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"In the spring [of 1981], the Project stated working at my house on the new record. Then we moved over to the Wherehouse, where we developed songs by Charlie Farren ("East Coast, West Coast") and David Hull ("Dirty Little Things" and "Buzz Buzz"). We cut a version of Elvis's Heartbreak Hotel," intended as a single. I took a shuffle I'd been working on and turned it into "South Station Blues." The record, originally titled Soldier of Fortune, was produced by Bruce Botnick, who had worked with the Doors as an engineer and had produced their last great album, L.A. Woman. We brought the Record Plant's truck back up to Boston, parked it on Washington Street in front of the Boston Opera House, and cut the album inside the elegant but decrepit old theater."
"We mixed the album at the Record Plant in L.A. Columbia released the album as "I've Got the Rock 'n' Rolls Again" in the summer of 1981 and promptly buried it. Nobody ever even heard it except for the hardest of the hard-core fans."
"We recorded the "I've Got the Rock 'n' Rolls Again" record live--most of the vocals on the record were live reference vocals--recorded with the intention of re-doing them more carefully later on. Joe decided he liked the way they sounded and so we kept them. Plus Joe and I had co-written some of those songs and hadn't really tightened up the lyrics completely."
"It really is a grunge record in the truest sense of the word."
"The Project really began work [on "I've Got The Rock 'N' Rolls Again] at Boston's Opera House, 20 minutes away in the city's notorious "Combat Zone." "Every day there'd be something going on," Perry laughs, "like pimps beating up their whores right in front of the sound truck. It was pretty heavy."
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