This music bible was created as a tribute
to the music composer and arranger, Mr Derek Wadsworth. He
composed and arranged the Space:1999 Year two main themes and
almost all the incidental music heard in the 24 one-hour
episodes.
Some notes on how this music bible was
written :
- For the time index on every episode, I
used the NTSC french language versions (dubbed in Canada)
of the episodes. In the transfer to NTSC from the PAL
master tapes, the length of the episode was shortened (as
the 2+5-frames-per-second PAL standard was copied unto a
24-frames-a-second NTSC standard), without any cuts being
made in the process. Thus, each episode is about 49
minutes long. The "Dorcons" episode is an
exception as the time index was taken from the laser disc
english version, which is about 51:30 minutes long.
Another exception is the "Bringers of wonder"
episode as the time index was calculated from the NSTC
version of "Destination: Moonbase Alpha".
- The musical pieces are grouped in 8
sections (Exploration and investigation, Action,
Suspense, Closing cues (heard mostly at
acts ending), Epilogues, Opening cues
(heard mostly as acts opening or as transition music from
a scene to another), Drama and Miscellaneous).
- Each musical piece is given an
arbitrary title from a episode. Although it is widely
known that only five episodes were actually scored (in
the other episodes, musical editor Alan Willis choose
musical pieces to fit with the moods and actions of what
was shown on screen), I decided to name the musical
pieces from what I found to be the most appropriate
pairing of music and on-screen action in the whole 24
episodes.
- In my opinion, one of Wadsworth's
strengths was composing extraordinary closing cues (for
the acts ending). Those are mainly regrouped in the
Closing cues section of the Music Bible, although some
action or suspense pieces were also used on some
occasions. Thus, I included in parenthesis the act number
a track was used for closing cue. For example, TE 0:44
- 3:33 (0) means this track was used as an act ender
for the prologue of the "Exiles" episode, while
JTW 16:45 - 16:52 (1) means it was used for the
ending of Act One of the "Journey to Where"
episode. Every musical cue used for the ending of an
epilogue is shown in the Epilogues section.
- When appropriate, some additional
information about a specific track has been added.
For example, as previously said, all the musical pieces
were allegedly written specifically for five
episodes : The Metamorph, The Exiles, One
Moment of Humanity, The Taybor and Space
Warp. Nevertheless, some tracks are not included in
those five episodes.
Sometimes, the bootleg CD seems to indicate that a
musical piece was written for a specific episode (being
included in the episode suite), but was not actually used
in the episode.
In such cases, this information is shown next to the
track.
- Some tracks have been recorded in
different versions. It happened that the alternate
versions were also used in the final editing of episodes.
The music bible shown some information on alternate
takes.
- When the musical piece is included in
the bootleg soundtrack cassette or the bootleg soundtrack
CD, the track index is shown.
As the cassette soundtrack was made available on two
audio cassettes, I specified the side and the track
index, following the standard 1-1 where the first
number means the cassette and side (1 meaning face A of
cassette One, 2 meaning face B of cassette One, 3 means
Side A of cassette Two
) and the second number means
the track index (1 being the first musical piece , 2
being the second
). Thus, 1-31 means the 31st
track on side A of cassette One.
For the CD soundtrack, sometimes more than one musical
piece was included in a " track " on
the CD. Thus, 1-3 means the third musical piece
included in the first track on the Bootleg CD, while 17-2
means the second musical piece included on the 17th
track.
Return to Space:
1999 Year Two Music Bible
Paul Dorion, February 1999