On with the story,
RogueStar
brucepat@iafrica.com
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28 December 1997
Dead Scenes
Yes: I have re-entered your olden haunts at last;
Through the years, through the dead scenes I have tracked you;
What have you now found to say of our past -
Scanned across the dark space wherein I have lacked you?
Summer gave us sweets, but autumn wrought division?
Things were not lastly as firstly well
With us twain, you tell?
But all's closed now, despite Time's derision.'
From After a Journey by Thomas Hardy
"Y'would t'ink dat Mags would keep dis place better stocked." He says
to
himself, "It is such a lovely holiday spot, after all."
He stops before a large, locked door. The sort of door one would find
leading
to a hangar or a supply depot.
"An' invest in a better citadel security system." He inserts a slender
iron rod
into the door and charges it with explosive kinetic energy. "Not dat
dat would
help gainst me."
He dives for cover behind a crate as the lock explodes into shrapnel.
"Mon Dieu." He exclaims, "Dere be a whole airforce in dere."
"So, kid . . . you think you're pretty tough." He snarls, "Let's see
how tough
you are lyin' in a bed in the ICU."
She says nothing but extracts a bone dagger from her back. Reflexes
take
over and she spins in death-dance, cutting and slashing, dodging and
weaving.
Finally, she stands over the body of her opponent. Sabretooth.
"No. I know I am."
"End simulation." A carefully modulated voice comes over the intercom.
"Now white-hair wants to play?" She smirks, "Careful, bright one, I
always
break my toys."
"Your threats shall accomplish nothing." Storm walks into the Danger
Room,
"I have defeated you once before; needs be, I will defeat you again."
"I underestimated you. I won't make the same mistake twice."
"No, but you have made a mistake in coming here, Marrow." Storm says,
"The X-Men are not home to terrorists and murderers."
"But you are home to gene-traitors?" She replies and smiles as she sees
the
look on Storm's face. The horror and pain in her eyes. "I know all
about
pretty-boy leBeau and what he did. How he caused my kind to be killed."
"That is more than enough." Lightning flickers at Storm's fingertips,
"You know
nothing of him other than what people say. Other than the rumors surrounding
his departure."
"I know how you've always wanted him. Didn't it hurt you when he told
you
that he loved the one called Rogue? Didn't it make you mad, bright
one."
"No." She says, "Remy and I are good friends. Neither of us wished it
to
become anything more."
"Keep saying that and one day you might even believe it yourself." Marrow
smiles, "Bye for now, Storm. I may even see you later - but you won't
see
me." The door of the Danger Room closes behind her with a swish. And
Storm wonders, if they have invited the devil into the house, what
hell there is
to pay?
They surround her - twisted parodies of people, of things. The abominations
approach, their gait jerky and shuffling. Yet she waits. Breathing.
Steadying
herself . . . . She attacks in a cat-like movement, knocking out several
with
each blow. Tendons stretch as muscles move bones. Eyes dart around.
Feet
connect. Cartilege cracks. Bones break. Figures disappear as they touch
the
cold, stone floor. The room is empty now and the woman known simply
as
Rogue wipes the sweat of her forehead before collapsing. She knows
she has
pushed herself too hard and that she is paying the price for it now,
but she
doesn't much care. It felt good to release the repressed anger and
frustration
that had been building up for the past four years. Too good. And she
is
scared. After spending most of her life fighting for control over both
her
powers and emotions, she has tasted freedom. Now, like the bird who
has
been released from its cage, she knows she never can return.
"I'm worried about Rogue." Robert Drake scoops another hand of popcorn
into his mouth, "Muy worried."
"What's wrong with Miss Rogue?" Cannonball asks.
"Nothing, Sam." Iceman replies sarcastically, "She's just acting like
Sybil. One
minute, she's depressed; the next, she's happy - too happy - if you
get my
drift."
"Ah guess she has every right ta do so, aftah what happened in Antarctica."
"She won't even talk about that to me. Her best friend."
"Maybe there are some pains that you can't talk about." Sam pauses,
"When
mah daddy died, Ah couldn't even sort out how Ah felt about it mahself.
O'
course, Ah was sad; but Ah was also angry with him foh never bein'
at home
when Ah was growin' up an' now foh leavin' me when Ah was a man."
"The thing is, Sam, I think she needs to talk about it, or else it will
keep on
building up inside her until . . . ." He gestures with his hands, "BOOM!"
"Ah sure wouldn't want ta see Miss Rogue when she's mad."
"I have and, how can I put it, Etna has nothing on her."
"Gosh."
"Yeah, Sam. You got it in one. Gosh."
California. The Golden State. Playground of the wealthy, hedonistic
and
famous. Home of stars. The sand crunches beneath Gambit's feet, running
into
the cracks between his toes, warming him. A sun hangs low over the
hazy
horizon, bordered by ocean and white villas. So different to the land
of snow
and ice from which he escaped. The plane is $100 in his pocket, courtesy
of
an obliging junkyard dealer who asked no questions. An old friend -
as close
to one as a thief could ever get - an accomplice who found markets
for hot
merchandise and paid cash. Non-sequential bills, of course. He suddenly
thinks how easy staying here would be. To start a new life. To forget
in this
land of dreams and stars. Had it not been for the gentle pressure of
a card
against his thigh, he might have considered it. He pulls it out like
he has so
often on this journey. It is charred, crumbling at the edges, brittle,
but legible.
Queen of Hearts. He knows he should have left it in Antarctica. Should
have
burned it. Torn it up. And he would have if it had not been for her
words
when she gave it to him. Carry it and think of me in those times we
aren't
together - though Ah hope those're few.' He should hate her for leaving
him.
For betraying him and his love. For rejecting his final attempt at
reconciliation,
like a child who by stating what he wants, thinks that he will get
it.
"But . . . I love you."
"You're honest with those you love, Gambit. Otherwise . . . it's a gamble."
Guess I lost, non?' He asks the woman on the card. Her enigmatic smile
reveals nothing and he pockets her with the knowledge that he will
carry her in
his heart and never forget.
Rogue picks up the photograph that lies next to her bed, tracing the
frame with
a gloved finger.
"Nevah knew how much Ah took you foh granted, sugah, til Ah didn't have
ya
no more."
Remy smiles back at her - confident, unafraid, cocky - so different
to when
she had left him. Then . . . then he had looked terrified, she realises.
He had
broken down every barrier he had put up against the world; he had exposed
himself to her and she had not cared. Or had she?
Tears trickle down Rogue's cheeks and onto her white pillow. She had
not
been in possession of her senses at the time of her judgement. It was
as if she
had been outside her body watching a stranger condemn the man she loved
to
die. She'd tried to call out to him, tell him that she loved and forgave
him, but
her lips passed the death-sentence, as did his soul inside her. Rogue
kisses the
photograph before replacing it on her table.
"Ya lost all right t'do dat when ya betrayed me, chere."
"Remy?!" She stands suddenly and looks around the room. No-one.
"Girl, you must be goin' crazy." She tells herself, "Hearin' voices
when there
ain't nobody there."
"How d'ya t'ink I feel, ma belle? Bein' left by de woman I loved t'die."
"Leave me alone . . . ." She turns and runs down the hallway, trying
to escape
his voice.
"An' dis from de woman who said dat she wanted t'spend her life wit' me."
"This ain't happenin'." Rogue trips and skids along the polished wooden floor.
"Are you alright?"Cecilia Reyes asks.
"Ah'm . . . fine."
"You didn't sound it. What's going on?"
"Nothin' you would understand."
"I haven't understood much since I arrived here. Why should this be
any
different?" She extends a hand, "Get up. You're called Rogue, aren't
you?"
"Yeah. An' you're th' doctor that Bobby brought back with him from his
leave
of absence." She says, standing, "Guess it was too much ta hope that
he'd just
pick up another ugly T-shirt."
"Cecilia Reyes. Want to fill me in on what's happening with you? Maybe
I can
help."
"You can't. Ah've got to deal with this on mah own."
"You sound like me. Hurt but too stubborn to ask for help." She shrugs,
"Suit
yourself. It makes no difference to me either way."
"Then you know why Ah can't."
"I also know why you should."
"Don't you see, doc? Ah can't talk about this to anyone b'cause they
would
nevah understand."
"They won't understand if you don't try to make them." She replies,
"It's about
time you stopped whining about your problems and started doing something
about them."
"Like you have, Cecilia?"
"Don't lay a guilt trip on me. I'm not the one whose been walking around
the
mansion as hangdog as heck the past few weeks."
"Tell me, Cecilia. Do y'all know what I've just been through?"
"No worse than what I have. I lost everything to Operation: Zero Tolerance.
My work, my friends, my *whole life*."
"At least that was out of your control, Ah was given th' choice whether
ta save
or condemn th' man Ah love, an' Ah sentenced him ta die."
"At least you were given a choice."
"Not a proper one." Rogue bows her head, "Else Ah would never have
chosen ta do what Ah did."
"Rogue." She says more gently than before.
"Forget it."
When the young woman lifts her face again, her eyes are hard with hatred.
With contempt and a subtle shade of pain with which Cecilia is all
too familar.
The pain of resolute emptiness. Of having your heart torn from you
when you
saw your father die before your eyes. And not for the first time Doctor
Reyes
wonders what good it is knowing everything about the human body when
she
knows so little about the human soul.
To be continued . . . .
Footnotes:
1. Not all Kinetic Energy (Ek) is explosive. Forms of Ek include: electricity,
sound, light etc. What Gambit does IMO is excites the quarks (which
make
up an electron) in the object he is 'charging' enough to cause them
to exchange
an x-particle (which make up quarks) which causes an explosive chain
reaction as the atoms break down. And mom always said watching Psi
Factor
never taught you anything. Poor Doyle. :-(
2. Sybil (not of television show of same name!) was a woman who had
multiple personality disorder. Perhaps, the most personalities ever
recorded in
a single individual.
3. Much of the dialog in the Gambit-on-the-beach paragraph comes from
Uncanny X-Men #350. It was written by IMO the great Steven Seagle.
Read
it! Apart from one or two idiotic bits and\or spelling errors (mostly
near the
end), it's pretty cool!
Next time on Always Coming Home
* Marrow vs Rogue
* Poppa Gumbo's Cajun Cookout
* A Stormy Outlook
* What is it that tears a man apart all at once and, at the same time,
holds him
together?'
(The Steven Seagle One-Girl Fanclub unites!)