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Wu
Chen, a native of Chia-hsing in Chekiang province, was gifted at poetry
and prose. He also excelled at painting landscapes and bamboo in
monochrome ink as well as cursive script calligraphy. Along with Huang
Kung-wang, Ni Tsan, and Wang Meng, he is ranked as one of the Four Great
Masters of the Yuan.
In
his early years, Wu Chen often copied the landscapes of famous masters of
the Northern Sung (960-1126). After the age of 49, his style gradually
matured. According to the artist's inscription, this painting is dated to
1328, making it the earliest surviving dated work by Wu Chen. It also
indicates that it was done for the Taoist master Lei So-tsun. Although the
title indicates that these are pines, the needles here are those of
cypress trees. The knotty trees preserve the style of the Li Ch'eng and
Kuo Hsi manner. The trunks rise vertically, and at the top branch out and
intertwine. The bark is done with hemp-fiber strokes in light ink, while
the hills and rocks are formed with layers of texture strokes and washes
that soften to indistinct outlines similar to the Tung Yuan and Chu-jan
style. Many round stones also in the Tung-Chu manner appear at the edge of
the water. These elegant touches not only define the water's edge at the
shore, but also round off the mountaintops.
The
two cypresses in the foreground dominate the painting, but beyond them, a
sense of space is suggested by the stream as it winds into the distance.
The repetitive brushwork and layers of ink give the scroll a simple and
peaceful harmony.
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