. of a poem .


materials, i.e. materials derived from objects out of focus, source,
a sonic structure that forms around the construct some, the discovery,
equipment that were available at any - not all written words influences,
goes beyond the arrival time to position information is obtained,
make it wet : a moment later – infinite levels of specific frequencies,

other forms of occurrence – taken out immediate surroundings,
these surroundings and their resulting materials to utilize in different,
letting the sounds "speak" for themselves has been an objective from,
of music into a different context and focus of perception,
the focal point is somewhere inside of these sonic elements hide in the shadows,

data are from materials relating to the experimentation and research,
of site specific sources and my response and interaction,
from modal impressions of original results from a microscopic perspective,
continues the context is of the utmost importance, allowing for natural,
placed into various locations - significant comprehension extracted from,

lead to un-conceived of possibilities,
stream in particular spatial locations,
ones environs, not from a passive stance,

between moving slight intensity differences sound sources as well as the focus,
dynamical situations - reckoning with are poetry possible but very unlikely situation,
perceived purpose applied switch the attention of vibrations that reach the work,
out using different types of processes and affect perceptions and contribute to specific site,
listen to sounds as sounds, - inside the impressions and transitions only allowing,

or distorted in some way, but many are simple as a still life – the current focus is,
these materials (some processed and some not) were searching into the – installations,
line of work is sound generation and sound capture as this can to create artificial,
rudimentary positions sonic matter is presented in an atypical variation of some a perspective,
applied as building blocks for constructions of organized sound - sometimes a score,

then was created to work from, but environs audio is obtained then applied in whatever,
the result of several from sources that were of non-musical diverse arrangements of an,
an improvised manner early on, observer – the goal of this not all visual art is sculpture,
objects confines my most recent work has been about considerations infinitesimal micro worlds,
of some materials when unintended that is improbable to investigate the interplay mostly,

much like a sonic photograph,
the later stages of development,
fabricate a listening situation,

the out on it's own (just occurrences that are documented) - some of these sonic photos,
sounds of a musical nature - alterations this was carried out in, just as all audio art is not musical,
attributes of initial conditions – the - over the last few years audio out of focus glance,
a diverse assemblage of circumstances as a backwards of music the early years were spent,
that went into this current direction on derivative perceptions,

phenomena to come constant interface with sonic elements allowing the perpetual involvement,
capture and audio processing techniques most of or locations that were not intended to generate,
casual consciousness, manner makes itself available given the inherent of true nature of the,
sky circumstances simulated localities from collective recordings pull an audio are archived,
meaning and has been refined even further to remove as much intention as is feasible,

on letting sounds become objects with which to– a chance to a faint glimpse at,
some piece on experimentation in audio– this line of work from the fluctuations,
the real identity an and then were then carried occurrences - objects find partial,
surroundings to permeate and has continued to be more of a concern in of context audible,
sources and informations – the following from of direct involvement,

given the current set of materials,
air pressure the mixture of,
other of these aural components,

given time as that often go outside micro – sonic unnoticed by are slightly, representation,
and from different – locations characterized by sound, objects coaxed into auditory,
chance acoustic sounds with substance is, out of the come out into the light by applying to,
formed into reflection of the current surroundings the audio captured was not as in different,
with conceptual sites - of some of the most interesting situations get it dry with but from ear,

caused by sound waves -