Captain Beefheart


Band members               Related acts

- Paul Blakely -- drums (1964-)

- Mark Boston -- bass, guitar (1972)

- Captain Beefheart (aka Don Van Vliet) -- vocals, guitar,

  keyboards, harmonica (1967-)

- Ry Cooder -- guitar, bass (1965-67)

- James Cotton (aka Antennae Jimmy Semens) -- guitar

  (replaced Doug Moon) (1965-)

- Roy Estrada (aka Orejon) -- bass (1972)

- John French (aka Drumbo) -- drums, percussion (1965-67)

- Jerry Handley -- bass (1964-67)

- Bill Harkleroad -- guitar (1972)

- Milt Holland -- percussion (1972)

- Doug Moon -- guitar (1964)

- Rockette Morton -- bass, guitar (1972)

- Zoot Horn Rollo -- guitar, mandolin, steel guitar (1972)

- Alex St. Claire (aka Pyjama, aka Alex Snouffer) -- guitar

  (1964-67)

- Russ Titleman -- guitar (1967)

- Art Tripp (aka Ed Marimba) -- drums, keyboards (1972)

  

 

 

Frank Zappa

 


 

Genre: progressive

Rating: **** (4 stars)

Title:  Safe As Milk

Company: Buddah

Catalog: BDM-1001 (mono)

Year: 1967

Country: Glendale, California

Grade (cover/record): VG / VG

Comments: minor ring and edge wear

Available: 1

GEMM catalog ID: not yet listed

Price: $75.00

Cost: $50.00

 

I'll admit to having a soft spot for oddball acts (just check out my collection of 35,000 LPs).  That said, Captain Beefheart (aka Don Van Vliet) is in a league of his own.  Over some three decades he's been labeled everything from a groundbreaking musical innovator, to a full fledged kook.  As with most things in life, the truth is probably somewhere out there in the middle ground.

 

Although Beefheart''s accumulated a substantial recording catalog touching on everything from free-form poetry to bizarre combinations of musical genres, Beefheart's never enjoyed anything remotely approaching commercial success, but with the music community he's widely admired and he has one of the most rabid cult followings of any act we know.  

 

Van Vliet's personal life is as interesting as his musical career.  Born and raised in Southern California (Glendale), by the time he was four his artwork had won him acclaim as a child prodigy.  By the time he was in his teens he'd been offered a European art scholarship which his family politely elected to decline, instead relocating to the Mojave Desert where Van Vliet became friendly with fellow teen Frank Zappa.

 

Without much to do in the Mojave, Van Vliet picked up saxophone and harmonica, joining a pair of local R&B bands - The Omens and The Blackouts.  By the early 1960s he'd formally changed his name to 'Van Vliet' (his given surname was Vliet) and begun using the 'Captain Beefheart' moniker.  He'd also recruited his first Magic Band, consisting of drummer Paul Blakely, guitar players Doug Moon and Alex St. Clair, bassist Jerry Handley.  Quickly becoming staples on the dance and club scene, Beefheart and the Magic Band attracted the attention of A&M Records, which signed them to a contract, releasing the single "Diddy Wah Diddy" b/w "Who Do You Think You're Fooling" (A&M catalog number 794).  With the single becoming a minor radio hit, A&M agreed to finance a supporting album.  Unfortunately, after hearing the resulting tapes (particularly the song "Electricity"), A&M executives shelved the project.  Moon and Blakely dropped out of the band, with Beefheart eventually replacing them with Jeff Cotton (aka Antennae Jimmy Semens) , Ry Cooder and drummer John "Drumbo" French. 

 

Dropped by A&M, 1967 found Beefheart signed by the more adventuresome Buddah Records.  His first move was to recut much of the material previously shelved by A&M.  Produced by Bob Krasnow (with Richard Perry brought aboard midway through the sessions), 1967's "Safe As Milk" is as close as Beefheart's ever come to making a conventional pop album.  While nothing on the album actually qualifies as pop, most of the efforts exhibited recognizable song structures and melodies.  Propelled by Beefheart's ominous sandpaper vocals and typically weird lyrics and Cooder's imaginative arrangements and stinging slide guitar, compositions such as the leadoff rocker "Sure 'Nuff 'N Yes I Do", "Zig Zag Wanderer" and "Plastic Factory" displayed a kinked blues-rock flavor.  "I'm Glad" offered up a surprisingly effective slice of 1960s soul.  "Dropout Boogie" recalled a demented Kinks rocker, while the jangle guitar rocker "Call On Me" even sounded a bit like The Byrds had Roger McGuinn decided to record while suffering from a major psychotic episode.  Elsewhere, in case anyone doubted Beefheart's credentials as a resident eccentric, they needed only check out tracks such as the legendary theramin-enhanced, meltdown rocker "Electricity", "Abba Zaba", or "Autumn's Child".   Hard as it may be to believe, Buddah actually pulled a single from the LP - what was probably the most accessible effort, "Yellow Brick Road" b/w "Abba Zaba" (Buddah catalog number BDA 9).  (The album was originally released with a promotional "Safe As Milk" bumper sticker insert.) 

 

Today it may all sound rather tame (and quite commercial), but back in 1967 this was truly groundbreaking !!!  Well worth adding to your collection !!!

 

"Safe As Milk" track listing:

(side 1)
1.) Sure 'Nuff 'N Yes I Do    (Don Van Vliet - Herb Bermann) - 2:15

2.) Zig Zag Wanderer    (Don Van Vliet - Herb Bermann) - 2:40

3.) Call On Me    (Don Van Vliet) - 2:37

4.) Dropout Boogie    (Don Van Vliet - Herb Bermann)- 2:32

5.) I'm Glad    (Don Van Vliet) - 3:31

6.) Electricity    (Don Van Vliet - Herb Bermann) - 3:07

 

(side 2)

1.) Yellow Brick Road    (Don Van Vliet - Herb Bermann) - 2:28

2.) Abba Zaba    (Don Van Vliet) - 2:44

3.) Plastic Factory    (Don Van Vliet - Herb Bermann - Jerry Handley) - 3:00

4.) Where There's Woman    (Don Van Vliet - Herb Bermann)2:05

5.) Grow So Ugly    (Robert Williams) - 2:27

6.) Autumn's Child    (Don Van Vliet - Herb Bermann) - 4:02

 

 

 


Genre: bizarre/weird

Rating: **** (4 stars)

Title:  The Spotlight Kid

Company: Reprise

Catalog: MS-2050

Country/State: Glendale, California

Year: 1972

Grade (cover/record): VG / VG

Comments: minor ring wear

Available: 1

GEMM catalog ID: 5023

Price: $25.00

 

 

Trying to describe a Captain Beefheart LP has always been a challenge and 1972's self-produced "The Spotlight Kid" poses a similar problem.  Musically this was one of the Captain's more accessible releases (I'm using that description in relative terms), in that it sported what were recognizable song formats, discernable rhythms and even occasional melodies.  Musically it showcased a typically wild mixture of Delta blues, boogie, hard jazz and the plain weird.  In spite of some amazing backing from the likes of Winged Eel Fingerling, Ed Marimba, Rockette Morton and Zoot Horn Rolo (check out the instrumental 'Alice in Blunderland'), the star attraction remained the Captain's voice and always bizarre lyrics.  Beefheart's voice was an amazing instrument even though it was likely to scare anyone into top-40.  Every time I hear his ragged, raspy blues delivery on tracks like the title track and '' I find it impossible to believe that he isn't a 70 year old contemporary of Muddy Waters, or Howlin' Wolf  ...  There's also something fascinatingly ominous in the way Beefheart and company pound out songs like 'I'm Gonna Booglarize You Baby', 'White Jam' (hearing Beefheart singing in falsetto was definitely different) and 'When It Blows It Stacks'.  The man's weird side is also present throughout - 'Grow Fins' seems to be a muse about meeting and falling in love with a mermaid and I won't even begin to try to figure out what 'There Ain't No Santa Clause On the Evenin' Stage' was about.  Can you imagine some top-40 radio station daring to spin one of these songs ...  you would have had mass hysteria in the listening public.  

"The Spotlight Kid" track listing:

(side 1)
1.) I'm Gonna Booglarize You Baby   (Don Van Vliet) - 4:34

2.) White Jam   (Don Van Vliet) - 2:57

3.) Blabber 'n Smoke   (Jan Van Vliet) - 2:48

4.) When It Blows It Stacks   (Don Van Vliet) - 3:41

5.) Alice in Blunderland (instrumental)  (Don Van Vliet) - 2:55

 

(side 2)
1.) The Spotlight Kid   (Don Van Vliet) - 3:21

2.) Click Clack   (Don Van Vliet) - 3:31

3.) Grow Fins   (Don Van Vliet) - 3:31

4.) There Ain't No Santa Clause On the Evenin' Stage   (Don Van Vliet) - 3:13

5.) Glider   (Don Van Vliet) - 4:37

 

Even more amazing Reprise actually tapped the title track as a single though it apparently was only released in a promo format 'Click Clack' b/w 'Glider' (Reprise catalog number PRO 514).

 

 

 

 


Genre: bizarre/weird

Rating: **** (4 stars)

Title:  Clear Spot

Company: Reprise

Catalog: MS-2115

Country/State: Glendale, California

Year: 1972

Grade (cover/record): VG+ / VG

Comments: includes original clear plastic sleeve

Available: 1

GEMM catalog ID: 4184

Price: $25.00

Cost: $1.00

 

Hard to imagine using the words 'Captain Beefheart' and 'commercial' in the same sentence, but producer Ted Templeman actually managed to pull it off with 1972's "Clear Spot".  Mind you, using the term commercial with Beefheart is a relative concept ...  That said, who would've ever thought Beefheart had a great voice and was capable of writing some astoundingly commercial soul and R&B-flavored material ...  every time I hear the catchy 'Too Much Time' I'm simply floored - Delbert McClinton's never done anything as good.  Backed by The Magic Band the album found Beefheart and company pounding their way through a dozen tracks that were unlike anything they'd done up to that point.  Special credit goes to guitarist Zoot Horn Rollo who turned in some truly stunning performances - check out his meltdown solos on 'Nowdays a Woman's Gotta Hit a Man' and 'Long Neck Bottles'.  Sure, there was plenty of trademarked quirkiness (there's a fascinating online interview where producer Templeman discusses some of the Captain's unique recording approaches) and Beefheart's lyrics remained bizarre in the extreme (anyone doubting it need only check out 'Sun Zoom Spark' or 'Golden Birdie').  Anyone got a clue what "Magnet draw day from dark/ Sun zoom spark!" or "And the pantaloon duck/White goose-neck quacked/webcore, webcore'" are about ???) That said, material such as the blazing bluesy opener 'Low Yo Yo Stuff', the stunning title track and the thundering 'Big Eyed Beans from Venus' boasted recognizable melodies and even rocked !!!  (Interesting piece of trivia; Beefheart apparently wanted to press the album on clear vinyl, but in the face of opposition from Warner Brothers/Reprise settled for a clear plastic outer sleeve cover.)  Hard to imagine, but Reprise tapped the album for a single 'Too Much Time' b/w 'My Head Is My Only House Unless It Rains' (Reprise catalog number 1113).

"Clear Spot" track listing:

(side 1)
1.) Low Yo Yo Stuff   (Don Van Vliet) - 3:28

2.) Nowdays a Woman's Gotta Hit a Man   (Don Van Vliet) - 3:45

3.) Too Much Time   (Don Van Vliet) - 2:46

4.) Circumstances   (Don Van Vliet) - 3:11

5.) My Head Is My Only House Unless It Rains   (Don Van Vliet) - 2:57

6.) Sun Zoom Spark   (Don Van Vliet) - 2:11

 

(side 2)
1.) Clear Spot   (Don Van Vliet) - 3:35

2.) Crazy Little Thing   (Don Van Vliet)- 2:35

3.) Long Neck Bottles   (Don Van Vliet) - 3:17

4.) Her Eyes Are a Blue Million Miles   (Don Van Vliet) - 2:54

5.) Big Eyed Beans from Venus   (Don Van Vliet) - 4:23

6.) Golden Birdies   (Don Van Vliet) - 1:37 

 

 

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