DAILY READINGS by Charles Spurgeon
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MORNING: February 20 And who comforteth like him? Go to some poor, melancholy, distressed child of God; tell him sweet promises, and whisper in his ear choice words of comfort; he is like the deaf adder, he listens not to the voice of the charmer, charm he never so wisely. He is drinking gall and wormwood, and comfort him as you may, it will be only a note or two of mournful resignation that you will get from him; you will bring forth no psalms of praise, no hallelujahs, no joyful sonnets. But let God come to his child, let him lift up his countenance, and the mourner's eyes glisten with hope. Do you not hear him sing--
You could not have cheered him: but the Lord has done it; "He is the God of all comfort." There is no balm in Gilead, but there is balm in God. There is no physician among the creatures, but the Creator is Jehovah-rophi. It is marvelous how one sweet word of God will make whole songs for Christians. One word of God is like a piece of gold, and the Christian is the gold beater, and can hammer that promise out for whole weeks. So, then, poor Christian, thou needest not sit down in despair. Go to the Comforter, and ask him to give thee consolation. Thou art a poor dry well. You have heard it said, that when a pump is dry, you must pour water down it first of all, and then you will get water, and so, Christian, when thou art dry, go to God, ask him to shed abroad his joy in thy heart, and then thy joy shall be full. Do not go to earthly acquaintances, for you will find them Job's comforters after all; but go first and foremost to thy "God, that comforted those that are cast down," and you will soon say, "In the multitude of my thoughts within me thy comforts delight my soul." |
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From Charles H. Spurgeon's Morning and Evening.
This daily devotional has been inspiring Christians for more than 100 years. This old version of this work is no longer under copyright. If you know differently - let me know and these pages will be removed from this site. There are some more recent versions of this work that have been written in a more modern language style. Those versions are still protected by copyright.