MArIe-hÉLèNe rOchETTe
9tH gENerAtiOn MAlcAvIänNE
Vous êtes pâle, la belle;
Comment vous appelez-vous?
Elle s'enjuit dans les trous,
Sinistre, avec les hiboux.
Je suis la folle, dit-elle.
Cuillez la branche de houx.
Vous avez bien froid, la belle;
Comment vous appelez-vous?
Les amours et les yeax doux
De nos cercueils sont les clous.
Je suis la morte, dit-elle.
Cueillez la branche de houx.
-Victor Hugo, "La Chanson du spectre"
1990-1
Nation: la France
Birthday: January 13, 1774 (a Friday)
Current residence:
The Warf, Staunton, VA, USA
Nature: Are you sure you really want to know?
Demeanor: Child (no wonder, she's trapped in a ten year old's body!)
Haven: The shadowy and mazelike realms of her mind
Concept: Spy
Sire: He didn't seem to know, why should you?
1996
Nation: la France
Birthday: January 13, 1774 (a Friday)
Current residence:
Mary Baldwin College, Staunton, VA, USA
Nature: You're persistant, aren't you?
Demeanor: Child
Haven: The shadowy and mazelike realms of her mind
Concept: Spy
Sire: Ask him.
L'histoire d'M-H
Born in the 1770's, Mademoiselle Rochette was around just in time for the French
Revolution. Good thing she's not vigilante. As a human, she was a young lady of some
accomplishment. She was a talented craftswoman, but was less adept at social skills. Being too
introverted to be a good hostess, Marie generally sat quietly noting the discussions and actions of
the guests. The childhood warnings to be seen and not heard never wore off, and Mademoiselle
Rochette grew quite used to being the silent observer. As tensions built into a war around her,
she 'modified' her practice to include observing in places where she wasn't invited. For some
reason, when others found this out, they called it spying . . .
I froze. They were actually here. A part of me had refused to believe until
the men came in that the revolutionary councils had actually come to Bordeaux, to my family's
land, to my only home. My mind was ablaze with angry memories of their kind. Already, they
have removed our beloved priest and replaced him with a fool, a pawn of the Christless mobs.
Why? Because Father *__* refused to sign their agreements and to disclaim his importance in our
lives. As if life in current years hasn't been hard enough, they denied our God his claim to us. Do
they think that by tossing aside His good graces, they shall prosper? Fools, the lot of them. Life
in recent years has been hard enough without searching out trouble, as they do now. Many of the
workers of our land are starving due to grain shortages. The guillotine will NOT give us bread,
only blood. None can survive on that alone. Now, now they are here, trying to create greater
pain.' As my thoughts took on this tone of desparation, I silenced them.
The setting flickered before me in the candlelight. Weaponry laid across a wooden table in
the center of the room. Five red bonneted heads around the table spoke in hushed voices. As I
intently listened their words unfolded slowly to reveal to my ears their full force. They knew that
our serfs planned to follow other regions in uprising against the revolution. They knew how
strongly we valued our Roman Catholic lives and how angry we were to have them stolen from
us. Through experience, they knew the power of mobs, even against the strongest of men.
Rebellion was weakening their cause', so they were fighting back. They declared us traitors. Us.
We were not among they who had ruined the monarchy, yet they had the nerve to consider us to
be traitors. All that I had known and feared would be, was racing to the present. Of all the times
to be knowledgeble concerning a meeting, why did this have to be one of them? I would have
given my life to have all that I heard have been misunderstanding on my part. Instead, my
understanding was my death. They closed into a tighter ring around the table as they spoke of
burning my family's land, our church, and the homes of all therein. Fear gripped me and began
tearing at me, trying to destroy me. The scene lost focus before my eyes, everything, that is, but
the flame of the candle, glinting off of a knife on the table. The voices grew distant, so much
fainter than the racing of my heart. I collapsed to the floor, and though consious, I soon wished I
wasn't. At the sound of my fall, the five heads whipped around, each an unforgettable face, each
changing so quickly.
Feet. Booted feet thundering like my heart, trying to stop me. Splintered doorways
tearing at my dress. The hand at my throat, forcing me to the ground. More hands, tearing away
my clothing, beating me. The knife, no longer in the light of the candle, slicing through the air to
the sound of a scream. The blinding pain. The slow, staining of soil, where nothing will grow
again. I cannot scream. They will not hear. I cannot move. My neck, once more attacked,
losing the last of my blood.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
~ ~ ~
Translated from the journal of Marie-Hélène Donnette Rochette
They feared that she would betray her secrets. They just didn't care what she told them; their
minds were set. The only thing to be done was to get rid of the potential threat. Dead men tell
no tales...they figured the same went for women . . .
M-H's Opinions in 1991 of the other members of the Staunton Masquerade:
- Le Prince (Monsieur Hawkins): If he is a powerful influence in our affairs, he is
very subtle. I do not believe I have yet seen a demonstration of his power. It would not
surprise me if he did not actually exist, and Nathaniel was in power.
- Le Senitial (Monsieur Jaques): Nathaniel is on a major power trip most of the time. I
think he gets foolish pleasure out of talking to me while I am obfuscated. However, he does
ask the questions of which I want to overhear the answers, so he is bearable.
- La Femme Hypèractive (Mademoiselle Jordon): Her possibilities are bounded only in that
I doubt she will ever continue with any single project to its fullest potential. Her mind is
sharp when it really counts, and one could not predict her without using the same complicated
structure of thinking as a computer uses to generate "random" numbers for simulation programs.
Her intelligence is to be admired, and I would like to get to know her better.
- La Coiffeuse (Mademoiselle Sandy): She is either a deviant from more standard kindred
philosophies or she is a good liar when in a difficult situation. Regardless, I believe she
is one of the best preservers of the Masquerade that I have ever met.
- La Propriétaire du Théàtre (Madame Melantha): She was pleasant to me in our casual
aquaintance, but unfortunately, when we parted her faculties were greatly impaired. As I don't
find it fair to judge her in that state, I am left with a void in my opinion of her.
- La Peintre (Mademoiselle Lydia): Many find her a child for her frequently jubilant
disposition. While I disagree with their assessment of her happiness, I don't find the qualities
of responsibility and cool-headedness that are often associated with maturity in her personality.
She should be valued however for her sight into beauty. How often we forget that the sublime can be
as lovely as the calm.
- Le Loupe (Mademoiselle Shaun): Although not technically a member of the Masquerade, I have
been informed that she is trying to help us in our fight to protect it. Her political views are
more suited to the animal kingdom than to kindred or mortal society, and her actions are too violent
to support them. It is a shame. Otherwise I think I would appreciate her presence more.
- Le Phantôme (Adrian): He has believed me at times when I wouldn't even have believed
myself, so his overall wisdom could be questionable. However, I am forever grateful to him for the
many ways in which she has offered protection to me. I have seen more than one side to this fascinating
person, so I don't believe I will ever know what with her is a mask, and what is not.
- Le Giovanni? (Angelina): Could someone please tell me what a Giovanni is? I think she
is one, but I can't quite remember what that means. Whatever it means, she doesn't cover her tracks
well enough. I have lied for her more than once, and others have as well. The last thing we need is
her attracting the F.B.I. We won't have to worry about that much now though- not now that she has
gotten herself killed.
- La Guardienne (Automne): With the amount of violence I have seen in Elysium in the
past few months, I wouldn't trust her to protect the safety of my late hampster. I have
not once seen her put actions behind her words and intentions. She is slow to question
and slower to know for herself. Whoever appointed her to her position should reexamine
their choice.
- La Noire (Aurore): Appears to be deviant to the end, although
where that end lies remains yet to be seen. Her standoutish manner and her standoffish nature
leave her distinct difficulties in dealing with the rest of society, but I think there is a
charm to it. With such a reserved demeanor, however, I must wonder if she is actually
linked much closer to the rest of us than we can ever realize.
- (P.T.): She is intelligent and manipulative enought to play with many a person's mind,
but I think she is going to anger the wrong person some day and live to see daylight. I would
respect her skillful braintwisting if I could find any reason she could have for it other than
self-gratification. Malheureusement, je ne l'ai trouvé pas encore.
- La femme du Serpent (Madame Mercury): She doesn't seem to be a defined part of anything.
She frequently dines alone or with her snake. She appears to fight only when she sees herself
as being in danger. Everyone has loyalties to something. I wonder where her heart lies.
M-H's Opinions in 1996 (or as much as you might be able to make her admit) of
the other members of the Staunton Masquerade:
- Le Prince (Monsieur Egleston): [opinion obfuscated, just to see if he notices]
- Cordelia: They dare to accuse me of being insane when there are those like her
around? I see a true lack of the social charisma usually found in Toreador Poseurs. She has been
nothing but rude and foolish in my presence. A critic without good judgement earns none of my
respect.
- La Gardienne (the one who calls herself Saidrel): She always seems unsure when
asked personal questions, and she is very unrevealing when not manipulated in some way or
another. I feel that she is trying to hide a great deal. I will find out what, but she doesn't need to
know that.
- Le Shérif (Mademoiselle Greystar): She always seems to me to have a private joke
on the world floating around a short distance behind her facial expression. She smiles much more
often than I would expect a Gangrel to express herself. I don't trust her, but I suppose I won't
always have a choice, considering that she usually has custody of my weapons.
- L'étudiante (Mademoiselle Caldwell): The things she says reflect deep thought, but
highly restricted exposure. She would be very wise if she took the time to learn the world instead
of just studying marks on paper. That is not to say that she is completely helpless in her current
state. I have seen what fear can invoke her to do. She will survive.
- La Russe (Iréna Trotsky): If she gains more power around here I swear I will either
leave or go insane {StoP lAuGHiNg!}. She always seems to be trying to humor me. She also has
a very fake looking smile. I in no way trust her. Period.
- La Femme de drogues (Madame Mercury): I don't understand her in the least. I
personally cannot stand tainted blood, yet she has a ghoul with the specific purpose of helping her
to 'get high'. Of course, one of her ghouls is perfectly understandable: the snake that bit her.
Poor snake, she and all animals deserve better than Madame Mercury. I can't blame it for biting
her though; I would probably do the same if she didn't have Protean.
- La Chanteuse (Raechel): She scares me. She has a great deal of power, but usually
stays quiet enough that few consider her a threat. I personally know from experience that les uns
plaisibles sont souvent by far the most dangerous. I have yet to discern precisely what can upset
and weaken her, but I have seen that she does have something that pushes her to those states.
- L'autre Malcaviänne (Mademoiselle Carter): She was once a shadowy intrigue. I
enjoyed hearing her speak, even though she never took credit for it. Instead, she accredited Yoshi
with all of her wisdom and other spurts. She was so attached to that stuffed animal that it
somehow managed to show her aura. Now that he is gone though, Mademoiselle Carter no
longer releases the workings of her mind for us to see. I wonder if she can even see the things she
knows.