Susan Scott & Eyton-Jones Art night
david.nicholson,s

Recent Oil on Canvas by Susan G. Scott
& Opra with Susan Eyton-Jones

MONTREAL/WESMOUNT HOME PAGE


david.nicholson's
................. May 17, 1998 & Updated Monday, August 30, 1999 ,,,,,, www.Wednesday-Night.com
Wednesday-Night.com





Wednesday Night # 838

March 25, 1998

A larger than usual group gathered in the Nicholson dining room on Wednesday March 25, for a different kind of evening. The main theme was the arts. The guests were congenial and relaxed. At the end of the evening, most stayed on in order to listen to the magnificent voice of Susan Eyton-Jones and to chat and socialize with the artists.

Exceptionally, the evening began in the Nicholsons' underground amphitheatre, where guests were treated to a panoramic view of the works of artist Susan Scott, who provided her commentary. On returning to the salon, the artists were presented:

Literature:

Mackay L. Smith
  • Mackay L. Smith (64), author of "The Jews of Montreal and Their Judaisms. A Voyage of Discovery". Irwin Block The Gaxette "What's a nice left-handed laundryman from Upper Westmount like you (doing) writing ... a book about the Jews of Montréal?" .. squash, geopolitics, photographer and ex-carouser. ..A good read. e-mail here $19.95


Prof. Gerald Ratzer
  • Prof. Gerald Ratzer Computer Prof. McGill on cpu Jobs

    Patron of the Arts and Impressario:

    Susan Eyton-John Susan Eyton-John
    • Sandra Wilson début

    Opera:

    • Susan Eyton-Jones, soprano who has performed in Europe as well as North America and Opera with Susan Eyton-Jones



      Susan E-J 324k
      This cut was recorded at Wednesday night and copied in mono 8bit low res [324k] other stero 16bit higher res. which takes up over 10 times the storage space and time to load. IS it worth it and can you tell the difference?
    François Séguin

    Art Director ("Afterglow") and set designer:

    • François Séguin

    Architecture:

    • Several architects who attend regularly and are known to the group, whose presence was noted, but who were not formally introduced.

    Art:

    Susan G. Scott
    • Born in Montreal in 1949, Susan G. Scott studied from 1966 to 1972 at the Pratt Institute in New York, the Boston Museum School, and the Skowhegan School of Painting and Drawing. After leaving New York in 1980, she taught at several of the finest art schools in Canada before settling in Montreal in 1984, where she teaches at Concordia University. A narrative painter, Susan Scott is often inspired by controversial issues, usually working in series loosely based on a story line selected from world literature (the Bible, Kafka, etc.). Susan G. Scott has had numerous successful shows in Canada, the U.S. and Europe and her work can be found in many important public collections.
      [Version en français]





      Art Talk:

      A discussion followed on the astronomical prices paid for some well-known works of art. It was suggested that over the centuries many of the great family fortunes have been created by prudent investment in art. Buyers today may be motivated by emotion, snobbery or simply the belief in the soundness of the investment. The art investment market has been driven up by the strong performance of the stock market, as well as the J. Paul Getty Trust.

      The dialogue on art as an investment turned quite naturally to a discussion of the stock market. Some of the guests expressed the view that the bubble is apt to burst at any time, and is driven by "The Greater Fool" theory. This is the hypothesis that investors in the stock market under current conditions are fools who hope to induce a greater fool to will purchase their holdings at a higher price.

      Money Talk:

      The greater consensus however held that the Market is not acting as if it is ready to go down, although some problems exist in the area of new business formation. It was pointed out that the United States has experienced the strongest growth in the last nine years, the lowest inflation in eight years and a booming housing market. Long term interest rates are at an historical low, personal income and consumption are up. The U.S. dollar is strong, inflation at two percent is low, and although there is full employment, the upward pressure on wages is beginning to abate. Canada has a further edge in that we do not have the elevated inventory levels seen in the United States and a much smaller involvement in the United States.

      The market was up considerably during the final quarter of 1997. It is probable that a new bull market started at the beginning of 1998. The market is ahead of itself triggering a new sell-off at the end of the first quarter. In the opinion of those analysts who hold to this theory, that will be the time to buy again in order to take advantage of a new, prolonged stock market surge.

      Friday 13 March 1998 Quebec's share in growth won't be a full one won't share fully in Canada's growthover-all economy should grow at an annual rate of 3.3 per cent between 1996 and 2001, more than one percentage point faster than in did between 1991 and 1996, the good fortune will not be shared by all. Tim O'Neill, the B of M's chief economist

      So the evening went - from art and fantasy to the real though intangible world - unusually enjoyable and satisfying, even for a Nicholson Wednesday Night.




  • sc8-60 sc8-26 sc7-45 sc13-81 sc15-35 scoot1
    sc4-50




    Susan G. Scott est née à Montréal en 1949. De 1966 à 1972, elle étudie au Pratt Institute (Brooklyn, New York), au Boston Museum School, au Skowhegan School of Painting and Drawing. En 1980, elle quitte New York pour enseigner dans les universités les plus importantes du Canada, avant de s’établir enfin à Montréal en 1984 et où elle enseigne depuis à l’Université Concordia. La trame narrative de ses oeuvres rend compte des préoccupations importantes de cette artiste pour des thèmes souvent contreversés, inspirés de la littérature (la Bible, Kafka, etc.), qu’elle travaillera en séries. Susan G. Scott a exposé avec succès dans plusieurs villes canadiennes, aux Etats-Unis et en Europe.



    top



    © 1997 by David T. Nicholson

    Please call Diana Nicholson Please phone (514) 934-0023








    top