Tex, Joe
Band members Related acts
- Joe Tex (aka Joseph Arrington Jr., aka Yusuf Hazziez) (RIP 1982) – vocals
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- The Soul Clan
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Genre: soul Rating: 3 stars *** Title: Hold On! It’s Joe Tex Company: Checker Catalog: LP-2993 Year: 1964 Country/State: Rogers or Navasota Texas (?) Grade (cover/record): VG / VG Comments: mono pressing; some ‘yellowing’ on back cover; name
written in black ink on front cover ‘Doug Bernstein’; light marks on
vinyl, but plays without noise or skips Available: 1 GEMM catalog ID: 5267 Price: $80.00
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People are largely unaware of Joe Tex’s
late-1950s/early-1960s corporate wanderings.
Having started his musical career while still in high school
recording secular material with a number of gospel grounds, his big break
came in 1954 when he won a Houston talent show.
The win led to an appearance at an Apollo Theater amateur hour show
and a contract with King Records. Three
years (1955-58) with King did nothing commercially, and over the next five
years he bounced from label to label including stints on Ace, Anna, Parrot,
and Checker. With his performance career in low gear, Tex’s initial
breakthrough came as a songwriter. In
1962 James Brown elected to cover ‘Babe, You’re Right’ which Tex had
previously waxed for Checker. The
cover hit # 2 on the R&B charts and captured the attention of
producer/songwriter Buddy Killen who promptly signed Tex to his newly
established Dial label.
The resulting attention sent Tex’s earlier
labels scurrying to their recording vaults in an effort to cash-in on the
artist’s sudden commercial breakthrough.
Even though they’d never bothered to release any of the material
he’d recorded for the label, Checker was no exception issuing 1964’s “Hold
On! It’s Joe Tex”. Pulling
together previously released Anna sides (‘All I Could Do Was Cry’,
‘I’ll Never Break Your Heart’, ‘Baby You’re Right’ and
‘Ain’t I A Mess’) along with a couple of shelved Chess studio tracks,
for folks familiar with Tex’s mid-1960s soul material these eight sides
were liable to come as somewhat of a surprise.
From a sonic standpoint selections like ‘All I Could Do Is Cry’
and ‘’Get Together Closer’ were extremely raw, reflecting a mixture of
his Gospel and R&B roots. Perhaps
not as polished as on his future Dial catalog, but all of the performance
characteristics that would mark his forthcoming commercial breakthroughs
were on display – anguished vocals (All I Could Do Is Cry’), mid-song
sermonizing (‘I’ll Never Break Your Heart’), and occasionally strange
sense of humor (‘You Keep Her’) which was apparently aimed at James
Brown after he supposedly ‘nicked’ Tex’s wife. Elsewhere the album
showcased Tex’s chameleon-like characteristics with original material like
‘Sit Yourself Down’ and ‘Don’t Play’ displaying his more
commercial soul moves. Highlights included the autobiographical dance number
‘I’m a Mess’ and ‘I’ll Never Break Your Heart’ which was
apparently an answer record to Jerry Butler’s ‘He’ll Never Break Your Heart’.
(Always wondered why some of the songwriting credits reflected Joseph
Arrington Jr., while others went to Joe Tex.) "Hold On! It's Joe Tex" track listing: (side 1) 1.) All I Could Do Is Cry (Part II) (Davis – Gordy) – 3:00 2.) All I Could Do Is Cry (Part I) (Davis – Gordy) – 2:35 3.) You Keep Her (Joseph
Arrington Jr.) – 2:20 4.) Ain’t I A Mess
(Joe Tex) – 2:30 5.) Babe, You’re Right
(Joe Tex) – 2:15
(side
2) 1.) Sit Yourself Down
(Joseph Arrington Jr.) – 2:40 2.) Don’t Play (Joseph
Arrington Jr.) – 2:48 3.) Get Together Closer
(Joseph Arrington Jr.) – 2:50 4.) I’ll Never Break Your Heart Part I (Joe Tex – Butler – Mayfield – Carter) - 2:26 5.) I’ll Never Break Your Heart Part II (Joe
Tex – Butler – Mayfield – Carter) - 2:26 Anxious to recoup some of its earlier investment Checker even
got around to releasing a Tex single in the form of ‘Babe, You’re
Right’ b/w ‘All I Could Do Is Cry (Part II)’ (Checker catalog number
1104).
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Genre: soul Rating: 4 stars **** Title: I've Got To Do A Little Bit Better Company: Dial / Atlantic Catalog: 8133 Year: 1966 Country/State: Rogers or Navasota Texas (?) Grade (cover/record): VG+ / VG+ Comments: mono pressing Available: 1 GEMM catalog ID: 5770 Price: $50.00
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I've always been puzzled by the fact Joe Tex wasn't a bigger star. He certainly had as much talent as his better known competitors - think along the lines of James Brown, or Otis Redding. Perhaps it had something to do with the pink puffy sleeved shirt, or red-high rider pants ...
Continuing his partnership with producer Buddy Killen, 1966's "I've Got To Do A Little Bit Better" was a pretty amazing record. Not only did the collection feature eleven Tex originals (the album rounded out by an add Roger Miller cover), but it marked his third studio album in the last twelve months. Talk about a creative flood. Musically this wasn't a major creative breakthrough and there certainly wasn't anything particularly original on the set. That said, it was certainly one of Tex's most consistent releases.
- 'Papa Was, Too' started with a clear nod to Otis Redding and Carla Thomas' 'Tramp' but Tex managed to carve out his own niche in the 'daddy-was-trash, but I loved him' sweepstakes. rating **** 4 stars - ;What Me and My Baby Ain't Got' was an easy going mid tempo track that was saved from oblivion by a catchy chorus. rating *** 3 stars - Tex was always at his best when switching into Southern preacher mode and 'A Woman Sees a Hard Time (When her Man Is Gone' found him providing insight and advice on the affairs of a woman's heart. Given he'd previously lost a wife to a rival, this one may have struck close to home. Nice horn charts. rating **** 4 stars - 'Watch the One (That Brings Bad News)' found Tex dipping his toes in a more conventional big band R&B sound. Yeah, it was still funky and featured a nice B.B. King-styled solo, but Tex's slurred vocal was kind of irritating ('keep your eye on d one'). rating ** 2 stars - With a take-no-prisoners beat and an impassioned, frantic vocal, 'Taking Care of a Woman (Is a Full Time Job)' was one of the best song's on the album. rating **** 4 stars - The melody for 'Lying's Just a Habit John' reminds me of another song (though for the life of me I've never been able to pin it down). Lyrically there wasn't a great deal to it, though you had to smile at his simply homily. Not sure I agree that it's a habit people can easily break, but the though was nice. rating *** stars - 'I've Got To Do a Little But Better' started side two with a nice old school bluesy ballad. Tex seldom sounded as good and the cello solo was an unexpected hoot. rating **** 4 stars - Back in preacher mode, 'The Truest Woman In the World' offered up another rap about how to safeguard your relationship. Admittedly it was kind of spooky to hear him sing 'help me keep an eye on my baby', but given his earlier marital experiences it may have been one of the more autobiographical efforts. rating *** 3 stars - All hyperbole aside, 'I Believe I'm Gonna Make It' was worth the purchase price. Set to a Hammond B3 propelled Gospel framework, the plotline had to do with a grunt sitting in a Vietnamese foxhole who gets a letter from his girlfriend informing him he's a dad (quite risqué for 1966). The guy is so happy to learn he's gonna be a dad that he jumps out of the foxhole and kills to enemy soldiers. Strange beyond strange. rating ***** 5 stars - The only track where Tex shared the writing credit (with Howard Biggs), 'Got You On My Mind' was an okay mid tempo track. The big horn arrangement detracted a bit from the song, but it was still okay. rating ** 2 stars - Gawd only knows why Tex decided to cover a Roger Miller track. 'Half a Mind' served as one of the lighter, more pop oriented songs on the album. That's not to say it was one of the better tracks. In spite of the fact he said he loved the song, Tex didn't sound all that comfortable with it. rating * 1 star - Released as the first single from the album 'S.Y.S.L.J.F.M. (The Letter Song)' was easily the most commercial and radio friendly song on the album. Classic mid-1960s soul. rating **** 4 stars
Elsewhere the album was tapped for a pair of singles:
- 1966's 'S.Y.S.L.J.F.M. (The Letter Song)' b/w 'I'm a Man' (Dial catalog 4028) - 1966's 'I Believe I'm Gonna Make It' b/w 'You Better Believe It, Baby' (Dial catalog number 45-4055)
Given the size and scope of Tex's catalog you clearly don't want or need to own everything, but this is one of the exceptions. Well worth looking for.
"Hold On! It's Joe Tex" track listing: (side 1) 1.) Papa Was, Too (Joe Tex) - 2:47 2.) What Me and My Baby Ain't Got (Joe Tex) - 2:27 3.) A Woman Sees a Hard Time (When her Man Is Gone (Joe Tex) - 3:01 4.) Watch the One (That Brings Bad News) (Joe Tex) - 3:14 5.) Taking Care of a Woman (Is a Full Time Job) (Joe Tex) - 2:58 6.) Lying's Just a Habit John (Joe Tex) - 2:48 (side
2) 1.) I've Got To Do a Little But Better (Joe Tex) - 2:58 2.) The Truest Woman In the World (Joe Tex) - 2:55 3.) I Believe I'm Gonna Make It (Joe Tex) - 3:00 4.) Got You On My Mind (Joe Tex - Howard Biggs) - 2:15 5.) Half a Mind (Roger Miller) - 2:12 6.) S.Y.S.L.J.F.M. (The Letter Song) (Joe Tex) - 2:48
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Genre: soul Rating: 3 stars *** Title: Live and Lively Company: Dial Catalog: SD 8156 Year: 1968 Country/State: Rogers or Navasota Texas (?) Grade (cover/record): VG+ / VG+ Comments: -- Available: 1 GEMM catalog ID: 5277 Price: $40.00
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It’s strange how history remembers some mediocre
performers, while largely forgetting far more talented entities … Sadly, the late Joe Tex seems to increasingly be cast into
the latter category. Anyone having bought 1966’s “Live
and Lively” couldn’t be blamed for believing it was a
live set. The cover art, the title, the liner notes … That said, to my
jaded ears the in-between songs audience applause and noises sounded
suspiciously dubbed; with many of Tex’s performances almost too perfect to
be a true in-concert set. On the other hand perhaps there was just tons of
post-production work … In the
end maybe it didn’t matter all that much since for all intents and
purposes the eleven tracks served as a ‘best of’ compilation with many
of them having been released as earlier singles.
To be perfectly honest Tex wasn’t the most dynamic soul singer out
there. His voice was
occasionally flat and rather raspy with a distinctively limited range (check
out his tentative performance on ‘Love Is a Hurtin’ Thing’).
Add to that none of the eleven performances differed all that much
from earlier studio performances. That wasn’t to imply the album was a
wash-out. Tex may not have had
the world’s best voice, but he certainly knew who to utilized his Godly
gifts. Other highlights came in
the form of Tex originals; ‘Show Me’, ‘Wooden Spoon’, ‘A Woman’s
Hands’ and ‘Skinny Legs and All’.
Released as a single (b/w ‘Watch the One’ (Dial catalog number
4063)) the latter provided Tex with one of his bigger hits.
Elsewhere dj Steve Byrd deserved ‘worst liner notes of the year’
credits for his pathetic back cover efforts.
Shame on Atlantic and Dial for not having found someone who actually
had a clue. For anyone interested, I found an old YouTube performance of
‘Skinny Legs and All’. Tex
was clearly was lip synching, but it was still entertaining.
http://www.youtube.com/watch?v=4tl4B613Yao
"Live and Lively" track listing: (side
1) 1.) Show Me (Joe
Tex) – 3:07 2.) Do Right Woman – Do Right Man (Dan Penn – Chips Moman) – 2:54 3.) Get Out of My Life, Woman (Allen Toussaint) – 2:57 4.) Wooden Spoon (Joe
Tex) – 2:58 5.) That’s Life
(Kelly Gordon – Dean Kay) – 3:00
(side
1) 1.) Love Is a Hurtin’ Thing (Ben Raleigh – Dave Linden) – 2:22 2.) Don’t Give Up
(Joe Tex) – 3:07 3.) A Woman’s Hands
(Joe Tex) – 3:28 4.) You’re Gonna Thank Me, Woman (Joe Tex) – 2:00 5.) Papa Was, Too
(Joe Tex) – 2:54 6.) Skinny Legs and All
(Joe Tex) – 3:10
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Genre: soul Rating: 3 stars *** Title: Spills the Beans Company: Dial Catalog: DL 6004 Year: 1972 Country/State: Rogers or Navasota Texas (?) Grade (cover/record): VG / VG Comments: -- Available: 1 GEMM catalog ID: 5440 Price: $10.00
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You don't buy Joe Tex albums for their ground breaking creativity, or awe inspiring originality and 1972's "Joe Tex Spills the Beans" is certainly no exception to that rule. Like all of his Dial catalog, the album was produced by Buddy Killen with Tex responsible for penning all twelve tracks. Musically the set offered up a patented mixture of Tex as bluesman ('Woman Stealer'), funky comedian ('Cat's Got Her Tongue'), country storyteller ('Papa's Dream'), love man philosopher ('Let's Go Somewhere and Talk'), and preacher ('Living in the Last Days') and social activist ('A Mother's Prayer'). The album was never a favorite among critics who derided Tex for having fallen into a dull groove, but I'll step up and tell you the set's actually quite good. Like I said, there's nothing here that Tex hadn't done before (frequently those earlier efforts were better), but even when treading water Tex could still be pretty good. Highlights included 'All The Heaven A Man Really Needs' (one of his most memorable melodies), 'Woman Stealer' (which may well have been another slap at James Brown), the funky 'King Thaddeus', and the surprisingly pop-oriented 'I Come to You'. Not his best, not his worst - somewhere in the middle of the catalog, but it certainly grew on me and courtesy of designer John Youssi, I always liked the green bean cover ...
Dial also tapped the album for a series of four singles:
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1973's 'King Thaddeus' b/w 'Rain Go Away' (Dial catalog number D-1018) "Spills the Beans" track listing: (side
1) 1.) All The Heaven A Man Really Needs (Joe Tex) - 3:33 2.) You're Sure Gonna Get It (Joe Tex) - 2:06 3.) Woman Stealer (Joe Tex) - 2:42 4.) Rain Go Away (Joe Tex) - 2:35 5.) Let's Go Somewhere and Talk (Joe Tex) - 4:20 6.) A Mother's Prayer (Joe Tex) - 2:45
(side
1) 1.) Cat's Got Her Tongue (Joe Tex) - 3:03 2.) Living in the Last Days (Joe Tex) - 2:37 3.) I Come to You (Joe Tex) - 4.) King Thaddeus (Joe Tex) - 4:31 5.) Trying to Win Your Love (Joe Tex) - 2:25 6.) Papa's Dream (Joe Tex) - 2:51
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