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Life in the Australian Outback: Lexical Phrases
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Transcript: With lexical phrases highlighted.
It's night and Boss Dylan, an owner of a big station in the Australian
outback, is sitting out on the porch having a drink with his
wife Mary and a local policeman named Adams.
The conversation turns to the Aborigines,
the local tribal people.
A young Aborigine had threatened Boss Dylan a couple of days ago
as he rode around the station on his horse.
Part 1: A few after-dinner drinks:
- Adams: What's the use of arresting them and sticking them in the jug?
- Dylan: Maybe it'll stop them from doing it the next time.
- Adams: That's not my experience.
When I was in Kenya, jail was a solution for everything.
All that succeeded in doing was producing the Maa Maa (a rebel group).
- (Boss Dylan pops the cork on a bottle of wine.)
- Dylan: Africa is a different problem, the bulk of their population is
black. Our Aborigines are only a very small proportion.
- Adams: Not so tiny out here.
- Dylan: You know, some of them are getting pretty aggressive.
One of them stopped me the other day. Told me I was trespassing
on my own land.
- Adams: Trespassing, eh? That's a new one.
- Mary: Hang on a minute, darling.
Haven't they got a point? I mean,
it was their's in the first place.
- Dylan: Even so...
- Mary: Come on. Doesn't that give them some rights.
- Dylan: Well, of course it does.
You're talking to me as if I'm some kind of racist.
I've lived with these people all my life.
- Mary: You mean, you don't think they're inferior?
- Dylan: I think they're a long way behind us.
Yeah, I mean, I don't know how you compare one culture with
another, but a tribe out there like the Ginji has a life-style
about as primitive as you can get.
I mean, have they built a house, or turned a crop?
No writing, no technology...I beg your pardon...
They know how to build a fire.
- Mary: That's not the point.
- Dylan: They have lived in this country for 40,000 years and never
done a thing with it.
- Mary: Tell me what you'd expect them to do.
- Dylan: Well, use the place for god's sake.
I mean Australia is about the same size as America and before we
arrived it supported how many Abo's?
(Note: The word "Abo" is now considered an offensive word
that should not be used.)
Not even half a million.
To me, that's...(searching for the right word) inefficient,
primitive, useless...I mean I don't blame them,
but I don't want to sentimentalize them either.
They got a long way to go and...surely you agree Adams?
- Adams: You assume they're heading in the same direction as us.
Ever thought they don't want it?
- (The scene changes. All three are about to retire to their rooms for the night.)
- Dylan: When are you flying back to the Bluffs?
- Adams: Not til Friday, if that's all right by you.
Got to go back to the Ginjis tommorrow.
There's a big corroboree on (an Aboriginal sacred gathering
at night accompanied by group dancing).
- Mary: I've never seen a corroboree.
- Dylan: You haven't missed much.
Lot of dust, lot of noise.
- Mary: Is there a chance that I could go?
- Adams: I don't see why not.
Would the two of you like to ride over with us? (Question: SI)
- Dylan: No. Tommorrow's a heavy day for me.
I'll have to beg out.
- Mary: Well, I could go, couldn't I?
I'd love to see a corroboree.
- Dylan: Well, if you want to. It's all right by me.
Part 2: A husband-wife talk before bed
Boss Dylan and his wife are in their bedroom lying on the bed
talking.
- Dylan: Mary, I don't want you to go.
- Mary: Why?
- Dylan: I'd just sooner you didn't. That's all.
- Mary: It's going to be a break for me.
I'd love to see a corroboree.
- Dylan: The tribal grounds are thirty miles away.
You'll have to stay over night.
- Mary: Well, that's all right. I don't mind camping out.
I'm sure Adams will see nothing happens to me.
- Dylan: The man is a lush.
- Mary: He's a policeman. He's perfectly trustworthy. You know that.
- (As they continue talking, the camera switches to Adams sneaking
downstairs to steal some whiskey. Mary and Dylan's conversation can be
heard in the background. Most of the words are unintelligible.)
- Dylan: You miss a civilized life, don't you?
- (The camera switches back to Dylan and Mary's conversation.
They're in bed holding each other close.)
- Dylan: Why did you attack me at dinner?
- Mary: I didn't, silly. I just said what I thought.
Do you really want some tame little creature who's going to agree
with everything you say?
- Dylan: Sounds all right to me.
- (His answer makes her angry. She breaks from their embrace.)
- Mary: Oh Lance. (sigh)
- Dylan: Oh Mary. (sigh) I was only joking.
- Mary: It's just a little bit too close to the truth
for my liking.
- Dylan: What is the matter with you, huh?
- Mary: You don't really want a wife, Lance.
All you want is some live-in housemate to fetch and carry
for you, preferably without an idea in her head.
- Dylan: That's rubbish. I'd be bored to death.
- (She angrily pushes the door to the outside open
and steps out onto the deck. Dylan follows.)
- Dylan: What the hell's the matter with you?
You're so touchy.
- Mary: I am not.
- Dylan: I try to talk to you. You bite my head off.
- Mary: Something's happening to us, Lance.
- Dylan: What?
- Mary: I don't know...
- Dylan: I always thought we had a pretty good marriage.
- Mary: I used to, but you've become so obsessed with your cattle
and your damn prize bull, you just got nothing left for us.
- Dylan: Mary, you know the situation.
The bank owns more of this than we do.
For the next two years we can't afford to let up,
or we'll go under.
- Mary: Lance do you remember the last night you made love to me?
Well, refresh your memory, because I know precisely.
It was the night of the races, remember?
- Dylan: I do love you.
- Mary: Lance, can't you come with me tommorrow, please?
- Dylan: I have two miles of fencing to do.
- Mary: (sigh) Then I'm going alone.
- Dylan: You're not going.
- Mary: I am Lance.
- Dylan: All right, I'm not asking you anymore.
I'm telling you.
- Mary: Oh, go to sleep.
Part 3: Boss Dylan talks with a stationhand
Mary sneaks of after Adams leaves and catches up with him.
She's determined to watch the Aboriginal corroboree
against the wishes of her husband.
Boss Dylan sits on the porch with one of his stationhands
and talks with him about his wife.
- Stationhand: When you first brought her out here, I had my doubts.
- Dylan: She settled in pretty well.
- Stationhand: She hasn't settled in at all.
- Dylan: Hang on, she's lasted three years.
- Stationhand: She hates the place.
Let's face it mate.
This is no country for a woman like her.
- Dylan: Well, she better wake up to herself.
If she can't put up with the cattle country,
there are plenty of women who can.
- Stationhand: (Laughingly) Yeah, but she's the one you want, mate.
You don't want the others.
- Dylan: That's the trouble.
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Sentence builders: In order of occurrence.
Since the movie scene we've selected is basically a non-stop
argument, words and phrases that are used to assert an opinion
or to agree or disagree with an opinion dominate the
conversation. This is the vocabulary we will focus on here,
although some other vocabulary is thrown in for good measure.
The vocabulary here can be used to debate or argue about
the issues or discussion questions
included.
The emphasis here is on what Nattinger and DeCarrico (1992) refer to as
sentence builder lexical phrases that "provide the framework for
whole sentences."
These sentence builders contain a variable or slot,
represented by a capital letter X, Y or Z,
for the "expression of an entire idea." (42-44))
- What's the use of X.
- Maybe it'll X. (a possible, positive outcome)
- That's not my experience.
- All that succeeded in doing was X. (some bad outcome)
- X is a different problem.
- You know X.
- That's a new one. (Haven't heard that before.)
- Hang on a minute. (Objecting to a point just made.)
- Haven't they got a point?
- I mean X.
- Even so, X.
- Come on.
- Of course X
- You are X'ing as if Y.
- I think X.
- I don't know whether X, but definitely Y.
- X. I beg your pardon, I mean Y.
- That's not the point.
- Then tell me what you would X.
- Well, X. (considering)
- For god's sake.
- To me, that is X, Y, Z (negative characteristics).
- X. Surely you agree Y? (a person)
- You assume X. (false assumption)
- Ever thought X? (an contrary idea)
- Not til X. (a time)
- X, if that's all right by you.
- Got to X.
- I've never seen an X.
- You haven't missed much.
- Is there a chance that X?
- I don't see why not.
- I'll have to beg out.
- I'd love to X.
- It's all right by me.
- I'd just sooner you didn't.
- X. That's all. (limiting and adding emphasis)
- I don't mind X.
- I'm sure X.
- The man is an X. (a bad character trait)
- He's perfectly X. (a good trait)
- X. You know that.
- You miss X, don't you?
- X, silly.
- I just X. (downplaying what you did)
- Do you really want x?
- Sounds all right to me.
- Oh, X (a person's name).
- I was only joking.
- What is the matter with you?
- You don't really want an X. (a bad character trait)
- All you want is a Y. (a bad character trait)
- That's rubbish.
- You're so touchy.
- You bite my head off.
- Something's happening to us.
- I always thought X.
- I used to X.
- Damn X.
- X, remember?
- X, please? (a request)
- All right, X. (changing your attitude)
- Hang on, X. (a contrary point)
- I had my doubts.
- She X'ed pretty well.
- Let's face it, X. (a fact you don't want to face)
- This is no place for a girl like you.
- That's the trouble.
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Content words: Sorted by schema or topic
The following are some possible ways to classify the vocabulary of
the movie scene.
Lexical phrases are listed and grouped by
the schemas or topics they might invoke in the mind of a reader.
Students should be encouraged to come up with their
on original categories also.
You might brainstorm with the class on words and phrases
relevant to the topic of the scene.
Get the class to suggest some ways to group
the words and phrases in the vocabulary.
You can arrange them on the board as a mind-map.
- THE AUSTRALIAN OUTBACK:
- a station
- to trespass
- to turn a crop
- a porch
- camping out
- thirty miles away
- stay over night
- THE BUSINESS OF RUNNING A STATION:
- fencing
- the boss
- a station
- a property
- a ranch
- a farm
- a station owner
- a grazier
- a stationhand
- a stockman
- a ringer
- a jilleroo (female)
- a jackeroo (male)
- a heavy day of work
- take a break
- can't afford to...
- to let up
- to go under
- to beg out
- a horse
- prize bull
- tame
- creature
- ABORIGINES:
- a civilized life
- tribal grounds
- rights
- primitive
- a racist
- heading in the same direction
- a corroboree
- MARY'S LIFE IN THE OUTBACK:
- to bring her out here
- to settle in
- she has lasted three years
- she better wake up to herself
- put up with...
- to miss something
- You haven't missed much
- life-style
- NEGATIVE THINGS YOU CAN SAY ABOUT OR DO TO SOMETHING:
- inefficient
- blame
- got a long way to go
- ALCOHOL:
- after-dinner drinks
- have a drink
- a lush
- MOODS/EMOTIONAL STATES
PERSONALITY/CHARACTER:
- aggressive
- bored to death
- touchy
- You bite my head off
- obsessed with...
- trustworthy
- sentimentalize someone
- ROMANCE:
- darling
- embrace
- holding each other close
- DESCRIPTION:
- as if...
- some kind of...
- about as...as you can get
- I mean...
- EXPLETIVES/EXPRESSING ANGER OR IRRITATION:
- What's the matter with you?
- your damn...
- for god's sake
- CONCEDING/TRYING TO CALM SOMEONE DOWN:
- ..., silly.
- I was only joking.
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Bibliography
- Nattinger, J.R. and DeCarrico, J.S. (1992)
Lexical Phrases and Language Teaching, OUP
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