For the last time, Tibet returns to the theme of the Inmost Light with a very sad and depressive perspective on things. This is one of the best poems from Tibet ever (making it one of the best poems on earth). Also the most depressing poem he has written, along with the way in which his recites this poem. No intense feelings, joy or love or hate or fury, but mere sorrow.
Shirley Collins also makes a welcome appearance on the song, singing a slightly altered version of "All the Pretty Little Horsies" as an epilogue to the song.
Background noises are courtesy of Steven Stapleton (whom we think has finally created his most beautiful piece), and has very well succeeded in his endeavour. Better than ever. Noises vary from normal distorted sounds to the sounds of an abandoned shipwreck, all patched together seamlessly creating a very eerie atmosphere.
Art.
the starres are marching sadly home (epilogue)