the sleeping Richard of the foul deeds
committed against them and curses his cause and then blesses the sleeping
Richmond. Richard awakes and acknowledges his guilt; Richmond awakes ready for
the battle at hand. Richmond addresses his troops, appealing to their
patriotism; Richard speaks to his men, disparaging the enemy as lowly scum. Word
arrives that Lord Stanley refuses to march into battle; Richard orders the
execution of Stanley's son, but delays action until the battle of Bosworth Field
has been won.
Scene iv:
On the battlefield, we learn that Richard has fought like a man possessed
seeking out Richmond on foot because his own horse has been slain. Richard
appears, crying out "A horse, a horse! My kingdom for a horse!"
Scene v: In
the plays final scene, Richard and Richmond come together in hand-to-hand combat
and Richard is slain. Stanley arrives and learns that no harm has come to his
son. The crown of England is offered to Richmond. He, in turn, says that he will
now marry the daughter of Queen Elizabeth, uniting the families of York and
Lancaster, and thereby bringing England's protracted civil wars to an end.
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