A marvellously witty, ineffably graceful rondo of passions and perversities animating the Boulevard du Crime, home of Parisian popular theatre in the early 19th century, and an astonishing anthill of activity in which mimes and mountebanks rub shoulders with aristocrats and assassins. Animating Jacques Prévert's script is a multi-layered meditation on the nature of performance, ranging from a vivid illustration of contrasting dramatic modes (Barrault's mime needing only gestures, Brasseur's Shakespearean actor relishing the music of words) and a consideration of the interchangeability of theatre and life (as Herrand's frustrated playwright Lacenaire elects to channel his genius into crime), to a wry acknowledgment of the social relevance of performance (all three men are captivated by Arletty's insouciant whore, who acts herself out of their depth to achieve the protection of a Count, establishing a social barrier which Lacenaire promptly breaches in his elaborate stage management of the Count's murder). Flawlessly executed and with a peerless cast, this is one of the great French movies, so perfectly at home in its period that it never seems like a costume picture, and at over three hours not a moment too long. Amazing to recall that it was produced in difficult circumstances towards the end of the German Occupation during World War II.

Direction: Marcel Carné.

Screenplay: Jacques Prévert.

Photography: Roger Hubert.

Editing: Henri Rust, Madeleine Bonin.

Music: Maurice Thiriet, Joseph Kosma.

Arletty...............................................................Garance

Jean-Louis Barrault................................Baptiste Deburau

Pierre Brasseur.....................................Frédéric Lemaître

Marcel Herrand..........................Pierre-François Lacenaire

Pierre Renoir.........................Jericho, the old clothes man

Maria Casarès....................................................Nathalie

Louis Salou..............................Count Edouard de Montray