Gallagher, Rory
Band members Related acts
- Wilgar Campbell - drums, percussion
(1971-72) Campbell) (1972-76) harmonic,
sax (1971-95) Rod
De'Ath) (1976-80)
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- Killing Floor (Rod De'Ath and Lou Martin) |
Genre: blues rock Rating: *** (3 stars) Title: Rory Gallagher Company: ATCO Catalog: SD 33-368 Country/State: Ireland Year: 1971 Grade (cover/record): VG/VG+ Comments: minor ring wear Available: 1 GEMM catalog ID: 4697 Price: $10.00
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A unique, if grossly under recognized figure in modern rock, the late Rory Gallagher spent the majority of his adult life touring (though seldom in major venues). Steadfast and uncompromisingly preaching the blues, over some twenty years he released a large catalog of material, establishing a sterling reputation within the business (The Rolling Stones were interested in recruiting him as a replacement for Mick Taylor) and as a longstanding critics' favorite. Ironically, prior to his death in 1995, Gallagher never came close to enjoying any true measure of commercial success.
I was lucky to see him twice.
The first time at an odd free show and several years later at a club. Living in Brussels, Belgium
one cold Winter night in 1976 or 1977 a friend by the name of Mark
Funk and I were walking down a street in the
city's shopping district when Mark noticed a large crowd gathered around
someone playing blues tunes. That
wasn't anything special since Brussels was full of street performers.
Checking it out Mark discovered Gallagher was playing a free Christmas
concert. We rushed around the corner to get a couple of beers (Belgium
= beer) and when the bartender wouldn't put our Stella Artois into plastic
cups (he apparently didn't have any), I seem to remember we somehow convinced him to let us take these
big glasses of beer out with us (I think I still have my glass). I
remember it was bone chillingly cold and thinking whoever this band was,
they better be good 'cause my butt was cold. At the time I didn't know
who the world Gallagher was (Mark always had better musical tastes than I
did), but decked out in his
trademarked plaid shirt and backed by a crack band, the guy simply
sizzled. I remember him playing an beat up old strat that
looking like sh*t; not it hardly mattered since he somehow managed to coax an
amazing array of effects out of that instrument. What a show ... thirty years onwards I still have fond
memories of the cold evening. Wonder if I got any of the details
right. Wherever he is, Mark probably remembers it better than I
do. (Geez, I hope it was Gallagher and not some lame-butt pop band.)
Signed by Polydor (ATCO acquiring US distribution rights), 1971's cleverly-titled "Rory Gallagher" set the standard for what was to come. Featuring ten Gallagher originals (Gallagher also handled production chores), anyone familiar with Taste will be comfortable with this album. Like the former band, the predominant influence here is the Delta blues, though on material like 'I Fall Apart' and 'I'm Not Surprised' Gallagher showcased a surprisingly likeable voice. While minor, my only real complaint with the debut stemmed from the fact save 'Heads Up' and 'Sinner Boy' (spotlighting his stinging slide playing) Gallagher's dazzling strat was under-represented throughout the set. Personal favorite; the catchy closer 'Can't Believe It's True'. Not my favorite Gallagher solo effort, but a consistent and enjoyable debut.
"Rory Gallagher" track listing: (side 1) 1.) Laundromat (Rory Gallagher) - 4:38 2.) Just the Smile (Rory Gallagher) - 3:40 3.) I Fall Apart (Rory Gallagher) - 5:10 4.) Wave Myself Goodbye (Rory Gallagher) - 3:27 5.) Hands Up (Rory Gallagher) - 5:24
(side 2) 1.) Sinner Boy (Rory Gallagher) - 5:30 2.) For the Last Time (Rory Gallagher) - 6:34 3.) It's You (Rory Gallagher) - 2:38 4.) I'm Not Surprised (Rory Gallagher) - 3:35 5.) Can't Believe It's True (Rory Gallagher) - 2:15
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Genre: blues rock Rating: **** (4 stars) Title: Deuce Company: Polydor Catalog: 2383 076 Year: 1972 Country/State: Ireland Grade (cover/record): VG / VG Comments: UK pressing; minor edge and corner wear Available: 2 GEMM catalog ID: 5542 Price: $20.00
Also available: US pressing ATCO SD 7004 $20.00
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1972 saw Rory Gallagher and company return with the self-produced "Deuce" (I've always been surprised that a major label would let such a young and unproven act produce himself). Anyone expecting to hear a drastically different sound was probably disappointed by the collection since material like the opener 'Used To Be', 'Should've Learnt My Lesson', 'In Your Town' and 'Whole Lot of People' (the second half solo alone was worth the price admission), marked a continuation of Gallagher's Taste-styled blues-rock. That said, there were a couple of startling exceptions. The acoustic flamenco-influenced rocker 'I'm Not Awake Yet' stood as one of the prettiest melodies and most commercial things Gallagher ever recorded, while 'There's a Light' and 'Maybe I Will' (the latter sporting a nifty jazzy solo), would have made wonderful FM hits. As always, Gallagher's guitar proved the star. Of the ten tracks, the only one that struck me as forgettable was the straightforward country-blues number 'Don't Know Where I'm Going'. Not bad, just dull. Forget fancy effects, Gallagher simply didn't need 'em. Possibly the best slide player around (check out the solo on 'Crest of a Wave'), the man had chops to spare. Equally surprising, while not the most gifted singer you'd ever heard, Gallagher knew how to make the most of his talents. A top-40 hit in England, the LP did little in the States. For what it's worth, while there were no bells or whistles on this collection, that stripped down sound may be one of the reasons it's one of my favorite Gallagher releases.
And thanks to YouTube you can see a couple of these songs in live performances:
http://www.youtube.com/watch?v=cYp2VOAR-rQ 1972 date in Limerick, Ireland - 'Don't Know Where I'm Going'
http://www.youtube.com/watch?v=75aJIDqTYsQ 'In Your Town'
1.) Used To Be (Rory Gallagher) - 5:06 (side 2) 1.) In Your Town
(Rory Gallagher) - 5:43
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Genre: blues rock Rating: **** (4 stars) Title: Rory Gallagher Live! In Europe Company: Polydor Catalog: PD Year: 1972 Country/State: Ireland Grade (cover/record): VG-/VG Comments: some noticeable crackling on a couple of tracks; minor ring, edge and corner wear Available: 1 GEMM catalog ID: not listed yet Price: $10.00
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With Polydor assuming American distribution duties, 1972's
"Rory Gallagher Live! In Europe"
marked the artist's third release in twelve months. Recorded before enthusiastic crowds at various early 1972 European dates, the self-produced collection offered up a mixture of blues covers and bluesy originals. Simply said, the album captured Gallagher, Campbell and McAvoy in prime form. Pure blues; extended rave-ups such as "Messin' with the Kid", Gallagher's own blazing "Laundromat" and the stark and haunting harmonica and slide-guitar driven "I Could've Had Religion" weren't exactly fancy, but more than compensated for the raw sound with their driving enthusiasm. Electric blues simply didn't get much better than the nearly ten minutes of "In Your Town", or the mandolin-powered "Going To My Home Town". Peaking at #101, the album also provided Gallagher with his first taste of American commercial success.
In Europe the collection earned platinum sales and Melody Maker's
"Musician of the Year" Award. Shortly after the album's release, the line up underwent it's first major change; drummer Campbell replaced by Rod De'Ath. Gallagher also expanded the line-up with the addition of keyboard player Lou Martin.
1.) Messing with the Kid (Wells) - 6:24 (side 2) 1.) Going To My Home Town (Rory Gallagher) - 6:13
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Genre: blues rock Rating: *** (3 stars) Title: Blueprint Company: Polydor Catalog: PD-5522 Year: 1972 Country/State: Ireland Grade (cover/record): VG+/VG+ Comments: -- Available: 1 GEMM catalog ID: not listed yet Price: $20.00
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To be honest, it took a bit of effort to warm up to 1972's "Blueprint". That's kinda' curious since musically the set's not a major departure from Gallagher's earlier releases. Starting out with the blazing "Walk On Hot Coals" (one of his toughest rockers), the collection found Gallagher and company opting for a slightly more rock-oriented sound. In case longtime fans were concerned, there was still plenty of blues ("Banker's Blues" erroneously credited as a Gallagher -penned effort, "Unmilitary Two-Step" and the breath taking "The Seventh Son of a Seventh Son"). By the way, until we heard "Hands Off" we didn't know Gallagher played the sax. To our ears it's a solid, if slightly under whelming release.
"Blueprint" track listing" (side 1) 1.) Walk On Hot Coals (Rory Gallagher) - 2.) Daughters of the Everglades (Rory Gallagher) - 3.) Banker's Blues (Rory Gallagher - Broonzy) - 4.) Hands Off (Rory Gallagher) -
(side 2) 1.) Race the Breeze (Rory Gallagher) - 2.) The Seventh Son of a Seventh Son (Rory Gallagher) - 3.) Unmilitary Two-Step (Rory Gallagher) - 4.) If I Had a Reason (Rory Gallagher) - |
Genre: blues rock Rating: **** (4 stars) Title: Tattoo Company: Polydor Catalog: PD-5539 Year: 1973 Country/State: Ireland Grade (cover/record): VG+ / VG+ Comments: original textured cover Available: 2 GEMM catalog ID: 5626 Price: $20.00
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While you couldn't call it a major change in musical direction,
1973's "Tattoo" benefited from an expanded line up
in the form of ex-Killing Floor drummer Rod De'Ath and keyboardist Lou
Martin. Now expanded to a quartet (rounded out by bassist Gerry McAvoy),
the added manpower provided Rory Gallagher with a fuller rock-oriented sound
that was surprisingly impressive. With Gallagher again handling production
duties the band sounded enthusiastic and full of confidence simply blowing
their way through the all original collection. Gallagher's allegiance
clearly remained with the blues, but that didn't stop him from taking full
advantage of the new rock edge on material like 'Tattoo'd Lady', the blazing
'Cradle Rock' (be sure to check out his
screeching
staccato solo on the latter), and 'Livin' Like a Trucker'. Always
somewhat of a reluctant vocalist this time out Gallagher seemed to have lost much of
that former shyness. Anyone doubting that man's vocal chops needed
only check out the acoustic blues number '20:20 Vision', or the unexpectedly
jazzy 'They Don't Make Them Like You Anymore'. Personal favorites this
time out were the chugging 'Sleep On a Clothes Line' and the blazing 'Who's
That Coming' - the latter showcasing Gallagher's amazing slide guitar
prowess. All told it made for one of his most consistent and satisfying releases.
Given Gallagher's expansive recording catalog this would certainly be one of the places to start if
you were merely curious, or simply a casual fan.
1.) Tattoo'd Lady (Rory Gallagher) - 4:40 (side 2) 1.) Sleep On a Clothes Line
(Rory Gallagher) - 5:18
YouTube has a bunch of great live performances of material from the LP:
"Tattoo'd Lady" drawn from a 1975 "Live At Montreaux" performance: http://www.youtube.com/watch?v=uezV4zn8tvI
'Cradle Rock' also from the Montreaux set: http://www.youtube.com/watch?v=-k4iocWURPk
1974 television performance of 'They Don't Make Them Like You Anymore': http://www.youtube.com/watch?v=T0f6QUXYJWM
'Who's That Coming' pulled from a performance during his 1974 Irish Tour: http://www.youtube.com/watch?v=hq0ENt1sHP8
'A Million Miles Away' from an October 1994 performance at the Interceltic Festival Lorient: http://www.youtube.com/watch?v=fO6DtPDwc1c
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Genre: blues rock Rating: **** (4 stars) Title: Irish Tour '74 Company: Polydor Catalog: PD2-9501 Year: 1974 Country/State: Ireland Grade (cover/record): VG/VG Comments: double album set; minor ring and edge wear Available: 2 GEMM catalog ID: not listed yet Price: $20.00
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"Irish Tour '74" was a double album live offering. Self-produced, the collection found Gallagher and expanded band tearing their way through a first-rate mixture of acoustic and electric blues-rock. While live takes on tracks such as "Cradle Rock", "Tattoo'd Lady", and "Too Much Alcohol" were suitably enthusiastic, they didn't add much to the original studio versions. Still, spurred on by partisan Irish audiences (the set recorded at various dates in Belfast, Cork, and Dublin), the band came off in prime form, serving as an excellent introduction to Gallagher's stinging guitar style ("Wonder Who's (Gonna Be Your Sweet Man)"). Once again, Martin's keyboards continued to fill out the group's otherwise thin sound. Elsewhere "Back On My (Stompin' Ground)" and "Just a Little Bit" were less impressive, amounting to little more than extended jam sessions. Supported by strong reviews, the set proved a surprisingly strong seller, hitting #110. Originally released with a gatefold sleeve, Polydor deserved an award for the lavish cover ... Sadly the set was quickly dropped and is now extremely difficult to find.
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Genre: blues rock Rating: *** (3 stars) Title: In the Beginning An Early Taste of Rory Gallagher Company: Emerald Gem Catalog: GES 110 Year: 1974 Country/State: Ireland Grade (cover/record): VG / VG+ Comments: minor ring wear; UK pressing Available: 1 GEMM catalog ID: 5614 Price: $20.00
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1974's "In the Beginning An Early Taste of Rory
Gallagher" was released by the small English Emerald Gem label just as Gallagher was beginning to attract critical praise and recognition. Compiled and produced by Mervyn Soloman, the set was credited as a Gallagher solo effort, but actually captured the guitarist's initial studio recording sessions as a member of Taste (see separate entry). Recorded in mid-1967, Gallagher-penned originals such as
'Wee Wee Baby', 'How Many More Years' and 'Take It Easy Baby' were somewhat raw and
under-produced, but served as a surprisingly effective vehicle for Gallagher's tasty guitar and bluesy voice (image Clapton after a weekend of solid smoking and drinking).
This was straightforward, unadorned blues-rock, but if you were into the
genre well worth looking for ... The man could sure play guitar
!!! Well worth looking for ... The US Springboard subsequently
repackaged and released the set in the States as "Take It Easy".
1.) Wee Wee Baby (Rory Gallagher) - 2:45 (side 2) 1.) Worried Man
(Rory Gallagher) - 2:30 |
Genre: blues rock Rating: *** (3 stars) Title: Take It Easy Baby Company: Springboard Catalog: SPB-4056 Year: 1974 Country/State: Ireland Grade (cover/record): VG / VG Comments: minor ring wear; US pressing Available: 1 GEMM catalog ID: 5613 Price: $15.00
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The New Jersey Springboard label was renown for releasing quickie sets that capitalized on early career and miscellaneous materials from big name acts. "Take It Easy Baby" was nearly identical to the 1974 Irish compilation "In the Beginning An Early Taste of Rory Gallagher." The only differences were a new cover and the seven tracks were slightly re-sequenced. In typical fashion the Springboard set included virtually no liner notes or performance credits. From the original Irish release I can tell you the set was compiled and produced by Mervyn Soloman. Credited as a Gallagher solo effort, the seven tracks actually captured the Gallagher's initial studio recording sessions as a member of Taste (see separate entry). Recorded in mid-1967 when Taste was coming to fruition, Gallagher-penned originals such as 'Wee Wee Baby', 'How Many More Years' and the title track' were somewhat raw and under-produced, but served as a surprisingly effective vehicle for Gallagher's tasty guitar and bluesy voice (image Clapton after a weekend of solid smoking and drinking). This was straightforward, unadorned blues-rock, but if you were into the genre well worth looking for ... The man could sure play guitar !!!
For whatever reason Springboard subsequently reissued the collection with the correct Rory Gallagher and Taste credits:
"Take It Easy Baby" track listing: 1.) Wee Wee Baby (Rory Gallagher) - 2:45 1.) Worried Man (Rory Gallagher) - 2:30
2.) Norman Invasion (Rory Gallagher) - 3:01 (side 2) 3.) Take It Easy Baby (Rory Gallagher) - 7:08
3.) Pardon Me Mister (Rory Gallagher) - 2:44
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Genre: blues rock Rating: *** (3 stars) Title: Sinner ... and Saint Company: Polydor Catalog: PD-6510 Year: 1975 Country/State: Ireland Grade (cover/record): VG/VG Comments: minor ring and edge wear Available: 1 GEMM catalog ID: not listed yet Price: $10.00
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While there's no such thing as a needless Gallagher album, "Sinner ...
and Saint" came close - not that the music was bad, rather fans already owned it. With Gallagher having already signed a deal with Chrysalis Records, former label Polydor acquired rights to Gallagher's two ATCO efforts, pulling together ten tracks from his first two ATCO releases (five selections from both "Rory Gallagher" and "Deuce"). At it's most charitable the effort could be seen as a rather transparent attempt to squeeze a couple of additional dollars out of Gallagher's fan base ... Given it was released to compete with Gallagher's Chrysalis debut, it sold well, peaking at #158. (side
1)
(side
2) |
Genre: blues rock Rating: *** (3 stars) Title: Between Belfast and Dublin Company: Pickwick Catalog: U/80055 Year: 1975 Country/State: Ireland Grade (cover/record): VG+ / VG+ Comments: UK pressing Available: 1 GEMM catalog ID: 5153 Price: $15.00
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Released by the cheapo Pickwick reissue label, this is a weird one in that it doesn't appear on any of the Rory Gallagher discographies I've seen - not even the one maintained by Gallagher's brother. It's also strange in that the liner notes read like they were translated by someone with extremely limited English proficiency ... "Further Rory Gallagher can say of himself that he as a musician who always performs in battered jeans and with equally battered guitars, in spite of it became a great Rock-Star with an individual image."
The title was certainly misleading in giving you an impression this was a live set (perhaps related to the "Irish Tour 74" collection). Instead "Between Belfast and Dublin" served as a weird compilation pulling together an odd mixture of early and mid-career Gallagher studio tracks. (As far as I can tell, most of the ten tracks seem to have come from 1972's "Deuce" and 1975's "Sinner .. Saint".) Mind you there was nothing wrong with the ten tracks and hearing Gallagher's killer guitar and overlooked voice on material like 'Used To Be', 'For the Last Time' and 'Just the Smile' was certainly a treat. So ... while it isn't an essential Gallagher album, any self- proclaimed Gallagher fan will want to have it in their collection (and the liner notes are a gas).
"Between Belfast and Dublin" track listing:
1.) Used To Be (Rory Gallagher) - 5:02 (side 2) 1.) Crest of a Wave (Rory Gallagher)- 5:29 2.) I'm Not Awake Yet (Rory Gallagher) - 5:27 3.) There's a Light (Rory Gallagher) - 5:52 4.) I Fall Apart (Rory Gallagher) - 5:08 5.) Don't Know Where I'm Going (Rory Gallagher) - 2:43
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Genre: blues rock Rating: *** (3 stars) Title: The Story So Far Company: Polydor Catalog: PD-6519 Year: 1975 Country/State: Ireland Grade (cover/record): NM/NM Comments: unplayed; still sealed Available: 2 GEMM catalog ID: not listed yet Price: $10.00
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Having already released one retrospective ("Sinner... and Saint"), in the wake of Gallagher's defection to Chrysalis, Polydor management sought to recoup some of it's investment with the release of 1976's
"The Story So
Far". Pulling a representative cross section of his catalog, the eight tracks represented material drawn from five of his six American Polydor albums ("Bullfrog Blues" was pulled from the European-only "Live In Europe" set). Musically the results provided an adequate, if limited retrospective. While one could argue over the track line up, for casual fans and the curious, it was one of the sets to buy ... (Nice to see Polydor spending so much on the classy cover art.)
1.) Laundromat (Rory Gallagher) - (side 2) 1.) In Your Town (Rory Gallagher) - |
Genre: blues rock Rating: **** (4 stars) Title: Calling Card Company: Chrysalis Catalog: CHR 1124 Year: 1976 Country/State: Ireland Grade (cover/record): VG/VG+ Comments: cut corner; original inner sleeve Available: 1 GEMM catalog ID: not listed yet Price: $20.00
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Having produced himself for the last umpteen years, 1976's "Calling Card" saw Gallagher taking advantage of his contract with Chrysalis (and the company's substantially larger budget), to record his second LP for the label in Munich, Germany with Deep Purple alumnus/bass player Roger Glover handling the boards. Glover' influence was fairly obvious, the collection standing as one of Gallagher's most rock-oriented releases. Penning some of his most impressive material, Gallagher and company sounded calm, confident and as if they was having a great deal of fun. The album again benefited from the added flexibility allowed by a four piece line up. Want to hear a Gallagher song with synthesizers? Check out the opener "Do You Read Me". Interestingly, while "Jackknife Beat", "Country Mile" and "Secret Agent" were two of his best out-and-out rockers, the ballad "I'll Admit You're Gone" and the stunning "Edged In Blue" were the two highlights. On a regular basis we debate Gallagher's best all-around LP. Ignoring some of the live efforts, this studio set comes up more often than not.
"Calling Card" track listing: (side 1) 1.) Do You Read Me (Rory Gallagher) - 2.) Country Mile (Rory Gallagher) - 3.) Moonchild (Rory Gallagher) - 4.) Calling Card (Rory Gallagher) - 5.) I'll Admit You're Gone (Rory Gallagher) -
(side 2) 1.) Secret Agent (Rory Gallagher) - 2.) Jackknife Beat (Rory Gallagher) - 3.) Edged In Blue (Rory Gallagher) - 4.) Barley and Grape Rag (Rory Gallagher) -
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Genre: blues rock Rating: **** (4 stars) Title: Photo-Finish Company: Chrysalis Catalog: CHR 1170 Year: 1978 Country/State: Ireland Grade (cover/record): NM/NM Comments: minor corner wear Available: 1 GEMM catalog ID: not listed yet Price: $20.00
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After eight studio sets, anyone expecting a major change in musical direction was bound to be disappointed by 1978's
"Photo Finish". On the other hand, anyone who was a true Gallagher fan saw this as another stellar addition to the catalog. Co-produced with Alan O'Duffy, to our ears tracks such as the roaring "Brute Force and Ignorance" and "Cruise On Out" made the album looser and more varied than some of his earlier releases. While tracks such as "Shin Kicker", "Last of the Independents" and the driving "Cloak and Dagger" showcased Gallagher's trademark blazing strat, material such as "Shadow Play" and "Overnight Bug" (a wonderful ballad) underscored the oft forgotten fact that Gallagher was an accomplished vocalist. Gifted with a deep, soulful voice (check out his delivery on "The
Mississippi Sheiks"), Gallagher's performances were miles ahead of Alvin Lee and frequently on a par with the likes of Steve Gibbons and Frankie Miller (two of out favorites). The overall results make this one of our favorite releases ...
1.) Shin Kicker (Rory Gallagher) - (side 2) 1.) Shadow Play (Rory Gallagher) -
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Genre: blues rock Rating: **** (4 stars) Title: Top Priority Company: Chrysalis Catalog: CHR 1235 Year: 1979 Country/State: Ireland Grade (cover/record): NM/NM Comments: minor corner wear; has original inner sleeve Available: 1 GEMM catalog ID: not listed yet Price: $20.00
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With Gallagher continuing his extensive touring schedule, he began to garner significant press attention, particularly in the States. More than will to cash in on the publicity, Chrysalis rushed Gallagher back into the studio. Continuing his relationship with producer Alan O'Duffy, 1979's "Top Priority" (reportedly named after Chrysalis' promise to support the album), stood as Gallagher's most mainstream rock effort. That wasn't to say Gallagher sold out the blues. Virtually every one of the nine tracks was underscored by a blues base, however tracks such as "Wayward Child", "Keychain" and "Bad Penny" were among the most mainstream and commercial things he'd ever penned. Perhaps because of its interesting lyric and strong melody, to our ears the standout track was "Philby" (how often do you hear a song about an infamous British spy?). A close second, the scorching "Just Hit Town". As a minor footnote, our copy of the album has a slightly different cover (we were too lazy to take a digital image). Same photo of Gallagher, but centered and surrounded by a white background and a red "Top Priority" stamp.)
"Top Priority" track listing: (side 1) 1.) Follow Me (Rory Gallagher) - 2.) Philby (Rory Gallagher) - 3.) Wayward Child (Rory Gallagher) - 4.) Keychain (Rory Gallagher) - 5.) At the Depot (Rory Gallagher) -
(side 2) 1.) Bad Penny (Rory Gallagher) - 2.) Just Hit Town (Rory Gallagher) - 3.) Off the Handle (Rory Gallagher) - 4.) Public Enemy No 1 (Rory Gallagher) -
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Genre: blues rock Rating: *** (3 stars) Title: Stage Struck Company: Chrysalis Catalog: CHR 1280 Year: 1980 Country/State: Ireland Grade (cover/record): VG+/VG+ Comments: promotional stamp on back cover; original inner sleeve Available: 1 GEMM catalog ID: not listed yet Price: $15.00
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In a curious marketing move (perhaps not so curious given Gallagher was leaving for a new label), 1980's
"Stage Struck" saw Chrysalis reaching into the archives to pull material from a 1979/80 world tour (material was drawn from Australian, French, Irish and American dates). Given there were already two live sets (1972's "Rory Gallagher Live!" and 1974's "Irish Tour '74"), you couldn't exactly claim this release was a necessity. On the other hand the self-produced set was interesting for switching the focus from blues to Gallagher's rock and boogie catalogs. Backed by bassist McAvoy and drummer McKenna, material such as "Wayward Child", "Brute Force And Arrogance", "Moonchild" and "Floow Me" made it clear Gallagher had all the talents required to take on his more successful 'guitar god' contemporaries. (Any Whitesnake fans out there? This simply shreds those imitators to shreds). Once again, Gallagher proved a surprisingly accomplished vocalist. In the meantime, tired of the constant touring, McKenna quit. He was quickly replaced by Brendan O'Neill.
1.) Shin Kicker (Rory Gallagher) (side 2) 1.) Follow Me (Rory Gallagher)
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Genre: blues rock Rating: **** (4 stars) Title: Jinx Company: Mercury Catalog: SRM-1-4051 Year: 1982 Country/State: Ireland Grade (cover/record): VG+/VG+ Comments: minor ring, edge and corner wear Available: 1 GEMM catalog ID: not listed yet Price: $15.00
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Ending his longstanding business relationship with Chrysalis (7 years and 5 albums), 1982's
"Jinx" found Gallagher and company signed to Mercury. The change seemed to reinvigorate Gallagher, who turned in his strongest set in years. Self-produced, material such as "The Devil Made Me Do It", the bluesy "Easy Come, Easy Go" and "Signals" found Gallagher turning in a scorching set of originals. In contrast to recent releases, not only was Gallagher's guitar playing breathtaking (check out the slide-propelled "Double Vision"), but his craggy voice had seldom sounded as good. Personal favorite; the atmospheric "Jinxed". Among the few missteps, in spite of a blazing guitar solo, the pedestrian "Big Guns" sounded like a Phil Lynott and Thin Lizzy outtake. Tell ya' what, this is a good place for the
uninitiated to start ...
1.) Signals (Rory Gallagher) - 4:31 (side 2) 1.) Big Guns (Rory Gallagher) - 3:25
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