Discussion topics:
Dexter:
This is more press than we've ever seen in our entire lives. More
press than America.
Noodles:
Anywhere. I feel like we should be doing a puppet show or
something up here. It's weird.
You've made the
biggest selling independent albumof all time. How does that make
you feel?
It hasn't
really changed our perspective, or the way we do things. We've
stayed with the independent label. We've stayed with everybody
that we were with. We have the same booking agents and all that
stuff, so, we really are trying to let it affect us as little as
possible.
So you're
not thinking about moving from the independent label to a major.
That's not
what we're doing now. We're renegotiating with Epitaph for more
records. I don't feel that you have to compromise what you want to
do in order to further your band's interest, as I think we kind of
showed by staying on Epitaph. I don't know what more a band could
ask for. We've managed to do it this way, so we're happy where we
are. We feel like they stuck by us when no one else wanted to sign
us, and we want to be loyal back to them, too.
What other
bands have been your inspiration?
The
bands that tie us together as a band are a lot of the bands that
came from the same area that we're from, from Orange County. It
was a lot of the punk bands at the time, as well as the Dead
Kennedys from San Francisco. But down in LA you had TSOL, Agent
Orange, Adolescents. That's the kind of music that's tied us
together. As well as Simon and Garfunkel and Abba.
Everyone
likes Abba, right?
Why do you
think your kind of music is so popular right now?
I don't
really know. I think we're the wrong people to ask. You have to
ask all the kids out there. The music's been around a long time.
People used to say, "Oh, punk is dead" or whatever. It was never
dead. It just kind of existed at a lower level. I think maybe kids
nowadays relate to the music a little bit more. I think there was,
at least in America, more of an illusion of an American Dream and
a good life and all that during the Reagan years that people kind
of bought into. And now I think people are realizing it's not
really all true. A lot of things punk bands sing about are
something that they now are starting to relate to.
Do you
relate to the punk bands of the 70s.
Yeah.
The bands that came out of that era were some of the first bands
we started listening to. Bands like X, the Germs. The Dickies is
one of my favorite bands. The Dickies and the Sex Pistols were the
first two punk rock records that I got and they dramatically
changed my life.
And the
Ramones. Bands like that too. There's been a lot of
different....You call it all punk rock, but there's a lot of
different styles of bands all the way from the Sex Pistols to the
Dead Kennedys to Bad Brains to Green Day, or whatever. But I think
there's a common thread throughout all the bands and all the
times. There's a real attitude in the music. It's a real
rebellious kind of fuck you attitude about it, and the music's
real energetic, and the lyrics generally talk about something that
is kind of real.
As
opposed to just like girls and cars.
Yeah, get
in my hot rod and let's go for a ride, baby. There aren't too many
punk bands that sing about stuff like that. We relate to all that
stuff because I think there's a common thread that goes through
all of it.
Is there a
difference between the punk rock now and the punk rock of the 70s?
It sure
sells a lot more now, doesn't it.
Everyone these days - at least all the big labels - punk seems to
be where the money is right now, or at least it's one the new
areas where there's money. Everyone seems to be scrambling to that
unfortunately. We don't want punk rock to became a label for
selling jeans and cars and things like that. It certainly has
changed since the 70s when it was really brand new and cutting
edge, but it's been happening ever since. Punk rock has never
died. It's always been building, just at an underground level.
Because
there's been something real about it. Unfortunately, it does seem
like it's becoming exploited more by major labels and that kind of
thing. You really saw this whole thing happen with grunge, where
it started off mainly on Sub Pop and out of Seattle, and then all
of sudden a couple of bands broke and then it became this big
fashion thing, and they sell grunge clothes at fashion stores. And
then it becomes totally ridiculous. It becomes a parody of what it
was meant to be, which was something which was anti-establishment
and all that, and then what's left to do except move on to
something else. And right now a lot of people are kind of seeing
punk rock that way, I think, because it's starting to get more
successful. And I don't really know what we can do about that
except try to stick to what we want to do. At this point we still
stuck on our old label and we're trying to not make a joke out of
it.
You guys
come out of the old punk generation. Do you identify with the
young punks out there now?
I like
the fact that we have a young audience. The young people are the
ones that are always very idealistic and still have some hope.
They're just coming of age and they're faced with all the crap
that we all came to realize at some point - that this world really
isn't as nice and neat as everyone led us to believe, and yet they
still remain idealistic about it. They don't get jaded yet or
cynical yet. I'm stoked that we have that audience.
Maturitywise, we're also about 12 years old, so we relate to the
young kids really well, actually.
On a
different subject, you started your own label, Nitro.
Yeah I
did. There were bands that we've been friends with for a long time
that haven't been as fortunate as us. We go picked up by Epitaph
and that helped us out a lot, but there are a lot of friends of
ours who didn't have that kind of break. And once this record
started doing well, I had the opportunity that I felt to help out
some of these bands. So, I picked up Guttermouth and put out their
record, and recently I put out the Vandals. For my label, I want
to promote bands from where we're from, which is Orange County, so
I'm focusing on Orange County punk rock. But I'm really stoked on
the idea that if we could actually help other bands that come up,
that's what we want to do.
Is there
any competition between Fat Mike's Fat Wreck Chords label and
yours?
Oh, his
label sucks, man (laughs)...No not at all. We talk all the time.
We call each other on the phone, we help each other out. The
Offspring has taken Fat Wreck Chords bands on the road, and NOFX
has taken Nitro bands on the road, so it's a good situation.
There's enough room for everybody. There's plenty of good music,
and everybody should be helping each other out.
What about
the first record - what do you think when you hear that now?
As bad
as therest of the shit. A little bit faster. It's pretty raw - we
were still pretty young then.
We were a
pretty bad band for a long time actually.
We
still are.
We decided
to be a band without having instruments. We just kind of decided
and went out and bought stuff. We didn't know how to play
anything, we never took lessons and we just messed around, so,
it's taken us this long just to become mediocre.
You say
your roots are grounded in Orange County. For those that have
never been there, what's it like?
It's a
real conservative place, it's like houses and back yards, that's
the whole of Orange County.
It's like
being beaten over the head with mediocrity. There isn't much to do
except go and work in McDonald's or something. Yeah, it's a
different set of circumstances than you have in the city where
there's drugs and guns and probably more violence and that kind of
thing, but the suburbs kind of kill you in a different way. You
have so many kids that are just so bored.
Yeah,
the Vandals have a new record out and one of their lines is
"Orange County is not the breeding ground for blues," but what it
is a breeding ground for is complacency. And there's just a lot of
emphasis on image - look clean cut, drive a nice car, get a
decent career. And as we were growing up, we started to realize
that there's a lot more to life. You know, a lot of the values and
images you want to place upon us are just plain bullshit. It's all
a reaction to that.
It's
bullshit to see all the people around who's only goal in life is
to grow up and be a dentist and drive a Mercedes Benz. It just
didn't seem real to us.
Do you
consider yourself an underground band?
It depends
what you mean by underground. The fact of it is that we're very
much thrown into the mainstream at this point as far as the way
we're perceived and the number of records that are out there. As
far as the way we feel and what we do musically, I would say that
we're still different than a lot of the stuff that's out there, so
in that sense, I guess you could still call us underground.
What I
see happening in a lot of music right now is - and I think it's
favorable for the whole music scene - there's a lot more common,
salt-of-the-earth kind of feel in the people playing music right
now. Bands like Weezer and even Pearl Jam - a lot of these people
to me seem to just be decent people. They're not adopting all
these rock star trappings. It's not really underground anymore in
the small clubs, it's just a common...
It's
getting better. When we were starting the band, the glam rock
things was so big, with bands like Faster Pussycat and Poison, and
I just despised that shit. The rock star, bullshit attitude. It
was so lame.
The Ted
Nugent's of the world.
It was so
conceited. And not that all rock bands are like that, but there
was a lot of them, it was very popular. And I just fuckin' hated
it, and we were never like that, and none of the punk bands we
knew were like that. It was a very down to earth kind of thing,
and you're seeing a lot more of that now, with bands like Pearl
Jam and stuff, and I think it's really cool. It's a good sign.
How come
you didn't print all the lyrics for Smash?
Basically
we were kind of lazy when we recorded our record. We had no idea
anything would happen with this record and we were on tour with
Pennywise, and we were having a tough time finishing the record,
and I'm really bad about writing lyrics, and they said, the only
way we're going to get this record out is if we just print up the
sleeves even though you haven't finished up the lyrics yet,
because we hadn't finished recording. Basically it's because the
lyrics weren't written yet for some of the record.
I
wouldn't really say lazy, I would say disorganized.
We did go
back, and later, the second pressing had all the lyrics in it. So
some of them have and some of them don't.
You used
Tom Wilson as a producer for both albums. What about that?
When we
were talking about the bands we were influenced by growing up, all
their records were produced by Tom Wilson. The Adolescents, TSOL,
all the Vandal's records, the Dead Kennedys. We were just amazed
because we loved those records so much that we kind of tracked
this guy down. We had to find him, and he agreed to do it, and we
got along really well and we just used him ever since. We've
recorded everything together for about 5 years.
Actually more like 6. Since 89.
He's
really helped us out a lot. It's good to have him along.
Where do
you think Offspring will be in 10 years?
That's
when the drug abuse is probably gonna kick in.
Yeah,
we'll be reaching alcoholism....In 10 years...I don't think we'll
be around in 10 years. I think we'll be onto something else.
We'll
be close to retirement by then, I think.