Bibliography


Anthony Blunt: Artistic Theory in Italy, 1450-1600, Oxford University Press, 1975.
Subject matter:Artistic theories of Alberti, Leonardo and Michelangelo. Influence of the Reformation and Counter-Reformation (Council of Trent).

(Anthony Blunt [1907-83] was not only a well-known British art historian, but also a Soviet spy – the "fourth man" in the Cambridge spy ring whose other members included Guy Burgess, Kim Philby and Donald Maclean. When Blunt's undercover activities were revealed in 1979, his knighthood [granted in 1956] was revoked, and he was dismissed from his position as the Queen's royal curator of art.)

E.H. Gombrich: Symbolic Images, Phaidon, 1978.
Subject matter: Information on Botticelli and his time, Neoplatonists, symbolism in Raphael's Stanza della Segnatura, and on other documents of the time.

Erwin Panofsky: Studies in Iconology, Harper and Row, 1962.
Subject matter: Discussions on the Platonic universe, on Neoplatonist philosophers of the 15th and 16th centuries, and on Michelangelo's inspirations and technique.

J.H. Plumb: Penguin Book of the Renaissance, Penguin 1964.
Subject matter: General overview of the time and place: early Renaissance, Florence.

Jean Seznec: The Survival of the Pagan Gods, Princeton University Press, 1972.
Subject matter: This traces the mythological interpretations put into Classical myths from early Christian times to the Renaissance and beyond.

Giorgio Vasari: Lives of the Artists, Penguin, 1976.
Subject matter: Biographies of the artists discussed.

Heinrich Wolfflin: The Art of the Italian Renaissance, Schocken, 1964.
Subject matter: Details of the works of art discussed.


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