Tribute to The
Swamp
Boogie Queen - A Legend
 |
Pianist Katie Webster dead at 63
Katie Webster died Sunday of heart failure
at her home in League City, Texas. She was 63. Webster recorded prolifically
for Excello and Goldband during the '50s and '60s and was a member of Otis
Redding's band in the late '60s. Her '80s and '90s albums for
Arhoolie and Alligator Records displayed her
talents as a boogie-woogie, RnB, swamp-pop, blues, and Southern soul player.
She continued to perform after suffering a debilitating stroke in 1993.
Chris Morris, L.A. |
Pure sonic dynamite -
Rolling Stone
She's that rare commodity in blues: a boogie-woogie
piano virtuoso in a male-and guitar dominated field. - USA
Today
Rock steady piano playing... a gutsy, soaring
voice and sassy lovers'
tidings, put across with a stomp and a hip
shake. Her voice is a meaty
one, full of blue, gospelly turns and note
bends. Rollicking and energetic barrelhouse piano playing" and "passionate,
gospel-style vocals, calling her A musician who could be counted on to
provide just the right backing for any style, be it blues, rock n'
roll, soul, country & western, cajun or zydeco. -
Living Blues
She can floor the timid listener,
say more about the pain of betrayal with one low, sad growl, and more about
the joy of fighting back against cruel life with one teasing roll
of her eyes, than most could write in a book. -
Boston Globe |
Webter's
sassy and sensuous blend of barrelhouse
boogie-woogie, New Orleans RnB, Gulf Coast swamp-pop, deep
bayou blues and Southern gospel-flavored soul placed her among
the
most in-demand blues artists in the country and made her a favorite
at
festivals and concert halls all over the world. As a teen, Webster
was
already hailed as South Louisiana's reigning piano queen. She
recorded
on more than 500 singles during the 1950s and 60s.
Born Kathryn Jewel Thorne on January 11, 1936 in Houston, Texas,
Webster first learned piano as a child. Her deeply religious
parents
strictly warned her to play only gospel and classical music,
going so far
as to keep the piano under lock and key so Katie could only
play while
being supervised. But Webster loved the blues, rock and rnb
she
heard on an old Philco radio hidden under the bed covers late
at night,
and would play her secular music at every opportunity. While
still a
teenager, Webster moved to South Louisiana when her parents
relocated to California. She lived with less rigid relatives who allowed
her to play the music she loved. By the age of 15 Webster was one of
the most requested studio musicians in the region. Both Jay Miller
of
Excello Records and Eddie Shuler of Goldband Records used her on
hundreds recordings in the 1950s and 1960s, including sides with
Guitar Junior Lonnie Brooks, Slim Harpo, Lazy Lester, Lightnin' Slim,
and Clifton Chenier. In 1964, a young Otis Redding caught Webster's
set with her band the Uptighters in Lake Charles, Louisiana, and
demanded she join his touring band the very next day.
Katie
Webster toured the country with Redding, and can be heard on his
LIVE
AT THE WHISKEY A-GO-GO album. Unable to join Redding
on his tour of 1967 because she was pregnant, and so luckily she was
not on the
plane that took Redding's life. Devastated by his death, she kept a
very
low profile until the early 1980s, when she made her debut tour of
Europe. The audiences couldn't get enough of Webster and her musical
expression, and she returned for European tours over 30 times.
Katie
enjoyed a successful solo career in the 1980s, releasing albums on Arhoolie
and a number of European labels. She signed with Alligator Records in 1988,
cutting three albums for the label: SWAMP
BOOGIE QUEEN,with guests Bonnie
Raitt and Robert Cray. TWO
FISTED MAMA was put down in 198? followed by
NO FOOLIN' in 8?
In
1993, Webster was felled by a stroke while touring in Greece, and
lost some of the use of her left hand and almost all of her
eyesight. But
her magnificent voice and wonderful right hand, not to mention
her
inimitable spirit, kept her going strong. She continued to appear
at
selected festivals. Even though her health wouldn't support
extended
touring, her final performances were filled with the same boogie-woogie
drive and spirit that originally earned Katie Webster the title
Swamp
Boogie
Queen.
In February 1999, Alligator released the timely DELUXE
EDITION, a collection of Webster's greatest recorded performances
from her years with the label, including a number of previously unreleased
tracks on it. If you are looking for an introduction to the
Swamp
Boogie Queen there is no better place to start although all her
albums are a joy and well worth having in your collection.Fans of the lovable,
extroverted Katie Webster will undoubtedly sorely miss this piano pounding
institution who became one of the greatest music legends in our time.


.
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Festivals page