Asylum Chor, The
Band members Related acts
- Marc Benno --
vocals, guitar, keyboards (1968-69)
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- Marc Benno
(solo efforts)
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Genre: psych Rating: *** (3 stars) Title: Look Inside the Asylum Choir Company: Smash Catalog: SR-67107 Year: 1968 Country/State: Tulsa, Oklahoma Grade (cover/record): VG/VG Comments: minor ring wear; gatefold sleeve; banned toilet paper cover Available: 1 GEMM Catalog ID: 4807 Price: $35.00
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In the late 1960's Marc Benno and Leon Russell
were working as Los Angeles based sessions musicians. Having recorded an
unsuccessful solo single, Russell used the resulting earnings to build a recording
studio, working with the likes of Gene Clark, Harpers Bizarre and Gary
Lewis. The duo's initial collaboration resulted in the release of 1968's
"Look Inside the Asylum Choir."
Intended as a state-of-the- art, quasi-psychedlic rock effort, the album had
it's moment, including the lead-off 'Welcome To Hollywood' and
Russell's blue-eyed soul 'Soul Food'. Unfortunately, much of the
collection was given over to topical (if inferior) material such as the
psychedelic 'Icicle Star Tree', 'Indian Style' and 'Episode Containing 3 Songs, N/Y. Op., Land of Dog, Mr. Henri the
Clown' which did little for the collection's accessibility. While the album
attracted rave reviews from hip critics, it proved a commercial non-entity.
(Originally released with toilet roll artwork, the cover quickly offended then-delicate public sensibilities. Smash
quickly re-released the album with a more sedate cover featuring a photo of
the duo.
1.) Welcome To Hollywood (Leon Russell - Marc Benno) (side 2) 1.) Episode Containing Three Songs (Leon Russell - Marc
Benno)
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Genre: psych Rating: *** (3 stars) Title: Look Inside the Asylum Choir Company: Smash Catalog: SR-67107 Year: 1968 Country/State: Tulsa, Oklahoma Grade (cover/record): VG/VG Comments: minor ring wear; gatefold sleeve; replacement cover Available: 1 GEMM Catalog ID: 4808 Price: $15.00
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In the late 19 60's Marc Benno and Leon Russell
were working as Los Angeles based sessions musicians. Having recorded an
unsuccessful solo single, Russell used the resulting earnings to build a recording
studio, working with the likes of Gene Clark, Harpers Bizarre and Gary
Lewis. The duo's initial collaboration resulted in the release of 1968's
"Look Inside the Asylum Choir."
Intended as a state-of-the- art, quasi-psychedlic rock effort, the album had
it's moment, including the lead-off 'Welcome To Hollywood' and
Russell's blue-eyed soul 'Soul Food'. Unfortunately, much of the
collection was given over to topical (if inferior) material such as the
psychedelic 'Icicle Star Tree', 'Indian Style' and 'Episode Containing 3 Songs, N/Y. Op., Land of Dog, Mr. Henri the
Clown' which did little for the collection's accessibility. While the album
attracted rave reviews from hip critics, it proved a commercial non-entity.
(Originally released with toilet roll artwork, the cover quickly offended then-delicate public sensibilities. Smash
quickly re-released the album with a more sedate cover featuring a photo of
the duo.
1.) Welcome To Hollywood (Leon Russell - Marc Benno) (side 2) 1.) Episode Containing Three Songs (Leon Russell - Marc
Benno)
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Genre: blues-rock Rating: *** (3 stars) Title: Asylum Choir II Company: Shelter Catalog: SW-8910 Year: 1971 Country/State: Tulsa, Oklahoma Grade (cover/record): VG/VG Comments: textured cover Available: 2 GEMM Catalog ID: 4809 Price: $15.00
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"Asylum Choir II" was intended as a follow-up to 1968's "Looking Inside the Asylum Choir". Unfortunately Smash Records executives shelved the set were it sat for the next three years. The collection was ultimately rescued in 1971 when Leon Russell (enjoying stardom as a solo act) bought the tapes and released the collection on his newly formed Shelter imprint. Ironically, by the time the sophomore album saw the light of day, Russell and Benno had dissolved their partnership. Musically the set's quite similar to the debut, though there are a couple of obvious differences. While the debut was very much a collaboration, this time around, the focus is clearly on Russell. As mentioned above, that may have something to do with the fact Russell was responsible for the collection's release. As on the debut, Benno's credited with co-writing most of the material (there are three tracks credited to Russell alone), but Benno's other contributions are far and few between. He only handles backing vocals on a couple of tracks, but is largely absent elsewhere. While full of engaging melodies, lyrically the album's a topical timepiece -though I find it an engaging reflection of the times. There are a couple of nifty anti-war tracks ('Down On the Base' and 'Ballad for a Soldier') and some dated social/political commentary ('Sweet Home Chicago' with it's not-to-subtle commentary on 1968's Democratic National Convention and 'Straight Brother'). Speaking of dated, amazing how time impacts language ... "when you're bass player's flat and your drummer drags, don't you wish you had a fag" Anyone under 30 probably doesn't realize he's talking about cigarettes, not lifestyles. Bottom line is that it's good, though not on a par with the debut.
"Asylum Choir
II" track listing: 1.) Sweet Home Chicago (Leon Russell - Marc Benno) - 3:20 2.) Down On the Base (Leon Russell - Marc Benno) - 2:18 3.) Hello Little Friend (Leon Russell - Marc Benno) - 2:52 4.) Salty Candy (Leon Russell - Marc Benno) - 2:26 5.) Tryin' To Stay
Live (Leon Russell - Marc Benno) - 2:50 (side 2) 1.) ... Intro To Rita - 2:07 2.) Straight Brother (Leon Russell - Marc Benno) - 3:08 3.) Learn How To Boogie (Leon Russell - Marc Benno) - 2:40 4.) Ballad for a Soldier (Leon Russell) - 4:24 5.) When You Wish Upon a Fag (Leon Russell) - 4:10 6.) Lady In Waiting (Leon Russell) - 3:37
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