I was born in Buenos Aires, Argentina, in 1967.

I have studied repertoire with Susana Cardonnet and Marcela Esoín. Amalia Estévez is my singing teacher since 1992.

I got my degree in singing at the Teatro Colón Art School.

I have debuted as a soloist in 1994, singing the roles of Fiorello and Official at Rossini's Il barbiere di Siviglia. From then on I have sung the operas Les Indes Galantes (Bellone), La serva padrona (Uberto), Bastien und Bastienne (Colás), Così fan tutte (Don Alfonso), Die Zauberflöte (Sarastro), Don Giovanni (Masetto), Le nozze di Figaro (Dottor Bartolo), Il barbiere di Siviglia (Don Basilio), Fidelio (Don Fernando), Don Pasquale (Don Pasquale), Maria Stuarda (Talbot), Ernani (Silva), Rigoletto (Sparafucile, Ceprano), Carmen (Zúñiga), Gianni Schicchi (Simone), La Bohème (Colline), Amahl and the night visitors (Balthazar), La notte di un nevrastenico (il Nevrastenico), etc.

I have also taken part in several concerts, singing highlights of L'incoronazione di Poppea (Seneca), Lucia di Lammermoor (Raimondo), I Capuleti e i Montecchi (Fra Lorenzo), La sonnambula (Conte Rodolfo), Porgy and Bess (Porgy), Faust (Méphistophélès), Die Fledermaus (Frank), Mignon (Lothario), Der fliegende Holländer (Daland), Eugene Onegin (Gremin), Don Carlo (Filippo II) and Macbeth (Banco).

I have assumed the leading bass parts in Anton Bruckner's Te Deum; Antonin Dvorák's Stabat Mater; César Franck's Mass in A; Ludwig van Beethoven's Ninth Symphony and Mass in C; Wolfgang A. Mozart's Coronation Mass, Missa solemnis and Requiem; Georg Haendel's Coronation Anthems, etc.

I have performed in the principal theatres of Argentina, such as the Teatro Colón, Teatro Coliseo, Teatro Avenida, Teatro Argentino (La Plata, BA), Teatro Roma (Avellaneda, BA), etc, and I have worked with prestigious conductors, such as Carlos López Puccio, Mario De Rose, Pedro Ignacio Calderón, Antonio Russo, Carlos Calleja, Andrés Spiller, Bruno D'Astoli, Manfredo Kraemer, Giorgio Paganini and others.

I have sung at the Teatro Colón as Sarastro (The Magic Flute, 1995), Don Basilio (Il barbiere di Siviglia, 1999), Dottor Bartolo (Le nozze di Figaro, 2002) and Ceprano (Rigoletto, 2002).

My most important performances in 2001 season include singing a cantata by Johann Christoph Bach under the direction of Manfred Kraemer, then Puccini's La Bohème in Rosario (Santa Fe) and Zúñiga in Carmen (Teatro Avenida, Buenos Aires). I have also sung the soloist bass part in Bruckner's Te Deum, under the baton of maestro Pedro Ignacio Calderón, with the National Symphonic Orchestra and National Philharmonic Choir of Argentina. I have assumed the role of Simone in Puccini's Gianni Schicchi, and the role of Silva in Verdi's Ernani (which I have so much enjoyed!); I have performed as Sarastro in Die Zauberflöte; and I have sung the leading part in Mozart's Requiem.

Among my performances during 2002, it is worth mentioning that I have sung four times at the Colón Theatre of Buenos Aires opera season: the first time in Honegger's Jeanne d'Arc au bûcher, and then as Dottor Bartolo in Mozart's Le nozze di Figaro. I have then sung again at the Colón Theatre in october, performing Rameau's Les Indes Galantes under the baton of Gabriel Garrido; and finally in december, as Count of Ceprano in Verdi's Rigoletto.

I have also sung in a production of Donizetti's Maria Stuarda (with a cast led by soprano Adelaida Negri, conducted by Giorgio Paganini), and I have taken part in a new production of Verdi's La Traviata, singing the role of Dottore Grenvil. I have performed two roles in Gluck's Alceste at the Teatro Argentino (La Plata, BA), under the conduction of maestro Carlos López Puccio.

I have made my debut singing the soloist bass part in Beethoven's Ninth Symphony, with the National Symphonic Orchestra and National Philharmonic Choir of Argentina.