She lays on her belly, her forehead pressed to the floor. She crossed her ankles and places her wrists, again crossed, in the small of her back. She waits motionless to be bound.
She lays herself down on her belly, the cold ground against her warm skin. She parts her legs, shoulder width apart and lays her arms by her sides, palms up, her forehead to the ground. She then crawls to her Master's feet, remaining on her belly as she does so.
She kneels, her thighs spread wide, her back arched. She extends her arms before her, her wrists pressed together in preparation for her Master's bracelets. Her head is held high, her eyes lowered submissively. (Note: A Master may require the wrists behind the girl's back. An alternate is the standing position, where the slave spreads her legs shoulder width apart)
She drops to all fours, her forearms flat on the ground. She lowers her head so that it is slightly above, but not touching, the ground, raising her bottom high. She then crawls to her Master, stopping with her head right by his boots.
She kneels, her thighs spread wide. She leans over backwards until her head touches the floor, and places her hands beside them. She then pulls herself up, arching her back. This exposes a slave's heat and breasts deliciously for her Master's enjoyment.
She retains the position she is in but gathers up her hair and offers it to Master.
When called to heel a girl shoul kneel just behind her Master's left foot. As he moves she must remain just behind his foot, but never quite come in contact with it at any time.
The karta is the position of obedience. She kneels on the floor, her thighs spread widely to allow her to lay her chest upon the floor, she leans forward placing her breasts and forehead against the floor, and reaches out with her arms fully extended, palms against floor. Ankles may be crossed or uncrossed. Shows utmost respect. Requests may be made from this position. A slight variation on this is the "suga" which simply involves a girl crossing her wrists instead of her palms on the ground.
The ko-lar, or collaring position, is also called "the Position of Female Submission". She kneels at her Master's feet, sitting on her heels. She extendes her arms upward, and crosses her wrists. Her head she holds beneath them in submission.
She quickly approaches her Master's side and bends at the waist, gathering up her hair to present to her Master as she does so. She waits for her Master to lead her by her hair.
She swifly kneels with her back to her Master, her thighs spread wide, her back stiffly arched. She crosses her wrists in the small of her back for bracelets if required. She then turns her head to the left, her eyes lowered in submission, her lips slightly parted and awaits his leash.
She stands, her back to her Master, with her feet shoulder width apart, her wrists crossed at the small of her back. She holds her head high, turning it to her left, her lips slightly parted and lowers her eyes in submission. She awaits his leash.
She kneels with her thighs spread wide for his pleasure, her back arched elegantly, her head held high with eyes lowered submissively. She lays her hands palms upward upon her thighs.
She lays on her belly and places her chin on her Master's feet.
She runs toward her objective, taking small rapid steps, her legs almost straight, her feet barely leaving the floor. As she runs, her back is straight, her head is turned to the left, her arms are at her sides with palms facing outward. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu.
She gets down on her knees and elbows and clasps her hands over her head, raising her hips as she does so. She parts her thighs and arches her back, forcing her hips yet higher, exposing herself completely to his view or carress. She readies herself to be beaten or taken sexually like an animal, depending on her Master's whim.
Slaver's
Kiss
She drops to her
hands and knees, her forehead pressed to the ground, her hips
raised high. She spreads her thighs wide, exposing her slave heat
for her Master's pleasure.
She turns her head up to her Master, puckering her lips as she does so. She waits motionless, forbidden to move until her Master's kiss releases her.
The slave kneels, bending at the waist, placing her cheek to the floor. She then takes the Master's right foot and places it upon her neck, her arms behind her back with her wrists crossed. A girl might assume this position if she has displeased her Master as it shows complete submission, his foot on her neck showing that she offers him even her life freely.
She lays flat on the floor on her back, her feet spread shoulder width apart. She places her wrists above her head and crosses them. Her eyes remain lowered in submission and she silently awaits her Master's pleasure.
The sula-ki is also known as the alternate sula. She lays flat on the floor, face upward, her hands at her sides palms open and up. Her legs are spread wide in preparation for her Master's pleasure and she slowly lifts her hips off the floor.
A girl has many uses to her Master, one of which is to present herself as a table, to support his feet or drink. She goes to all fours making sure her back is level, her head held straight, her eyes lowered in submission. The girl should ensure she is stable, so as not to risk spilling the drink, or disturbing her Master, and should remain totally motionless. Stability can be increased if a girl ensures her thighs are parted widely and her elbows locked.
When this command is given, she turns gracefully, her hair carressing her body as she turns. She walks quietly across the room or camp, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered.
She quickly drops to her knees and raises her hips. She places her head to the floor and then crosses her arms across her belly. She waits motionless ready to accept her Master's punishment. Slave's with long hair should ensure they clear their hair from their back, lest it shield them from the whip.
Note:
It should be noted that this list is in no way exhaustive, and a girl should strive to learn any additional positions her Master desires. Some of these positions vary from camp to camp and a slave should fine tune her positions to bring the greatest amount of pleasure to her Master. Other positions a girl may encounter include: "crawl", "table", "belly", and "heel".