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Clan
reunions replace 'cañao'
tradition in Benguet by
Maurice Malanes, Philippine Daily Inquirer, 9 May 2000 TIME
was when the mountains of Kibungan town in Benguet would
echo the beats and rhythm of gongs and solibaos (native drums)
and the cries of pigs and carabaos being slaughtered and
offered to the gods and spirits during traditional feasts called
cañao or pedit. Abundant
farm harvest and good swine and cattle production would
be enough reasons to hold the cañao. In
these feasts, members of the community would gather in the home
of the host family to dine and wine, to dance the sadong (usually
performed by girls and women) and the tayaw (usually done
by men), and to sing the day-eng (an extemporaneous chanted
poetry). For
the host family, the cañao was a way of sharing with the rest
of the community blessings the gods and spirits bestowed or
what may be considered the family's surplus. The cañao or pedit
is thus a thanksgiving feast. In
thanking the heavens, a traditional priest would pray: ''O gods
and spirits of the heavens, bless members of this family (referring
to the cañao's host family). Let their cattle and livestock
become more productive. Let their rice, peas, grains, camote
(sweet potato) and other crops bear good harvest. Spare this
family from ailments and bless the family members with long,
healthy lives. O gods and spirits, we are asking all these so
that tomorrow or one of these days, we can again celebrate your
blessings for this family and have the chance again to honor
you and pay our respects.'' As
a community affair, the cañao or pedit had also served a social
purpose. Through this affair, each member of the community,
in the spirit of bin-nadang or cooperation, would help
out in all activities. The
whole community would gather firewood, pound rice, fetch water,
slaughter animals and cook, and would participate in religious
rituals, such as dancing the sadong and the tayaw, playing
the gongs and drums, and joining in the religious chants.
In the early days, the cañao had thus helped strengthen community
spirit and unity. Also
through the cañao, families and clans were able to trace their
blood lineage and family tree. Vanishing
tradition But
in Benguet towns, such as in Kibungan, which used to hold traditional
feasts at least twice or thrice a month until three to four
decades ago, the cañao is now slowly vanishing. The
reasons are both economic and cultural. In Kibungan now, there
just are not enough animals to butcher, unlike in the early days
when, as Lakay (old man) Paguli recalls, there were more animals
than people. The
mountain town, which is 67 kilometers northeast of Baguio City,
also used to be self-sufficient in staples such as rice and camote.
These
days, however, Kibungan folk have to buy their rice from Baguio
because of a growing population and the lack of government
support services, such as small irrigation systems, to
improve farm production. Populated
by about 16,000 Kankana-ey folk, Kibungan has also been
saturated by various Christian sects, some of which preach
that the cañao tradition is ''unchristian,'' if not ''the work of
the devil.'' But
as more and more Kibungan folk are turning their backs on the
cañao tradition, more and more are also looking for ways to restrengthen
community spirit and family and clan ties. Clan reunions
have thus emerged in recent years. Tracing
ancestry Like
the cañao, clan reunions enable members to get to know one
another better by tracing common ancestors. Unlike
the cañao, however, each family head of the clan contributes
to the cost of holding a reunion. In
the recent grand reunion of the Gelwan-Dangsuyan clan, one of
the biggest in Kibungan, for example, each family head chipped
in P150 mainly to cover the cost of lunch and dinner. Each
one of the over 500 clan members gathered was excited and
happy about the grand reunion held in the home of Ganaya Bay-an
Bolislis, the only surviving elder of the Tamang sub-clan.
But
the grand affair apparently lacks the festive mood of the cañao
of yore. The affair was rather formal, complete with a program
of activities, during which all sub-clans were presented on
a stage installed with a sound system. There
was a spice, however, to all the formalities: each sub-clan presented
ice breakers, such as country and folk songs and children's
dances, which integrated traditional dance steps. Folk
singing And
the singers, mostly young men and women, were good at aping
the late John Denver, Kenny Rogers, Joan Baez and other American
country and folk singers. Some
elders did not want to be outdone. Gaerlan Wance and Celino
Cayad-an, both World War II veterans, sang songs they learned
from their American senior officers in the last war. That
American country and folk songs are tops in Kibungan and
other Benguet towns is an interesting subject for sociocultural
research. But that's another story. What
is clear is that cultural practices accompanying the cañao tradition
are now on the way out. The
mambunong (a traditional priest), who leads the religious rituals
in a cañao, no longer has a place in a clan reunion. In the recent
Gelwan-Dangsuyan grand reunion, for example, a young Pentecostal
pastor, who married a woman of the clan, led members
in a praise and worship rite. Guitars
and sound systems have replaced the beats of gongs and
drums. Hawaiian dances performed to the tune of ''Pearly Shells''
and ''Tiny Bubbles'' and other dances, such as one played
to some weird beat called ''Dayang-Dayang'' have replaced
the traditional sadong and tayaw. Hardly
heard now is the day-eng, an extemporaneous poetry that
is sung by elders as they pass around a common cup of tapuy
or rice wine. This
poetry is also a form of discourse because one leads and opens
up a topic, and another responds by agreeing or disagreeing
through metaphors and lots of folk wisdom-laden philosophical
thoughts. Cultural
artifacts, such as traditional dresses and heirlooms, can be
preserved in museums. Not so with a cultural heritage such as
the day-eng, which has to be continually practiced for it to continue
to breathe life.
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