Hafez's
Tomb In Shiraz-Iran
Hafez
(Hafiz)
Name
|
Shamsoddin
Mohammad
|
Birth
Date |
Sometime
between the years 1310-1325 a.d. or 712-727 A.H.
The most probable date is either 1320, or 1325
a.d.
|
Birth
Place |
Shiraz,
in South-central Iran
|
Father |
Baha-ud-Din
|
Brothers |
He
had two older brothers
|
Wife |
Hafiz
married in his twenties
|
Children |
Hafiz
had one child.
|
Important
Events
|
Teen
|
He
had memorized the Koran by listening to his
father's recitations of it. He also had
memorized many of the works of his hero, Saadi,
as wells as Attar, Rumi and Nizami.
|
Teen
|
His
father who was a coal merchant died, leaving him
and his mother with much debt. Hafiz and his
mother went to live with his uncle (also called
Saadi). He left day school to work in a drapery
shop and later in a bakery.
|
Age
21
1341
a.d
|
While
still working at the bakery, Hafiz delivered
bread to a wealthy quarter of town and saw Shakh-e
Nabat, a young woman of incredible beauty. Many
of his poems are addressed to Shakh-e Nabat.
|
Age
21
|
In
pursuit of reaching his beloved, Hafiz kept a
forty day and night vigil at the tomb of Baba
Kuhi. After successfully attaining this, he met
Attar and became his disciple.
|
Early
twenties to Thirties
|
Became
a poet of the court of Abu Ishak. Gained much
fame and influence in Shiraz. This was the phase
of "Spiritual Romanticism" in his
poetry.
|
Age
33
|
Mubariz
Muzaffar captured Shiraz, and among his various
deeds, he ousted Hafiz from his position of
teacher of Koranic studies at the college. At
this time he wrote protest poems.
|
Age
38
|
Shah
Shuja took his tyrant father as prisoner, and
re-instated Hafiz as a teacher at the college.
He began his phase of subtle spirituality in his
poetry.
|
Early
forties
|
Falling
out of favor with Shah Shuja.
|
Age
48
|
Hafiz
fled Shiraz for his safety, and went into
self-imposed exile in Isfahan. His poems mainly
talk of his longing for Shiraz, for Shakh-e
Nabat, and for his spiritual Master, Attar (not
the famous Farid-uddin Attar of Neishabour - who
predates Hafiz by a couple of centuries - but
the lesser known Attar of Shiraz).
|
Age
52
|
By
invitation of Shah Shuja, he ended his exile and
returned to Shiraz. He was re-instated to his
post at the College.
|
Age
60
|
Longing
to be united with his Creator, he began a forty
day and night vigil by sitting in a circle that
he had drawn himself.
|
Age
60
|
On
the morn of the fortieth day of his vigil, which
was also on the fortieth anniversary of meeting
his Master Attar, he went to his Master, and
upon drinking a cup of wine that Attar gave him,
he attained Cosmic Consciousness or
God-Realization.
|
Sixties
|
In
this phase, up to the age of 69 when he died, he
composed more than half of his ghazals., and
continued to teach his small circle of
disciples. His poetry at this time, talk with
the authority of a Master who is united with
God.
|
Poetry
|
Divan
|
Some
500 ghazals, 42 Rubaiyees, and a few Ghaseedeh's,
composed over a period of 50 years. Hafiz only
composed when he was divinely inspired, and
therefore he averaged only about 10 Ghazals per
year. His focus was to write poetry worthy of
the Beloved.
|
Compiler
of Divan
|
Hafiz
did not compile his poetry. Mohammad Golandaam,
who also wrote a preface to his compilation,
completed it in 813 A.H or 1410 a.d, some 21-22
years after Hafiz's death.
Also
another person who compiled Hafiz's poetry was
one of his young disciples Sayyid Kasim-e Anvar,
who collected 569 Ghazals attributed to Hafiz.
He died in 1431 a.d. some 42-43 years after
Hafiz's death.
|
Death
|
Date:
|
Late
1388 or early 1389 a.d. or 791 A.H. at the age
of 69.
|
Place:
|
Shiraz
|
Tomb:
|
in
Musalla Gardens, along the banks of Ruknabad
river in Shiraz, which is refered to as Hafezieh.
|
Controversy:
|
The
orthodox clergy who always opposed Hafiz,
refused to allow him to have a Muslim burial.
Yet his grass-roots support among the people of
Shiraz created an atmosphere of conflict.
|
The
Oracle:
|
To
resolve the controversy, they decided to use
Hafiz's poetry, by dividing his ghazals into
couplets, and asking a young boy to draw a
couplet. It was agreed that however the couplet
directed them, they would all consent to follow.
The
couplet that was chosen was verse
7 of Ghazal #79, which was a tongue-in-cheek
response from Hafiz to the orthodox clergy. It
reads:
Neither
Hafiz’s corps, nor his life negate,
With all his misdeeds, heavens for him wait.

To
this day, Hafiz's Divan (Poetry) is utilized as
an Oracle to give guidance to our questions, and
direction to realize our wishes.
|
After
His Death
|
What
others say about Hafiz:
|
Goethe:
In his poetry Hafiz has inscribed undeniable
truth indelibly ... Hafiz has no peer!
Emerson:
Hafiz
defies you to show him or put him in a condition
inopportune or ignoble ... He fears nothing. He
sees too far; he sees throughout; such is the
only man I wish to see or be.
Edward
Fitzgerald:
The best musician of Words.
Gertrude
Bell:
It is as if his mental eye; endowed with
wonderful acuteness of vision, had penetrated
into those provinces of thought which we of a
later age were destined to inhabit.
A.
J. Arberry:
... Hafiz is as highly esteemed by his
countrymen as Shakespeare by us, and deserves as
serious consideration.
|
For
furhter details, click below:
|
References
for Hafiz's biographical information are taken
from:
-
Hafiz
- Tongue of the Hidden, Versions by
Paul Smith
-
The
Green Sea of Heaven - Fifty Ghazals from
Diwan of Hafiz, Translated by
Elizabeth T. Gray, Jr.
-
Odes
of Hafiz - Poetical Horoscope, Translated
from the Persian by Abbas Aryanpur Kashani,
LL.D.
-
The
Hafez Poems of Gertrude Bell,
Introduction by E. Denison Ross
-
Divan-e
Khajeh Shamseddin Mohammad Hafiz-e Shirazi,
by Mohammad Ghazvini and Dr. Ghasem Ghani
(in Persian)
-
Divan-e
Hafiz-e Shirazi, by Dr. Seyyed
Mohammad Reza Jalaly Nayeenii (in Persian)
-
Divan-e
Khajeh Shamseddin Mohammad Hafiz-e Shirazi,
compiled by Mohammad Jaafar Mahjoobi (in
Persian)
|
|