Bolotin, Jay


Band members               Related acts

- Jay Bolotin -- vocals, guitar (1970)

 

  backing musicians:

- Ken Lyon -- bass (1970)

- Bobby Mason -- drums, percussion (1970)

- David Mowry -- lead guitar (1970)

- Mark Taber -- keyboards, celeste, harpsichord (1970)

 

 

- none known

 

 

 


 

Genre: folk

Rating: 3 stars ***

Title:  Jay Bolotin

Company: Commonwealth United

Catalog: CU-6002
Year: 1970

Country/State: Kentucky

Grade (cover/record): VG / VG

Comments: gatefold sleeve; minor ring and edge wear

Available: 1

GEMM catalog ID: 5566

Price: $50.00

 

I'm not a big folk singer fan, though there are occasional exceptions to the rule (you can poke through the website to find those isolated exceptions).  The little known Jay Bolotin comes close to making the list of exceptions.

 

 

Can't say I know a great deal about the young Mr. Bolotin.  He was born and raised in Kentucky (must have been a tough place for a young Jewish kid to grow up).  Graduating high school he attended the Rhode Island School of Design and began playing original material in local coffee houses and clubs.  Those dates put him into contact with local musician Ken Lyon who convinced Bolotin to start playing dates with his own group The Tombstone Blues Band.  Lyon in turn helped him score a recording contract with ABC, though the resulting album was released by the small Commonwealth United label.  Given he was only 18 at the time, 1970's cleverly-titled "Jay Bolotin" offered a surprisingly impressive and accomplished set of singer/songwriter material.  Like lots of his folk contemporaries Bolotin had a deep and slightly ragged voice that wasn't immediately attractive, but actually grew on you after awhile.  A couple of reviews have drawn comparison's to Leonard Cohen, though to my ears his voice was actually far better than Cohen's.  Featuring ten Bolotin originals, songs like 'Jimmy's Got a Music Box' (which he subsequently turned into a New York theater piece), 'Trinketman' and 'You Are a Woman' covered the usual array of teenaged angst packed themes, including lost love, dysfunctional relationships, the roaming life, etc.  Yeah, some of it has a dated sound, but then cut him some slack as he was only 18 at the time ...   The album also had a distinctive 'live' feel to it; at a minimum it didn't sound like producer Lyon spent a lot of time and energy on post-production work.  Ironically, that proved one of the album's strengths.  Backed by a fantastic pickup band, including Lyon on bass, Fugs drummer Bobby Mason, guitarist David Mowry, and keyboardist Mark Taber about half of the tracks featured electric arrangements.  Mind you, nothing here exactly rocked out, but songs like 'Dear Father', 'I'm Not Asking You' and 'Winter Woman' certainly benefited from the fuller instrumentation.  Unfortunately the Commonwealth United label collapsed shortly after the album was released, leaving the album to instant obscurity.  Bolotin  continued touring, winning fans within the folk musician community, though little attention elsewhere. 

 

"Jay Bolotin" track listing:
(side 1)

1.) Dear Father   (Jay Bolotin) - 5:46

2.) Jimmy's Got a Music Box   (Jay Bolotin) - 3:34

3.) It's All In That   (Jay Bolotin) - 4:53

4.) Pretty Burmah   (Jay Bolotin) - 2:40

5.) Trinketman   (Jay Bolotin) - 2:31

 

(side 2)
1.) You Are a Woman    (Jay Bolotin) - 4:10

2.) For the Love of a Summer Evening    (Jay Bolotin) - 2:41

3.) I'm Not Asking You   (Jay Bolotin) - 4:00

4.) For Kristy   (Jay Bolotin) - 3:28

5.) Winter Woman   (Jay Bolotin) - 6:28

 

The wonderful Waxidermy site has a 20 minute audio interview with Bolotin.  Unlike so many artists, he actually comes off as a cool and highly likable guy ...

 

http://waxidermy.com/features/jay-bolotin-interview/

 

 

Bolotin subsequently turned his attention to his true passion - woodcutting and sculpture.  He's become an in demand artist, placing his works in a wide array of public and private collections.  He's also sought to blend music and his artistic efforts in a series of  interesting projects including "The Jackleg Testament".

 

Here's a YouTube link featuring a brief description of the project as it was showcased in March 2008 at Bucknell University's Samek Art Gallery.

 

http://www.youtube.com/watch?v=3KDACRa9l3w

 

And here are links to Part 1 and Part 2 of the actual feature. Kind of dark and disturbing and stylistically reminds me a little bit of Terry Gilliam's work with Monty Python ...

 

http://www.youtube.com/watch?v=yyPgussyNjo

http://www.youtube.com/watch?v=2kFC2bl9q6c&NR=1

 

 

 

 

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