MacCorkill'x Fairytale - Tale of the Tylwyth Teg Untitled xxxxxxxxxxx
Tale of the Tylwyth Teg

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Tale of the Tylwyth Teg"

presented by Sconemac


Tale of the Tylwyth Teg

In the north-west corner of the parish of Bedgelert there is a place which used to be called by the old inhabitants the Land of the Fairies, and it reaches from Cwm Hafod Ruffyd along the slope of the mountain of Drws y Coed as far as Llyn y Dywarchen.

The old people of former times used to find much pleasure and amusement in this district listening every moonlight night to the charming music of the tylwyth teg, and in looking at their dancing and their mirthful sports.

Once upon a time, a long while ago, there lived at upper Drws y Coed a youth, who was joyous and active, brave and determined of heart. This young man amused himself every night by looking on and listening to them. One night they had come to a field near the house, near the shore of Llyn y Dywarchen, to pass a merry night.

He went, as usual, to look at them, when his glances at once fell on one of the ladies, who possessed such beauty as he had never seen in a human being. Her appearance was like that of alabaster; her voice was as agreeable as the nightingale's, and as unruffled as the zephyr in a flower-garden at the noon of a long summer's day; and her gait was pretty and aristocratic; her feet moved in the dance as lightly on the grass as the rays of sun had a few hours before on the lake hard by.

He fell in love with her head over ears, and in the strength of that passion--(for what is stronger than love!) --he rushed, when the bustle was at its height, into the midst of the fair crowd, and snatched her to the house.

When the tylwyth teg saw the violence used by a mortal, they broke up the dance and ran towards the house; but, when they arrived, the door had been bolted with iron, wherefore they could not get near her or touch her in any way; and the damsel had been placed securely in a chamber.

The youth, having her now under his roof, as is the saying, endeavoured, with all his talent, to win her affection and to induce her to wed. But at first she would on no account hear of it; on seeing his persistence, however, and on finding that he would not let her go to return to her people, she consented to be his servant if he could find out her name; but she would not be married to him. As he thought that was not impossible, he half agreed to the condition; but, after bothering his head with all the names known in that neighborhood, he found himself no nearer his point, though he was not willing to give up the search hurriedly.

One night, as he was going home from Carnarvon market, he saw a number of the tylwyth teg in a turbary not far from his path. They seemed to be engaged in an important deliberation, and it struck him that they were planning how to recover their abducted sister. He thought, moreover, that if he could secretly get within hearing, he might possibly find her name out.

On looking carefully around, he saw that a ditch ran through the turbary and passed near the spot where they stood. So he made his way round to the ditch, and crept, on all fours, along it until he was within hearing of the family. After listening a little, he found that their deliberation was as to the fate of the lady he had carried away, and he heard one of them crying, piteously: "O Penelop, O Penelop, my sister, why didst thou run away with a mortal!"

"Penelop," said the young man to himself, "that must be the name of my beloved: that is enough."

At once he began to creep back quietly, and he returned home safely without having been seen by the fairies. When he got into the house, he called out to the girl, saying, "Penelop, my beloved one, come here!" and she came forward and asked, in astonishment, "O mortal, who has betrayed my name to thee?" Then, lifting up her tiny folded hands, she exclaimed, "Alas, my fate, my fate!"

But she grew contented with her fate, and took to her work in earnest. Everything in the house and on the farm prospered under her charge. There was no better or cleanlier housewife in the neighbourhood around, or one that was more provident than she. The young man, however, was not satisfied that she should be a servant to him, and, after he had long and persistently sought it, she consented to be married, on the one condition, that, if ever he should touch her with iron, she would be free to leave him and return to her family. He agreed to that condition, since he believed that such a thing would never happen at his hands.

So they were married, and lived several years happily and comfortable together. Two children were born to them, a boy and a girl, the picture of their mother and the idol of their father. But one morning, when the husband wanted to go to the fair at Carnarvon, he went out to catch a filly that was grazing in the field by the house; but for the life of him he could not catch her, and he called to his wife to come to assist him. She came without delay, and they managed to drive the filly to a secure corner, as they thought; but, as the man approached to catch her, she rushed past him. In his excitement, he threw the bridle after her; but, who should be running in the direction of it, but his wife! The iron bit struck her on the cheek, and she vanished out of sight on the spot.

Her husband never saw her any more; but one cold, frosty night, a long time after this event, he was awakened from his sleep by somebody rubbing the glass of his window, and, after he had given a response, he recognized the gentle and tender voice of his wife saying to him:--

Lest my son should find it cold,
Place on him his father's coat;
Lest the fair one find it cold,
Place on her my petticoat,

It is said that the descendants of this family still continue in these neighbourhoods, and that they are easy to be recognized by their light and fair complexion.

Moral of this story: You might catch a fairy, but you cannot keep her. She will return to her people first chance she gets, but she is kind and thoughtful and lovingly of her children.

Presented by Sconemac
From Celtic Folklore by John Rhys.


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