Madstock 2
The night before the night before Madstock, Madness were
nowhere to be found. Madness were in Holland. Gone in search of some dutch
courage for the ordeal ahead.
According to Chrissy Boy's cunning plan, Madness would rehearse in England
for a week, do the same in Holland and, by way of preparation, play a small
club in The Hague. They would wake up the following morning - having drunk
Holland dry of dutch courage - and, hungover, fly back to London, soundcheck,
go straight to bed, and wake up Saturday morning, fully refreshed, for
the first of two special reunion dates in their once local Finsbury Park.
All went according to plan until, shortly after the rapturously received
Hague show, El Thommo went missing again. Lee remembers - only vaguely,
of course - ending up on a beach "with a couple of puffs of skunk"
in his lungs, "on a trampoline, with a lot of kids bouncing higher
than me." Naturally, he thought, 'Peter Pan's not having that',
so he got back on, "done a midnight bounce stark naked on a starlit
night and, coming down, I missed the canvas completely and broke me toe
on one of the springs." Next day, he took the rest of the band,
inevitably resulting in widespread complaints of trapped nerves, wricked
necks, and displaced backs. Madstock in doubt.
Bedders had his own doubts about Madness' big match fitness after such
a lay-off. Would they still be able to wow the crowd? Or was it purely
romance and nostalgia that induced them to risk credibility and pride after
so long? And, as for the specially laid on scene at Finsbury Park..."l
can't believe all these people are gonna turn up. Why would we appeal?"
Bedders sat on a park bench and began to sweat.
Elsewhere, it was panic stations of a different kind. Chrissy Boy still
had to get his haircut, still had to buy some trousers, and still had to
pick up a couple of shirts. Meanwhile, returning hero, Monsieur Barso -
whose wife had to stay home in Holland, awaiting the delivery of their
second child - and long-lost comedy duo, Lord Suggs and Chas Smash, were
still to take delivery of their new suits. When they did arrive, Barso's
didn't quite fit. Fortunately, he'd ordered another which did, but still
looked odd without a shirt and tie. Regulation sunglasses were top of his
list. The rest followed suit.
While Chas hobbled around in brand new, green suede robot shoes, Suggs
couldn't decide whether to sport shades for sun or umbrella for rain. Being
the sensible sort, he opted for both. As for Lee, he'd come away from the
BBC Wardrobe unit at "Top Of The Pops" with a swanky white affair.
He would later be billed for œ200, only to snag the jacket on a metal hook
hanging from the rafters.
Come Saturday, Madness were out for a good time, keen to try a few old
moves on a few old friends, and maybe even earn the recognition they always
felt had been denied them. But, more than that, it was a celebration of
times and achievements past in a present day music scene almost willfully
out of step with its glorious heritage.
The audience arrived in droves. The Maddies arrived in a fleet of chauffeur
driven black limousines - a psychological ploy to instil confidence in
some very shaky constitutions - and, at 8.45, walked on stage together
for the first time in 8 years, to the deafening applause of a record home
crowd of 36,000. Surveying the scene before them, Woody recalls how overcome
the band were, and how his eyes filled up on the spot. He and Bedders exchanged
a reassuring wink, and there they were. In the flesh. In the thick ofan
unbelievable dream come true.
From that point on - with the audience in top form and an undecided greatest
hits set at the ready - Suggs says "everyone went completely fuckin'
barmy. With blisters on me feet I had to take me shoes off". While
Suggs and Carl tried to keep up, hold back, pour forth and get down at
the same time, the Chief of Police made moves to intervene. Anticipating
a widespread bout of fainting - on account of the stifling humidity generated
by over-heated bodies bouncing up and down in perfect time - he was soon
threatening to pull the plugs on the whole weekend.
Successful announcements by Suggs about the blood red crush about to be
spilt down the front if people didn't move back immediately put C.O.P at
his ease, and Madness survived to play another day. "And still
no rain!" Suggs tempted peremptorily. The weather obligingly held.
Very still. Allowing the sound to carry clearly to the very back of the
park where, before long, hundreds of people were gleefully sliding down
the canopy tops of the illuminated beer tents.
As the sun went down and every light went up, Lee was thinking how much
like a scene from Brazil it was. A thought not lost on producers, Clive
Langer and Alan Winstanley, who had returned early from their holidays
especially to bite their nails, catch the shows and mix down the results
for release on this very record. "l couldn't believe what I was
seeing" commented Clive later, "people, from front to
back, moving up and down as one. l'd never seen anything like it."
Madness had not accounted for the enduring strength of their music.
Or for the weight and stamina of their fans. Neighbouring tower blocks
reverberated, windows broke, balconies cracked, furniture moved, and panic
calls were made to the emergency services. later measured at 4.5 on the
intensity scale - over half that of the San Francisco guake of 1989 - the
infrasound created was too low for the human ear but, physically, buildings
across the road from Finsbury Park were resonating like a tuning fork.
Madness would like to apologise to residents for any damage or upset caused,
and say they'll try not to do it again. This record, therefore, is dedicated
to all those people unable to attend Finsbury Park in the hope it brings
them closer to an event that Madness would, probably, be unable to repeat.