Alexander, JJG. Medieval Illuminators and Their Methods of Work. Yale UP. New Haven, CT: 1992.
Borradaile, V. and R. The Strasburg Manuscript: A Medieval Painters Handbook. Tiranti, London: 1966. Translation of a fifteenth century anonymous manuscript on the art of illumination.
Cennini, C. The Craftsman's Handbook. D. V. Thompson, trans. Dover, New York:1954. Translation of an early fifteenth century manuscript on painting.
Child, H., ed. The Calligrapher's Handbook. Taplinger, New York: 1985. Modern instructions for Medieval techniques.
Da Vinci, L. Leonardo on Painting. Kemp, M., editor. Yale UP. New Haven, CT: 1989 Translation and anthology of Da Vinci's notes, published posthumously as the 'Treatise on Painting'
Drogin, M. Medieval Calligraphy. Dover, New York: 1989. Instructional manual on medieval writing.
Hilliard, N. The Arte of Limning. Transcribed by A. Kinney, with commentary by L. Salamon. Northeastern UP, Boston: 1983. sixteenth century manuscript on the methods and materials of miniature painting.
Jackson, D. The Story of Writing. Taplinger. New York: 1981.
Johnson, E. Writing and Illuminating and Lettering. Dover. New York:1995.
Lehmann-Haupt, H., translator. The Gottingen Model Book: A Facsimile and Translation of a Fifteenth Century Illuminators Manual. U Missouri P, Columbia, MO: 1972.
Levey, M., Translator. Medieval Arabic Bookmaking and Its Relation to Early Chemistry and Pharmacology. American Philosophical Society, Philadelphia: 1962. Translation of two Arabic treatise on the techniques of painting, writing, and bookbinding.
Marrow, J., et al. The Golden Age of Dutch Manuscript Painting. Braziller. New York:1990. Exhibition catalogue containing four of the facsimiles used as models for the illumination.
Theophilus. On Divers Arts. C. Smith, translator. Dover. New York, 1979. Translation of a manuscript written C. 1122 regarding several crafts, including manuscript illumination.
Thompson, D. V., Translator. De Arte Illuminandi. Yale UP, New Haven, CT: 1933. Translation of an anonymous fourteenth century manuscript on illumination.
---------. The Materials and Techniques of Medieval Paining. Dover, New York:1956. Contrast, comparison, summary, and study of the methods set forth in a vast array of period manuscripts regarding the work of the artist.
----------. The Practice of Tempera Painting: Materials and Methods. Dover, New York: 1962. Practical tempera painting--modern instructions based on period manuscripts.
Thompson, J., transcriber. A Booke Of Secrets. In J. Thompson, editor. Medieval Inks. Caber Press. Portland, OR:1996. Transcription of a sixteenth century manuscript on the making of inks and paints.
Vasari, G. On Technique. Maclehose, L., trans. Dover, New York: 1960. Translation of Vasari's sixteenth century writings on the techniques of painting, sculpture, and architecture.
Wieck, R. Painted Prayers: The Book of Hours in Medieval and Renaissance Art. Braziller, New York;1997. Exhibit Catalogue--contains facsimile page of MS M.487, folio 1r (ABC, Pater Noster), 1490's.
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Index
Bibliography
Articles
Gallery 1
Gallery 2
Gallery 3
Links
Pater Noster Index
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