a critic
 
 
 
there is clearly talent, imagination and creativity
in the production... bill wertz’s design is both stylish and clever
IRISH TIMES
(the rivals)
 
 “the set was brilliant
SUNDAY PRESS
(cinderella)
 
“perhaps the best thing about the production is bill wertz’s witty
costume design which has all the panache of necessary invention”
SUNDAY TRIBUNE
(twelfth night)
 
twelfth night
 
“bill wertz created a set with a sound feeling for the needs of the play”
IRISH TIMES
(insignificance)
 
“the costume design by bill wertz has been attended to with an eye as careful as it is inspired... an equally ingenious set”
IRISH PRESS
(a midsummer night’s dream)
 
midsummer
 
  “gorgeously costumed - like noel coward with exotic variations poor noel couldn’t dream of”
CORK EXAMINER
(twelfth night)
 
“the sprawling, colourful set accomodates variety and pace, and is an integral part of the fun”
SUNDAY INDEPENDENT
(streets of dublin)
 
streets of dublin
 
the setting by bill wertz was clear-sighted and stylish”
IRISH PRESS
(love’s labour’s lost)
 
a most ingenious setting by bill wertz
overcomes the difficulties of a space not designed for theatre”
EVENING HERALD
(cinderella)
 
the costumes are a spectacle in themselves”
IRISH TIMES
(twelfth night)
 
twelfth night
 
“bill wertz did the scenery with a measure of inspiration”
IRISH TIMES
(a midsummer night’s dream)
 
 
 
 
 
 
CV
 
 
television
 
graphics
 
 
wertz@earthling.net