Spoilers:  Some imagery from "Demons" (US4)  
           Set during the events of "One Breath" (US2) 
 
Author's notes follow. 
 
 
Ticking 
by Martha Little 
mwlittle@mindspring.com 
 
 
******************************************* 
Now you'll never get to heaven, Mama said 
Remember Mama said - ticking, ticking. 
Grow up straight and true blue, run along to bed 
Hear it, hear it - ticking, ticking.    
******************************************* 
 
He sat uncomfortably in the cool of the darkness.  The high-back   
leather chair off to a corner afforded a sweeping view of the nearly   
empty room when lit, but at night, in the dark, the setting of the   
hardwood floor became a stage where the events of the past played   
themselves out.  To manipulate, to reinvent.  To be recast.   
 
But first he would need to remember. 
 
What was it about that night?  What could he not recall? 
 
A car turned onto the street of the apartment complex, its headlights   
filtering in through the slits of the closed blinds opposite him.  The   
rays reflected off of the particles of dust circulating the   
oft-ignored room, creating a snowy curtain that would then part and    
present a tableau from his past. 
 
His parents were arguing.  He and Samantha were upstairs - they had   
heard every word.  Or sort of heard.  It was like listening to a   
cassette player with rundown batteries while on a really bad acid   
trip.  The lights that popped white like those old camera flash cubes   
and then faded.  The sound of the wind outside of the house that   
November evening that seemed to wrap around the occupants of the first   
floor and carry the voices straight back to the hellhole where their   
lives had oozed forth.   
 
Memories and flashbacks were all he had to keep him company these   
days, and he wished that they would just fall off the ends of the   
earth.  Like his parents.  Like his sister.        
 
//Not my baby.// 
 
His mother was crying on the couch.  Not just the sobbing of sadness   
but with the gut-wretching agony of being made to face your   
executioners without the comfort of a blindfold.  Of being the target   
in a game of Russian Roulette when three chambers have been tested   
against your temple and you are running out of chances too damn fast. 
 
Does it matter now who was holding the gun? 
 
//You're a little spy.// 
 
There's a shadow in the corner.  There is always that shadow in the   
corner opposite himself.  Watching.  And waiting for the next move.     
 
//Take her - not me.// 
 
He flinched at the sound of the voice from the past, his voice.   
 
He could see his younger self from a distance.  He was leading her   
down the staircase, dragging a screaming Samantha after him.   
 
//Take her.  Take her, not me.//   
 
Over the years, his mother had withdrawn.  Denied herself the pleasure   
of being a mother because the son had made the decision for her.  The   
father who would not decide had withdrawn for different reasons - for   
he was now afraid of the son who would act so selfishly. 
 
The smoking shadow in the corner took note and smiled. 
 
And tonight, Mulder remembered. 
   
*********************************************** 
Don't ever ride on the Devil's knee, Mama said 
Remember Mama said - ticking, ticking. 
Pay your penance well, my child, fear where angels tread 
Hear it, hear it - ticking, ticking.    
*********************************************** 
 
Years later, Mulder would repeat the request. 
 
//Take her.// 
 
There was no emotion in his voice.  There was none left.  It had been   
beaten out of him years earlier.  He had learned as a child to detach   
himself from the personal, from the emotional side of getting involved   
with a subject.  He had taken the screen that his parents had been   
able to shield themselves with and fortified it with an iron   
resolution.  Of course, in the end, it had been shown that all his   
parents possessed was a veil - thin and delicate like lace, easy to   
tear to see the cowering figures that they had become. 
 
He had them sent away when they were no longer useful to The Project.       
 
And now he had made a similar decision.  It was a flippant suggestion,   
made out of scorn for someone who acted at times like his bratty   
little sister.  To take her away so that he could be left in peace. 
 
//Take Scully.// 
 
The man before Mulder that day had paused in mid-drag of a cigarette   
and remembered a night long ago.  When Mulder, then a mere child, had   
struck out angrily at a world that he did not understand without fully   
anticipating the consequences.  From that night, however, the child   
had grown stronger in perseverance and made his own unique niche in   
the Consortium.  The man that Mulder had become was the embodiment of   
all that the smoking man had hoped for and more.   
 
A decision had been made.  There were no expressed regrets or   
lingering doubts.        
  
None that shown, at least. 
 
As he remembered those two instances from the past, Mulder looked for   
the smoke that had always signaled approval.  But he was alone now, in the   
stillness of the dark, and the air was clear.   
 
He had never worried about Samantha's fate;  he had been told that she   
was alive, but he never thought to ask if she was safe.  Likewise he   
had never worried about Scully, because he knew that she could take   
care of herself and would therefore be safe. 
 
Why had he begun to think about her?  Or even care?  Why now?   
 
Because she had come back? 
 
Because she had survived? 
 
No, it wasn't that, he thought.  It was something *about* Scully.  He   
let his mind explore the possibilities of that notion.  She had   
changed, but then anyone who had been missing for the amount of time   
that she had been with the variety of experimentation that he knew had   
occurred *would* be changed. 
 
But there was something else there.  He felt it in talking with her at   
the hospital and prompted her to discuss some old cases.  She kept   
mentioning her work at Quantico which Mulder found unusual as she had   
been assigned to the forensics lab upon the dissolvement of their partnership.    
Her early lack of stamina and confusion would account for some memory   
loss, but what about the differing memory of events?  She should have   
simply remembered nothing, not make up something new. 
 
Unless she was not the same woman who was taken.  Not *really*. 
 
Unless she was *another* Dana Scully.  
 
Unless . . .  
 
************************************************* 
You've slept too long in silence, Mama said 
Remember Mama said - ticking, ticking. 
Crazy boy, you'll wind up with strange notions in your head 
Hear it, hear it - ticking, ticking.   
************************************************* 
 
end 
 
Notes:  The title and referenced lyrics are from "Ticking", lyrics by   
Bernie Taupin and music by Elton John and are used without permission. 
If you know the entire song, please do not infer any greater meaning   
between the song, this story, and recent national events.  This was written   
during and just after the 1998 Thanksgiving holiday.  
 
This is a chapter in a larger AU piece that has been going nowhere   
fast for a number of months.  Thanks to those who have read and made   
suggestions previously - gizzie, SallyH, and Plausible Deniability. 

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