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One of the surprising and unanticipated outcomes of having a small website is hearing from some of the very people responsible for this music. Not all of these folks have been thrilled with my comments about their work, but I appreciate the fact they took the time to actually write to me. God only knows how they've stumbled across my small website, but here are some of the folks I've recently heard from:

I played lead guitar on Ulysses The Greek suite in 78. I was viewing the information on your site pertaining to the album. It is very cool to see my name on your site, I didn't think anyone would remember our record."

I had to laugh, someone finally liked my music! I thought the album was dead and buried. Nice to know that it is being kept alive. Is there anyway that I can get copies of past critiques, articles, etc. about the band that were mentioned in the review. Thanks again

Not many people know but Atlantis Philharmonic recorded a 2nd album (Atlantis Philharmonic II: Grand Master) . I have been in contact with the other band member and the lyricist. We are planning on releasing this on CD in the next few months.

Hi, I saw your Bartel posting and thought I'd contact you. My name is Larry O'Brien. I was the guitarist and lead singer on all the recordings. John was a fantastic organist and the originator of the group. He was a strong leader and kept us on the right track. In '74 I left the group, retired from music, moved to Oregon, married and raised a family.Glad to say all the members of the band survived those years and are living very middle class domestic lives. Sadly, after becoming very successful in the document shredding industry, John was diagnosed with lung cancer and died in '06. We were able to reunite for the funeral and talk about old days.

Thanks for the Bit'a Sweet album post. My husband, Mitch London, is the bass player and lead singer in the group. Hopefully he will have time to get back to you soon and give you his comments and thanks. Just so you know, you have the names under the pictures of the band members wrong. Mitch London is the 2nd one and Dennis DeRespino is the 3rd one.

Have not heard it [Foxx's "The Revolution of Emily Young"] in years. It was innovative at the time. In case you don't know, Foxx's manager is Herbert Graham - owner with his brothers of about 40 or so nightclubs in the U.S.

Scott, you are pretty accurate with your assessment of the LP. I find that you have enough knowledge of the music genre to critique it ...

I was happily surprised to read your review off my long ago album "The Wheel". You know more about my past than I even remember - How did u get all the details I wonder. Thanks again for the kind words.

A re-release of our entire collection has just been issued. Perhaps you can update your website.

Thanks for the nice review of the 1973 effort done by Combinations. Your knowledge of TMI and my current activity was very thorough. I was wondering how you have such updated and accurate info?

So I would love to see the way you have packaged my still fondly remembered, 12 inch EP. I still have one copy

I have to email you to say what a charge I got out of your review of the Far Cry album. Being that it was recorded so long ago, and someone actually listens to it (or at least you said that you did), I am flattered.

As far as the end of our recording career, [your review is] mostly correct. All original members did re-record these same tunes in a 90's style a few years ago but never released it.

Heard from Farmer's daughter who was kind enough to provide some of the details on her late father's career.

Greetings, I just came across your review of an album I was a part of more than 35 years ago. I'm glad you enjoyed the music, it was great fun creating it. I would be more than happy to answer any questions you might have about the band and just how we came about recording our one and only LP. Look forward to hearing from you,

I stumbled across the site on Felt, which was mine and Mike Neel's original project. I've since changed my name to Mychael John Thomas (1988), for obvious reasons...NO JOKES PLEASE, that's why I changed it. I thought you might be interested in what I pursued since Felt...

Yes, I did one solo album titled Myke Jackson, ALONE in 1975 where I performed all the instruments and vocals. And from there, of course, I went on to Nashville and eventually signed with RCA/Free Flight...

I've been back in Alabama since October 1987. I was saved on Sept 11, 1987 and worked in youth ministry for 10 years. I am now an independent record producer, musician, and part-time music teacher, & worship leader, among the other 100 hats I wear...lol.

Very nice website you have. I will have to spend more time looking it over. I was wondering where you were able to get all your information together. It amazes me how much you can find once you start looking

What a surprise! I didn't think anybody would have - much less remember - that first album.

In reference to you review on The Koala album, I am one of the original members. If you would like more information on the band you can contact me.

My name is Robb Kunkel and I recorded Abyss for tumbleweed records in 1972 - nice review you did - there are others under my name - if you would like more info feel free to write me - Robb"

I was browsing your excellent page about Lake the other day and noticed a comment about Red Lake “with some pseudo-Beach Boy vocals” . Check the credits and you’ll see Carl Wilson help us on the backing vocals for Red Lake. Thanks and keep up the good work."

I really appreciate the great review on my first album but the review on The Return Album seemed a little harsh...lol . Hey to each his own after all you are entitled to your opinion. In hindsight I myself thought it needed some remixing. Maybe you will like my new one better.

My husband is David Marks from The Moon. He and David Jackson also recorded with The Colours when not in the studio with the Moon. David played on a lot of Danny Moore's productions. I don't know where Jack is these days but David is still friends with Gary Montgomery & Danny and Matt Moore and a few others from those days. Some great music came out of that era."

Like you said in your article ... "These guys were just as good as their Anglo competition." You were certainly right and 40 years later it makes me feel good to see comments like that. We didn't care about the money, we didn't care what other jealous bastards thought about us, we only had one thing in mind: play that rock and roll music like it should be played and enjoy seeing people dancing and having a good time and trying to keep us there for the night."

Thanks for your kind words re: Ruff Mix (the comparison to Geddy Lee is hilarious and fairly accurate). We have recently released a new CD with more of the same, albeit with a new singer (well, from the 80's at least), and recently played at the South Texas Festival. The website is being managed by a fellow musician from San Antonio, and has recently been updated with audio tracks. We are certainly not a band looking for fame and fortune, just a band that wants to put out our own music on our own terms, and we plan on doing at least one more disc before we can't remember where all the notes are.

I don't know where you get your information but your take on Peace & Quiet is a little distorted. I have yet to explore your site but it looks like a lot of fun. (he set me straight)

I just stumbled onto your website after doing a Google search for Jim Tolliver. Lo and behold, I am mentioned on your site! Wonders will never cease. I like your site. Keep up the good work!

First of all, many thanks for taking time to give such an almost perfect overview of the band, but there are a couple of mistakes that I'd need you to rectify before I can link you to my website, which I'd like to do, if that's OK. ... Many thanks if you do these alterations (if it's there at all then it should be right!)

I have just finished looking through your information on the 70's group "Pickettywitch". There are a number of discrepancies in your text, not least in the correct spelling of the band members names and length of service.

Thanks for your kind words and largely accurate review. You've rekindled a pretty cool flame in this almost 35-years-a-priest 61-year-old former Roman Seminarian/composer. God bless.

Thanks for your comments about our only album and your comments about my playing. It's nice to here such encouraging words after all these years. I am puzzled though--how did you get a copy and I'm amazed that you think it is good enough to give it such a high dollar value. I always thought that the writing was good and Ron's singing was always very good, but I never imagined it would get such a glowing review on the internet--what a hoot! I do have several albums in my possession, a few of which are the very rare silver covered ones-ha ha. I'm still doing music and have produced and co-wrote a couple of records.

SMUBBS (George Utter) Scott, Yes I ordered the Smubbs album. I was in the group and don't have a playable copy.

I formed the band in Las Vegas, Nevada in the late 1960s. We cut two albums of which I haze zero copies. Before SOD I had a group called Loadstone that cut one album on Barnaby. I don't have a copy of that one either. I'll keep a close eye on your site. Who knows you may find them as well. Thanks for being there.

I was the bass player in SOD, on Decca Records - Robert "California" Arnold. I enjoyed the fine review you gave our second LP, "Face The Music". I have also recorded with Clydie King, "Brown Sugar" - RCA/Chelsea 1973; Edgar Winter's White Trash, "Recycled" - CBS/Blue Sky 1977; Billy Branch, " The Blues Keep Following Me Around" - Verve/Gitanes 1995. Thanks for your good words.

Thank you first for the extremely nice things you said about my bands' album. I was in the band, 'Stark Naked' and my name is Paul Venier. Thanks again for the nice things you wrote about the music, it is truly appreciated immensely. We were all only in our teens back then and it was a terrific time of our young lives.

Hi, I don't know who you are or how you ever got a copy of my 36-year-old student-produced LP, "The Counterweight Record," but I gotta admit you gave it a remarkably fair review! And I like how you sussed-out extra info on me and the other performers. You have a good ear not only for musical talent, instantly picking out the best performers on the CW Record (Kenya Dworkin and New York Central), but also for being able to appreciate the care I tried to take with the audio quality of the recording, considering I was a poor 21-year-old student working on a shoestring budget with NO professional studio involved. But I was/am an audiophile, too. There are long but boring stories behind everyone who worked or sang on that record, but I'll spare you the details. Suffice it to say most of us are still above the sod and get our thrills by seeing this relic of our past become a weird item puzzled over on various websites like yours. Keep up the great work!!

My stage name was Jonathan Caine (not to be confused with the keyboard player from Journey) and my real name is Larry Cohen (also not to be confused with the film writer and director). I'm just dropping you a line to clear up some misconceptions and set the record straight about Stone Circus. Thanks for the interest in the band. It's good to know that our music is still out there.

That history [you wrote] on us ... it's all right. I'm flattered that someone took the time to check us out.

My Dad is the bass player on that album and was shocked to see that someone still has a copy. If you don't mind me asking how do you know so much about the band? Were you a fan or follower of the band? Where do you come by your information. It's not that far off ...so my dad says. I'm sure they all have there own version of what happened. It's funny for me to see my dads nickname as wrangler ... the guys still call each other by there nicknames.

Michael DeGreve here. My friend John Latini recently got in touch and we've been talking about the old days. He told me about your site. I played on both the Visit and the Truth records. I was one of the 3 members of Truth. It was produced by Mickey Stevenson (Motown) and it was quite an adventure for a 20 year old beginner. Great memories.

I happened to read your review for my old group Wild Butter. You mentioned my ties to the "irritating" record Pac Man Fever. Apparently it didn't irritate some 1 1/2 million people since they took the time to walk into a store and purchased it. I am curious to know how many hits you have supplied the music industry with.