Monomania

The Unknown Masterpiece
Gambara (gmbra10.txt)
Search for the Absolute

The Unknown Masterpiece

The story that Picasso loved, in which the great artist, Frenhoffer, has been slaving away for ten years on a painting so beautiful and so unutterly perfect that he loves it as his mistress. Frenhoffer's pupil Porbus, and a young artist called Nicolas Poussine are finally allowed to view the miraculous painting" and when then they are shown the work it appears to them all they see are "blocks of different colour in a confused mass bound by a multitude of weird lines which form a wall of paint." (Robb, 198-9) Sounds like an abstract painting one hundred years before they existed! As in the short story Gambara "the dream of impossible perfection destroys the work itself." (Robb, 10,199) (Very Short, Le chef-d'oeuvre inconnu, hmstp10.txt)


Gambara (1831-37)

A philosophical study of music in which a composer's "dream of impossible perfection destroys the work itself." (Robb, 10)

As Balzac concocts strange tortuous plots that some find unpalatable, so the mad musician Gambara and the mad chef Giardini concoct music and dishes that no one can listen to or eat, unless of course they are drunk, then they are masters of their art. Hunt's synopsis says it all:

Gambara is an eccentric musician who has settled in Paris after much roving, and within the domain of his art is pursuing a chimaera similar to Frenhofer [The Unknown Masterpiece]. In his view music has its roots in physics and mathematics, and is therefore a science as well as an art. As a composer--he has also invented a fantastic instrument, the pan-harmonicon--he is trying to go behind and beyond the established rules and principles of euphony and build his magnum opus on a purely intellectual theory of the relation between sound, thought, and emotion. The result, when he tries out his composition on an audience, however sympathetic, is a series of excruciating cacophonies which earn him his repute as a madman. (Hunt, 142-3)

If Gambara is a genius, he is also poor and lacks basic survival skills. Luckily, he has a faithful and devoted wife who makes up for this deficiency. The wife finally grows tired of this life and runs away with another man. The other man, in turn, grows tired of her, so she returns to her husband and her life of drudgery.

Some have suggested that the detailed plan for an opera "Mahomet" that Gambara treats the reader to was actually a hoax concocted by Balzac and the composer Hector Berlioz. (Hunt, 143)

(Short, Gambara, gmbra10.txt)


The Alkahest (Search for the Absolute) (1812-1824)

In which "a fanatical scientist twice sends the family fortune up in smoke in his search for the principle of matter." (Robb, 256)

Balzac's tale of an addictive personality. For fifteen years Balthazar Claes was a model husband and head of an old aristocratic family, but one day in 1809 he meets a Polish visionary and everything changes. He becomes obsessed with building a machine that will reduce all elements to one element and provide him with the principle constituent of electricity....or something like that...its all a little unclear. Over a period of 20 years and a series of intermittent repentances followed by unrepentant obsessive research, he wastes away every penny of the family fortune, leads his wife and kids to utter destitution, and dies. With a little bit of melodrama engineering, and "the financial ingenuity of the two lovers [his daughter and her sweetheart], the generosity of relatives, the benevolence of public officials and convenient marriages" Balzac manages to save everything at the last moment and provide the reader with a happy ending. (Hunt, 69-71)

The portraits drawn of Balthazar and his wife are superior. The portrait sketched of the love between their daughter and her sweetheart might provide a good model for the modern genre of the romance novel but for other audiences it will probably be a little trying. He charts...

...their progress as sweethearts from timid appreciation through observant respect to silent tenderness--a sequence of emotions which twentieth century youth is likely to find unentertaining and unconvincing. Perhaps the early nineteenth-century taste for glozing over the physical and instinctively egoistic elements which are present even in virtuous love...is what most separates Balzac from novelists and novel readers of today (Hunt, 70)

Comic relief: The machine he builds spits out a synthetic diamond during his five year absence. Even as lies dieing Balzathar is attacked by one last strong bout of inspiration....just let me try it one more time...

(Long, La Recherche de I'Absolu, lkhst10.txt)