Mayfield, Curtis
Band members Related acts
- Curtis Mayfield (RIP 1999) - vocals, guitar
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Genre: soul Rating: **** (4 stars) Title: Back To the World Company: Curtom Catalog: CRS 8015 Year: 1973 Country/State: Chicago, Illinois Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 GEMM catalog ID: 5833 Price: $30.00
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On the heels of the worldwide success he enjoyed with "Superfly" Mayfield had free license to do whatever he wanted. The response was 1973's "Back To the World". It's never been clearly to me if this one was intended as a concept piece. Regardless, the album showcased a series of socially consciousness segments covering everything from ecological concerns ('Future Shock') to social and economic inequity ('Keep On Trippin''). Yeah, the set may have aged a little around the edges, but you couldn't help but admire Mayfield's willingness to tackle these issues with grace and insight. Funny how most of these concerns still confront us some four decades later. Taken from the liner notes, here's Mayfield's own dedication:
"This album I dedicate to my children-and all children-for it's through their eyes, and the eyes of all those precious few, that maybe we, the grownups, can still make the world a better place for everyone to live. If I were only a child again, I'd speak for little people on their date of birth, and ask the grownups-when will there be peace on earth."
- Apparently the story of a Vietnam veteran trying to readjust to life in the city, 'Back To The World' sported Mayfield's patented sounded - sophisticated and catchy at the same time, though clocking in at just under seven minutes the song would have benefited from some judicious editing. rating: *** stars - Taking its title and theme from Alvin Toffler's bestseller 'Future Shock' was interesting in a number of respects. While it offered up another slice of Mayfield's patented social commentary, this time out the results were wrapped in a surprisingly funky melody. Great horn arrangements and Mayfield's excellent wah wah guitar was showcased. My pick for the LP's standout performance. Easy to see why it was tapped as a single. rating: **** stars - Folks tend to forget that Mayfield was a talented guitarist and arranger and 'Right On For The Darkness' served to showcase both talents. Starting out with a spare acoustic setting the track quickly blossomed into a highly orchestrated, full band arrangement. There's always been something quite disconcerting and ominous about this one. Like the title track this one would have been stronger with some editing. The Rich Tufo orchestrated instrumental ending really wasn't necessary. rating: **** stars - Side two opened up with the album's more commercial and radio friendly selection. With a breezy melody and some punchy horns, it was one of Mayfield's most optimistic tracks, it was one of those rare songs that effortless brought a smile to your face. Great pick for the album's second single. Shame it wasn't longer. rating: ***** stars - The first real disappointment, 'Can't Say Nothin'' sounded like incidental movie music, or a jam that was never sharpened. It got a little better as it progressed, but overall struck me as great background music. Nowhere near as good as the rest of the album .... rating: ** stars - Unlike the urban vibe found on most of the set, 'Keep On Trippin'' exhibited an breezy and easy going vibe. A nice showcase for Mayfield's instantly recognizable falsetto. rating: *** stars - In spite of the cumbersome title, 'Future Song (Love A Good Woman, Love A Good Man)' showcased Mayfield's Gospel roots. Another wonderful and uplifting number.
The album was tapped for a series of singles:
- 1973's 'Future Shock' b/w 'The Other Side of Town' (Curtom catalog number CR 1987) # 39 pop - 1973's 'If I Were Only A Child Again' b/w 'If I Were Only A Child Again (instrumental)' (Curtom catalog number CR 1991) # 71 pop - 1974's 'Can't Say Nothin'' b/w 'Future Song (Love A Good Woman, Love A Good Man)' (Curtom catalog number CR 1993) # 88 pop
Even though it lacked a killer single, the album continued Mayfield's string of commercial successes, peaking at # 16 on the pop charts. Summary - Mayfield recorded so much stuff that the market basically became saturated and over the years this one's simply been forgotten. Shame since it's one of his best and can still be found at a reasonable price.
"Back To the World" track listing: (side 1) 1.) Back To The World (Curtis Mayfield) - 6:48 2.) Future Shock (Curtis Mayfield) - 5:24 3.) Right On For The Darkness (Curtis Mayfield) - 7:30
(side 2) 1.) If I Were Only A Child Again (Curtis Mayfield) - 2:53 2.) Can't Say Nothin' (Curtis Mayfield) - 5:20 3.) Keep On Trippin' (Curtis Mayfield) - 3:16 4.) Future Song (Love A Good Woman, Love A Good Man) (Curtis Mayfield) - 5:00
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Genre: soul Rating: *** (3 stars) Title: Curtis In Chicago Recorded Live! Company: Curtom Catalog: CRS 8018 Year: 1973 Country/State: Chicago, Illinois Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 GEMM catalog ID: 5123 Price: $30.00 Cost: $66.00
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To be honest about it, most double album live sets leave you wishing they'd been severely edited down. In contrast, here's a single album concert that leaves you wishing for more ....
Cut live at Chicago public television station WTTW, 1973's "Curtis In Chicago Recorded Live!" was billed as a Mayfield solo album, but in actuality should have been marketed as an Impressions family reunion. In addition to the original Impressions line-up (Jerry Butler, Fred Cash, Sam Gooden, Mayfield and Reggie Torian), the album gave a nod to the post-Mayfield Impressions line up in the form of Leroy Hutson (who was given a solo shot on 'Love Oh Love'). Musically the album also showcased a mixture of Mayfield solo efforts, Impressions numbers and a couple of solo spots for Butler, Gene Chandler and Hutson. Highlights included an abbreviated 'Superfly', Butler's lead vocal on 'For Your Precious Love', and the collaborative closer 'Amen'. As mentioned earlier, other than the cloying spoken word interlude on 'If I Were Only a Child Again', the only real complaint was that the set was simply too short. A modest seller the album peaked at # 135 on the pop charts.
"Curtis In Chicago Recorded Live!" track listing: (side 1) 1.) Superfly (Curtis Mayfield) - 5:24 2.) For Your Precious Love (A. Brooks - R. Brooks - Jerry Butler) - 2:40 3.) I'm So Proud (Curtis Mayfield) - 3:18 4.) Once In My Life (Miller - Miller) - 2:48 5.) Preacher Man (Richard Tufo) - 3:16
(side 2) 1.) If I Were Only a Child Again (Curtis Mayfield) - 4:50 2.) Duke of Earl (Edwards - Williams - Dixon) - 3:32 3.) Love Oh Love (Leroy Hutson - Hawkins - Hetson) - 4:42 4.) Amen (Johnny Pate - Curtis Mayfield) - 3:00
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Genre: soul Rating: ** (2 stars) Title: Sweet Exorcist Company: Curtom Catalog: CRS 8601 Year: 1973 Country/State: Chicago, Illinois Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 GEMM catalog ID: 5582 Price: $20.00
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I'll be upfront and tell you that 1974's "Sweet Exorcist" ranks somewhere in the middle of the pack as far as Curtis Mayfield's catalog goes. Chronologically the set had a 'stapled together' feel with the best song 'To Be Invisible' having previously appeared on his "Claudine" soundtrack. Elsewhere half of the songs carried 1969-1972 copyright dates indicating Mayfield was raiding his musical stash. The two new songs 'Sweet Exorcist' and 'Kung Fu' were clearly inspired by current popular trends. So much for the bad news. Mayfield was simply too talented to turn in a completely lame LP. True, nothing here was particularly original, but even second rate Mayfield was better than most of the competition.
- Complete with wah wah guitar and Latin flavored percussion 'Ain't Got Time' was instantly recognizable Mayfield and would have sounded right at home on the "Superfly" album. Great cut with a fantastic chorus. rating: **** stars - 'Sweet Exorcist' was probably better known for the Gladys Knight version featured on the "Claudine" soundtrack and I'm guessing that's her on the background vocals this time out. Pretty song and Mayfield did the song credit, making it one of the standout efforts on the LP. rating: *** stars - The most personal song on the collection, this slinky ballad was one of my favorite songs on the album. rating: **** stars - 'Power To the People' was another of Mayfield's patented slices of social commentary. Great melody and funky beat even if the lyrics were a little bit on the lame side. Would have made a nice single. rating: **** stars - Even though it wasn't a great Mayfield track, 'Kung Fu' was worth hearing. Released as a single b/w 'Sweet Exorcist' (Curtom catalog number CR-1999) the song provided Mayfield with a top-40 hit. Yeah, it was a fairly pro-forma effort sounding like something Mayfield might have tossed off in a couple of minutes, but it did have a nice groove rating: ** stars.
For anyone interested, YouTube has a 1974 live performance of the song: http://www.youtube.com/watch?v=GZLRHdLJUpU - Mayfield's collaboration with the late Donny Hathaway, 'Suffer' was the most atypical effort - sophisticated soul that would have sounded right at home on one of Hathaway's jazz-soul releases. Very nice. rating: *** stars -'Make Me Believe In You' was instantly recognizable as a Mayfield effort, but sounded like he was simply going through the motions. rating: ** stars
All told, not his best, not his worst. Worth hearing, though only hardcore fans need bother adding it to their stockpiles. Propelled by the single, the parent LP peaked at # 39.
"Sweet Exorcist" track listing: (side 1) 1.) Ain't Got Time (Curtis Mayfield) - 5:10 2.) Sweet Exorcist (Curtis Mayfield) - 3:50 3.) To Be Invisible (Curtis Mayfield) - 4:12 4.) Power To the People (Curtis Mayfield) - 3:26
(side 2) 1.) Kung Fu (Curtis Mayfield) - 6:02 2.) Suffer (Curtis Mayfield - Donny Hathaway) - 4:06 3.) Make Me Believe In You (Curtis Mayfield) - 5:32
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Genre: soul Rating: *** (3 stars) Title: Got To Find a Way Company: Curtom Catalog: CRS 8604 Year: 1974 Country/State: Chicago, Illinois Grade (cover/record): VG / VG Comments: cut out notch along bottom right edge Available: 1 GEMM catalog ID: 4857 Price: $10.00
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Perhaps because it was released as a follow-up to the enormously popular "Superfly", 1974's "Got To Find a Way" seems to have been overlooked by critics and fans. That's unfortunate since this collection has so much going for it. Featuring six original tunes, the sound is instantly recognizable as a Mayfield product, though this time around the collection finds Mayfield in a reflective and surprisingly downbeat mood. Smooth, seductive and spacious, the set offers up a patented blend of social commentary ('Cannot Find a Way'), religious reflection ('A Prayer') and love man moves ('Ain't No Love Lost'). Personal favorites include the funky leadoff 'Love Me (Right In the Pocket)' and ''So You Don't Love Me. The latter track starts out slowly, but rewards you with a killer refrain. Too be perfectly honest, part of the album's appeal may lie in the fact it isn't as well known and over-exposed as other parts of his catalog ...
For you completists 'Love Me (Right In the Pocket)' b/w 'Mother's Son' was pulled as a single (Curtom catalog number CR-2006)
"Got To Find a Way" track listing: (side 1) 1.) Love Me (Right In the Pocket) (Curtis Mayfield) - 2.) So You Don't Love Me (Curtis Mayfield) - 3.) A Prayer (Curtis Mayfield) -
(side 2) 1.) Mother's Son (Curtis Mayfield) - 2.) Cannot Find a Way (Curtis Mayfield) - 3.) Ain't No Love Lost (Curtis Mayfield) -
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Genre: soul Rating: * (1 stars) Title: Do It All Night Company: Curtom Catalog: CUK 5022 Year: 1978 Country/State: Chicago, Illinois Grade (cover/record): VG / VG Comments: cut out notch along top edge Available: SOLD GEMM catalog ID: SOLD Price: SOLD
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Normally I wouldn't even look twice at an album with such a disco-ish cover. 'Course, this one was by Curtis Mayfield, so why not take a risk for 25 cents?
Well in this case I wasted 25 cents. Produced by Mayfield, 1978's "Do It All Night" was totally devoid of artistic merit. Hard to believe I'd ever say this about a Mayfield LP, but these six tracks espouse the very worst aspects of disco - mindless rhythms; throwaway lyrics and a complete absence of enthusiasm. Geez, song titles such as 'Party, Party' and ' You Are, You Are' serves as a good indicator as to how uninspired this outing was. Easy to see why this was Mayfield's last release under the Warner Brothers umbrella. Interestingly, the album sold better than his recent catalog, but he basically pissed off all of his old school fans. This simply set's so bad that it's hard to name a favorite track. If pushed into a corner, I'd vote for 'In Love, In Love, In Love' simply because it's the lone non-disco number on the album
Two singles were pulled from the LP:
- 1978's 'Do It All Night' (Parts 1 and 2)' (Curtom catalog number CMS-0141) - 1978's 'No Goodbyes' (Curtom 12" single catalog number PRO-742 CU)
(side 1) 1.) Do It All Night (Gil Askey - Curtis Mayfield) - 8:17 2.) No Goodbyes (Gil Askey - Curtis Mayfield) - 7:40
(side 2) 1.) Party, Party (Gil Askey - Curtis Mayfield) - 7:54 2.) Keeps Me Loving You (Curtis Mayfield) - 3:24 3.) In Love, In Love, In Love (Curtis Mayfield) - 4:20 4.) You Are, You Are (Curtis Mayfield) - 3:38
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