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THE
SOUTH RISES AGAIN IN GODS AND GENERALS, WITH
LINCOLN AS VILLAIN
A
prequel of Gettysburg (1993), the
recently released film Gods and Generals,
directed by Ronald F. Maxwell, is a semi-docudrama that tries
to ape the novel (and film) Gone with the Wind but
succeeds only in providing nearly four hours of transparent
propaganda. Based on the 1996 novel by Jeffrey M. Shaara, the
docudrama part of the film begins with General Robert E. Lee
(played by Robert Duvall). Through an intermediary, an obviously
maladroit move, President Abraham Lincoln offers Lee the command
of the Union army. Two days earlier, with the "cotton
states" already having seceded from the Union, Lincoln
requested the Virginia state government to supply troops to
put down the insurrection. On the day when Lee receives the
offer, the Virginia House of Delegates in Richmond begins debate
on Lincoln's request, which is rejected out of hand in favor
of secession; Lincoln's prior decision to mobilize a military
force rather than seeking diplomacy is criticized for so escalating
tensions that Virginians believe that their only recourse is
to defend their homeland. Lee declines, saying that his loyalty
to Virginia is higher than to the United States. In the next
part of the film, we see the mobilization of Virginia's troops,
especially those at the Virginia Military Institute (VMI).
Later,
we see the mobilization of Maine troops under the Union
flag, notably Lt. Col. Joshua Lawrence Chamberlain (played
by Jeff Daniels), a philosophy professor at Bowdoin College.
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In due course battles are fought, and various commanders
are identified by subtitles in a reenactment of some events
in military history, including the battles of Bull Run,
Fredericksburg, and Chancellorsville. Instead of the incompetent
Union army General Ambrose E. Burnside (played by Alex
Hyde White), the commander most in front of the camera
is VMI philosophy professor General Thomas "Stonewall" Jackson
(played by Stephen Lang), whose syrupy family life plays
a significant and increasingly boring part of the story.
The nondocumentary part of the film is rife with propaganda.
In addition to the anti-Lincoln portrait already noted,
Southerners are depicted as more affectionate, more cultured,
more genteel, more intelligent, more religious, and more
sensitive than Northerners. The boldest disinformation
relates to the relations between the races; a Northerner
who vents anti-"darkie" prejudice is corrected
by Lt. Col. Chamberlain, his anti-slave commander, while
house slaves in Virginia are effusively loyal to their
collegial masters, who in turn piously hope that slavery
will in time obsolesce. Moreover, while the story concedes
that some in the North were fighting to fight to free the
slaves, the South believes that the real motive is for
the North to make money, in part by subjugating the South
economically. (After all, the North was competing with
England to buy cotton from the South.) Gods
and Generals is the first in a trilogy, so
we now await the third film. MH
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Gods
and Generals
by Jeffrey M. Shaara
Jeff
Shaara explores the lives of Generals Lee, Hancock,
Jackson and Chamberlain as the pivotal Battle of
Gettysburg approaches.
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