Date: Sat, 11 Jan 1997 23:31:35 -0800 (PST)
From: StreetWrites 
Subject: {poetry} EXERCISE: Getting Started

This grew out of a request from Judy.

Judy, you asked if I sleep.  I'm not sure -- could you define that word,
please? 

Actually, I do -- I just rarely keep regular hours.  Especially if I get
caught up in something; I'll run till I drop, sleep until I'm rested, and
hop back into it.

I often have a mental picture of myself as a three-year-old, eyes
squinched almost shut, pouting, "I am not so EITHER sleepy!" 

On to the exercise --

Getting Started.  And Re-Started.
---------------------------------

	Priming the pump.  Booting the disk.  Goosing the muse.
Overcoming a blank piece of paper before it overcomes you.

	How do you get an idea?  How do you decide how to tell it?  Where
do you start?

	What do you do when your mind goes dead on you and you are certain
you will never write anything more than shopping lists and rent checks for
the rest of your barren life? 

	I'm going to list a number of ways to Start It Going that have
worked for me, for friends of mine, and for writers who have at least
managed to write whole books about writing (also some excellent poetry and
fiction).  I will let you play with them.  Then I invite you to contribute
your own tips for tickling the muse.

Why Do You Write?
-----------------

	This is one of the uses of what you learned in the exercise "Why
Write Poetry?"  Often just recalling what the reason was that we sat down
here with the page is enough to get us started. 

	"Why do I want to write?"
	"I want to give a voice to the homeless, to all the invisible
people."
	"There's a man sleeping in the doorway.  What's his story?"

	"Why do I want to write?"
	"I want to create works of beauty."
	"What's the most inspiring sight in front of me?"
	"The sunrise reflected in the glass and steel of the building
across the street.  One white seagull gliding across."
	"Write it."
	
What Interests You?
-------------------

	Many beginning writers spend a lot of time trying to find
something that "people" will be interested in reading about.  When they do
find a "marketable" idea, they often spend a long time trying to think of
something to say about it.

	Because they, themselves, really aren't all that interested.

	Find one thing going on, one thing that you can see right now,
that you are curious about, care strongly about, want to spend some time
on.  Write about it.  Put your passion into it.  *Make* other people be
interested in it.

What Aren't You Saying?
-----------------------

	When a person grows very quiet in a group conversation, sometimes
it is because she is holding back something.  If she spoke just now,
she might say something angry or bitter, and make others mad at her.  Or
her voice might shake, she may cry, and that would be embarrassing.

	It's the same for writers.  Many cases of "Writer's Block" re the
mind spiralling around between "I have to say this" -- "I can't say that" 
-- "I have to say this" -- "I can't say that" ...

	Say it.  You don't have to show it to anyone.  Saying the Thing
You Can't Say will make all the other sayings easier.

Take a Walk 
-----------

	It may be the rhythm, it may be the change in focus, it may be
getting more blood moving to the brain, but a lot of writers find getting
out and taking a walk to be a good way to get their words moving.

	When I first started writing poetry, a regular exercise I used was
walking down the street, describing what I saw.  I still use it.

	Wordsworth and Coleridge used to hike together and compose, each
in his own head, in companionable silence.  Some of the resulting poems
were Wordsworth's "Tintern Abbey" and Coleridge's "Rime of the Ancient
Mariner".  They were published together, with the rest of the poems from
these walks, in -The Lyrical Ballads-. 

Cultivate Crazy Friends
-----------------------
	
	An awful lot of my poems result from late-night goof sessions with
my friend Dr. Wes Browning.  And whenever I need a situation for a story,
I start bouncing ideas back and forth with Wes until one of them clicks
and takes off for me.  

	I have a large number of correspondents on the web, and I am
constantly being stimulated by new ideas - and challenged by posed
exercises.  In grocery stores, computer cafes, and street corners I meet
Australian merchant seamen and students from Switzerland and Pakistani
refugees, all sorts of people with delicious lilts to their speech and
fascinating stories. 

	Writing can be an introverted job.  Turning our attention out to
others refreshes and refuels us.  Spending all our attention on
conversation and stimulus leaves us no time to write.  Sooner or later, we
have to turn inward to reflect and digest.  And write.  Like most things,
it's a matter of balance. 

	But crazy friends can be stimulating.  Believe me.

Get a Muse
----------
	
	You usually don't have a choice.  Muses seem to adopt you -
perhaps on the basis of some dim prehistoric contract, but without any
conscious choice you made in the matter.  One day a force grabbed the back
of your neck and a vice began yelling in your brain, "WRITE!"

	"Muse" is a name given to the source of inspirations - usually
compelling ones - that seem to come from outside of ourselves.  Words that
flow so swiftly and smoothly and *rightly* that they seem dictated to us. 

	"Muses" can be personified as everything from the Holy Ghost, felt
by someone writing inspiring Christian poetry, to Thalia the Greek Muse of
Comedy, whom I invoke for satires and parodies.

	Muses certainly get a lot of writing done.  Be warned, however --
they are almost impossible to control.  Muses will wake you up in the
middle of the night and say "Write!"  They will grab your attention in the
middle of a play or a party and say "Write!"  They have been known to
blank out the driver's window of your car, project a scene from a novel,
and yell, "Write!"

	This doesn't have to be explained as literal possession by an
external being -- unless you are completely comfortable with such a
notion.  Many people aren't.  Objectively and literally, it is far more
likely that the forceful "Write!" messages come from ourselves -- that
creative vein that you can call the intuition, the unconscious, the
oversoul, of the Itness of Is.  What I call myself.

	But I do find it useful, if I want to write something spiritual,
to pray first; if I want to write something funny, to invoke Thalia; if I
want to write something sensual, to invoke her sister Eros; etcetera.
Maybe I am just focusing my inner attention on the qualities i want to
embody.  

	But Thalia has such a distinctive voice ...

Something Old
-------------

	When I can't think of any new ideas, what I do sometimes is think
back to an idea I tried to write once, that I want to try again; or a poem
I wrote long ago, and lost, that I want to try to re-create.

Something New
-------------

	Sometimes it helps just to try a different style, or subject, than
you are used to.  If you always write rhyme, try blank verse; if you
always write blank verse, try writing a sonnet; if you always write
three-page poems, try haiku for awhile.  If you have written about nature
for the last five years, take a bus ride downtown and write a poem that
duplicates the sound of city traffic and other rhythms of the streets. 

Something Borrowed
------------------

	Pick on a favorite poem that is really distinctive, in form or
style.  Really pick on it.  Mimic it.  This can be a loving and respectful
mimicry, a parody, or a travesty.

Something Blue
--------------

	Are you feeling miserable because you can't write?  Are you
feeling sorry for yourself?

	Go for it.  Write about how terrible it all is, how lonely and
silent you are and your whole life is a wasteland and no-one understands
and out there all the happy writers are dashing back and forth chasing
bright and flitting words and there are no words left for you.

	You may even get a poem out of it.  You will, very possibly,
eventually start laughing. And living again.

Rant and Rave
-------------

	This one is from my friend Dr. Wes Browning.  He says, when he
wants to write something, he picks some one or some thing that he feels
very strongly about, and just holds forth, rants and raves and goes on and
on and gets it all off his chest, for pages and pages and pages.

	Then he puts it aside.

	A day or two later, he sits down and writes about the same subject
- in the form of a poem, a short story, or one of his satirical columns.

Shitty First Draft
------------------

	This term comes from Anne Lamott, in her writing book, Bird by
Bird.  She is talking about prose writing, but it is just as valid for
poetry.  A friend of mine said, making New Year's resolutions, "I have
edited myself silent for too long." When we are too busy critiquing the
words even before they get to the paper, we aren't WRITING.  Write first.
THEN edit.

The Back Burner
---------------

	I like to give my back mind an idea to chew on, then go on about
my business and let it stew.  Another friend of mine describes it as
putting an image or line in her pocket when she takes it out at the end of
the day, other bits have adhered to it, like lint.

	Your creative mind can work wonders with the oddest things.  Years
ago, I took a phone message for the man I was living with at the time, a
carpenter.  I didn't have pen and paper handy, and I was in the middle of
kneading bread dough at the time, so I tried to just remember the message.
Unfortunately, my mind was being very creative that week, and by the time
Gary got home, the only thing I could recall for him was, "A dryad called
from the woods today.  She said she'd call back at three PM Tuesday."

	I still have the poem I got from that.  However, I no longer live
with Gary.

Games
-----

	There is an endless and growing number of games you can play,
invented by writers to get writers going.  Some of the ones I have used:

Six Random Words, or the Sextrain
	Pull six words at random - from the dictionary, the newspaper,
signs on the street, wherever.  Try, as far as humanly possible, to make
the completely unconnected. 

	Now connect them.

	This makes a great poet's party game, with each person taking
turns throwing out a set of words. 

	Variations:
		) Each line of the resulting poem must contain one, and
		  only one, of the six words.
		) Each line must END with one of the six words.
		) Each line must BEGIN with one of the six words.

	You can invent your own variations.

Found Poems / Collagesque

	This writing game consists of assembling lines taken from other
sources.  No original writing is inserted; only original assembly.

List Poems

	There are many kinds of lists: list all the adorable attributes of 
your lover; list all the annoying attributes of your lover; list many
different things, good and bad, associated with "earth"; list a dozen
great idiots of history, culminating in Mayor Norm Rice (or figure of your
choice).  the great thing about list poems is, once you get started, they
can go on and on and on ...

First Line Challenges
---------------------

	This has proved a successful game between writers.  You may each
have a first line that has been rolling around on the back burner for
years without kicking up any sparks -- but if you trade them, whoosh!


Exercise : Getting Started
--------

Finally!  Let's write something!

Step 1:

Pick one of the listed ways of Getting Started and try it.  If it doesn't
work for you, try another.  When you do get a result, post it.

Guidelines for critique
-----------------------

Critique these poems as you would any poem.

Using the critiques
--------------------

This is general advice on critiques, for writers.  Use as much as you can
of any criticism.  But even when criticism is harsh, do not let it be
discouraging.  You have gotten started.  Don't edit yourself silent.

Step 2:

If you have additional techniqus that have worked for you, to start
filling up a blank page, please post them.

This exercise is not for critique.  If it works for you, use it; if it
doesn't, don't.


WRITE ON!
Anitra
-----------------------------------------------------------------------------
     "Beware of dragons, for you are crunchy and good with ketchup."  ABS
	   anitra@speakeasy.org   http://www.speakeasy.org/~anitra
	   thalia@speakeasy.org   http://www.speakeasy.org/~thalia

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