Subject:     NEW:  Odyssey 4/12
Sent:        31/01  11:16 AM
Received:    31/01  6:14 PM
From:        Sharon Nuttycombe, avalon@terranet.ab.ca
To:          dobbo@c031.aone.net.au

Odyssey part 4/12
Sharon Nuttycombe 
avalon@terranet.ab.ca
August 14, 1996 
 
***********************************************************
 
 This is a Scully and Skinner action/adventure story.  It
 is not related to my former story, Crossing the Line. 
 (There will be a sequel to Crossing the Line, but this is
 not it).  It is not NC -17 but is rated R for violence. 
 There is a hint of romance, and a GPS - gratuitous pants
 scene. ;)

 SUMMARY:  When Mulder disappears in the Caribbean, Scully
 and Skinner are drawn into a web of intrigue and danger.  
 SCREENPLAY FORMAT

 I am a permanent resident of the State of Denial -- Avatar
 never happened.

 I owe a huge debt of gratitude to Alistair Maclean's "The
 Golden Rendezvous".  OK - I shamelessly stole his ideas,
 but I made lots of changes.  Honest.  Besides, Alistair is
 dead.  Hopefully he won't too mind much...

 I apologize for any medical discrepancies.  If I got
 anything wrong...blame my friend Linda.  (Just kidding,
 Linda).

 I would appreciate any comments or criticism.  Many
 thanks.

 Acknowledgements:  Thanks to Linda Campbell for racking up
 a huge phone bill helping me plot this monster.

 Disclaimer:  Scully, Skinner, and Mulder belong to Chris
 Carter.  I don't own them, I'm only borrowing them for a
 while (Do I have to return Skinner?  Can I keep him, huh
 Chris?  Please...?)

 ***********************************************************

                             Odyssey part 4/12

TUESDAY, EARLY EVENING
THE ODYSSEY, DINING ROOM

 Josef releases Scully and she rubs her throat, staring at
 him warily.  His men return with several stretchers and
 they begin to load the injured onto them.  Josef watches
 them for a moment through hooded eyes, then returns to
 Skinner's side.

 SKINNER: (Angrily) What exactly do you want?
 JOSEF:   To begin with, I want to know what the FBI is doing
          on this ship.
 SKINNER: I told you.  I'm on vacation.
 JOSEF:   I don't believe you.
 SKINNER: I don't care.
 JOSEF:   You should.  

 Josef draws back his foot and kicks Skinner in the leg  
 where he has been shot.  Skinner falls to his side,
 clutching his thigh and clenching his teeth. 

 JOSEF:   Now.  Shall we start again?  Why are you here...(looks
          at Skinner's ID) Assistant Director Walter S. Skinner?
 SKINNER: (through gritted teeth) I'm...on...vacation.

 Josef kicks at him again.  This time, Skinner manages to
 grab the terrorist's ankle and twists, throwing Josef off
 balance.  Josef falls backward, but before Skinner can
 follow up his attack, he finds himself staring into
 several gun barrels.  He freezes and Josef picks himself
 up, fury written on his face.  Once more, he draws
 Skinner's gun from his belt.

 Scully, kneeling over Dietrich, sees the second kick and
 its aftermath.  Evading her guard, she bolts across the
 room to place herself between Skinner's gun and its owner.

 SCULLY:  (Shouting, ignoring the guns aimed at her) Stop it!
 JOSEF:   Get out of my way.
 SCULLY:  No.
 SKINNER: (Through the pain)  Do as he says.
 JOSEF:   Move or I'll kill you too.
 SCULLY:  Then you'll have to kill me too.  

 There is a long tense moment.  Finally, he lowers the gun
 and puts it in his belt.

 JOSEF:   All right, Doctor.  Secret Agent Man gets to live a
          little longer.  How is Dietrich?
 SCULLY:  He's been shot in the chest.  I think he has a
          punctured lung and he's lost a lot of blood.  But he's
          still alive.
 JOSEF:   Good.  See that he stays that way.
 SCULLY:  What about the passengers?
 JOSEF:   Do not concern yourself about them.

 Two men lift Skinner onto a stretcher.  Skinner pales a
 little as they move him, but makes no sound.  Josef turns
 to go, then pauses, as if remembering something.

 JOSEF:   Oh, and Doctor...

 She turns toward him and he hits her hard across the jaw. 
 She stumbles backward.
  
 SKINNER: Leave her alone!
 JOSEF:   (Ignores him.  In chillingly polite tones)  I may need
          you alive, my dear doctor, but if you ever cross me
          again, you will wish that I had killed you.  Is that
          clear?  (She slowly nods.)  Good.  Then get up.  And
          remember what I said earlier.

 Scully climbs to her feet, wiping blood away from her cut
 lip, her body tense.  Josef gazes at them both coldly.

 SCULLY:  (Trying to ignore him)  Let's go.

 The group, consisting of Scully, Skinner, the unconscious
 Captain, the First Officer, Dietrich, and several guards,
 exits the dining room.  Josef watches Skinner's departure
 through hooded eyes.  The Assistant Director's eyes clash
 with Josef's in a look of pure hatred.  

                               *     *     *

 INTERLUDE
 TUESDAY EVENING
 CROOKED ISLAND

 Camera zooms toward a man in a bed with a bandage over one
 eye and around his forehead.  A nurse arrives and takes
 his pulse.  Camera slowly pans around her and focuses on
 his face.  It is Mulder.

 END INTERLUDE

                               *     *     *

 TUESDAY EVENING
 THE ODYSSEY.  SICKBAY.

 The group reaches sickbay.  The terrorists search the room
 for weapons, pausing over a medical kit containing
 surgical scissors, scalpels, and other equipment.

 SCULLY:  (From Skinner's side where she is tightening the
          makeshift bandage around his leg.)  I'll need those.

 The terrorists glance at each other, then shrug and leave. 
 Scully waits a moment then hurries to the door and opens
 it.  Outside, one of the men is standing guard.  He turns
 and gives her a cold look.  Hastily she closes it again
 and returns to her patients.

 SKINNER: Guarded?
 SCULLY:  Yes.

 She bends over Dietrich and begins to cut away his shirt,
 while glancing across at Skinner.
 
 SCULLY:  How do you feel?
 SKINNER: Like I've been shot.  (A pause.)  I'm fine.  See to the
          others.
 SCULLY:  Keep pressure on that bullet wound.
 SKINNER: It's not serious.
 SCULLY:  I'll be the judge of that.  You just lie there and do
          what I tell you.
 SKINNER: (Mildly)  Yes, Doctor.

 She shoots him a glance then focuses on Dietrich.  She
 does what she can for him then checks the Captain and the
 First Officer, whose leg is coated with blood.

 SCULLY:   (Whhile cutting open his pants leg)  What's your name?
 OFFICER:   Henderson, ma'am. 
 SCULLY:    Well, Henderson, this isn't pretty.
 HENDERSON: I know.  I'm not going to walk again, am I?
 SCULLY:    If we get you to a hospital soon, it may...
 HENDERSON: Doctor.
 SCULLY:    (meets his gaze)  No.  You'll never walk properly
            again.  I'm sorry.
 HENDERSON  (nods)  Don't be.  (looks away from her)
 SCULLY:    I'm going to give you something for the pain.
 HENDERSON: Thank you, ma'am.

 She gives him an injection and he slowly loses
 consciousness.  Scully picks up her medical equipment and
 hurries back to Skinner, carefully undoing his bandage.

 SKINNER: How are they?
 SCULLY:  Not good.  The Captain took two bullets in the chest. 
          He's stable enough for the moment, but he needs to get
          to a hospital quickly.  Henderson will survive, but
          he'll be a cripple for life.
 SKINNER: And the terrorist?
 SCULLY:  (brushing her hair off her face with her wrist)  I
          don't know.  His vitals aren't too bad, considering.
 SKINNER: Will he survive?
 SCULLY:  (shakes her head) I can't say.  The bullet lodged in
          his chest and I won't risk trying to remove it.  Not
          here.  Not now.  We'll just have to wait and see.
 SKINNER: I don't think that's what Josef will want to hear. 
          What about you?
 SCULLY:  I'm fine.
 SKINNER: You don't look fine.
 SCULLY:  (Glances up at him, then away).  Let's look at this
          leg.  

 She picks up the surgical scissors, preparing to slit his
 trouser leg.  He puts his hand over hers, stopping her. 
 She looks up.

 SKINNER: (very quietly) I may need these again.  (She looks at
          him blankly.)  They're a nice dark colour.  Ideal for
          taking a quick stroll around the deck.
 SCULLY:  You're kidding.  (She see's that he is not.)  Well...
          they still have to come off.
 SKINNER: Feel free, Agent Scully.  (She stares at him for a
          moment then sighs, removes his shoes and undoes his
          belt.  With only a moment's hesitation, she removes his
          pants.  He flinches as she peels them away from his
          wound).
 SCULLY:  (Looking up at him)  It's not every employee that gets
          to do this to her boss.
 SKINNER: (Gritting his teeth)  I should hope not.  It wouldn't
          be very good for morale.
 SCULLY:  (Getting the pants off completely)  I don't know. 
          Morale might soar.  

 He gives her a "very funny, ha ha" look".  Scully examines
 the wound, trying to ignore the fact that her boss is
 lying in front of her in a state of undress. 

 SKINNER: Well?  Will I live?
 SCULLY:  You'll live.  The bullet didn't hit anything vital.
 SKINNER: (drily) I'm glad.

 She blushes slightly, realizing how that remark could be
 taken.  

 SCULLY:  It's still in there, though.  (About to give him a
          local anaesthetic.)  Brace yourself.

 She gives him the painkiller and begins to probe for the
 bullet.  He winces, his fists clenching on the bedclothes,
 then stares up at the ceiling, trying to ignore what she
 is doing.

 SKINNER: (Through gritted teeth)  So can I assume that you
          believe me now?
 SCULLY:  About...?
 SKINNER: Not sending that transmission.
 SCULLY:  What makes you think that?
 SKINNER: You stood up to Josef to save my life.
 SCULLY:  (Continues stitching)  Seeing that you took a bullet
          for me, it seemed the least I could do.  (She fishes
          out the bullet and holds it up)  This should have been
          mine.

 She drops the bullet into a metal tray and, picking up a
 surgical needle and thread, begins to stitch him up.

 SKINNER: I need you to trust me.
 SCULLY:  Why?
 SKINNER: Because we're in this together.  As of now, we're
          partners.  Or at least until we get out of this.

 Scully stares long and penetratingly at him.  He meets her
 gaze unflinchingly.

 SCULLY:  (Finally)  Then yes.  I trust you.

 Skinner just nods, and lies back, while she returns her
 attention to his leg.

 SKINNER: Thank you, Scu...I mean Doctor Kimble. 

 He emphasizes the "Kimble", raising a questioning eyebrow.

 SCULLY:  My mind went blank.
 SKINNER: Why Kimble?
 SCULLY:  I rented "The Fugitive" last week.
 SKINNER: You're a Harrison Ford fan?
 SCULLY:  Tommy Lee Jones, actually.  

 Scully finishes stitching, and bandages his leg then sighs
 and puts down the equipment.

 SKINNER: You need to get some rest.
 SCULLY:  Later.  (lowers her voice) Right now we need to decide
          what to do.
 SKINNER: (Runs a hand over his eyes)  I'm fairly low on ideas,
          at the moment.
 SCULLY:  (Begins to pack up the surgical equipment)  Well, you
          do have a good excuse.  You have just been shot, after
          all.
 SKINNER: I know.  But I'm gettin used to it.  (She shoots him a
          look.) 

 Scully rises and puts a hand on his shoulder.

 SCULLY:  Get some rest...Sir.  It's going to be a long night.

                               *     *     *

                               END OF PART 4


Sharon Nuttycombe
avalon@terranet.ab.ca
celtic@freenet.edmonton.ab.ca

"It's unpleasantly like being drunk."
"What's so unpleasant about being drunk?"
"Ask a glass of water." -- Hitchhiker's Guide to the Galaxy



Sharon Nuttycombe
avalon@terranet.ab.ca
celtic@freenet.edmonton.ab.ca

"Knowing's easy.  Everyone does that ad nauseum. 
 I just sort of hope." -- Doctor Who



Sharon Nuttycombe
avalon@terranet.ab.ca

--"I have as much respect for the chain of command as the next guy.
--Only if you're standing next to Fletcher Christian." -- Adderly

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