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this file was downloaded from "http://oocities.com/bharat_x_law/kama.htm
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The Love Teachings of Kama Sutra
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By Vatasyayana
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Lying Down Positions:
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--------------------
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Indrani draws up both her knees
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until they nuzzle the curves of her breasts;
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her feet find her lover's armpits.
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Small girls love this posture,
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but becoming a goddess takes a lot of practice.
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She cups and lifts her buttocks with her palms,
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spreads wide her thighs,
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and digs in her heels besides her hips,
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while you caress her breasts:
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this is "Utphallaka" (The Flower in Bloom).
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Grasping the ankles
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of the round hipped woman, whose buttocks
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are like two ripe gourds,
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raise her beautiful thighs
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and spread the thigh-joints widely.
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Full of desire, saying sweet words,
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approach her with your body stiff as a pole
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and drive straight forward
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to pierce her lotus and join your limbs:
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experts call it "Madandhvaja" (The Flag of Cupid).
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Catch hold of her two feet,
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raising them till they press upon her breasts
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and her legs form a rough circle.
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Clasp her neck and make love to her:
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this is "Ratisundara" (Aphrodite's Delight).
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Lift the lady's feet until her soles
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lie perfectly parallel,
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one to each side of her slender throat,
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cup her breasts and enjoy her:
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this technique is "Uthkanta" (Throat-high).
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Your lovely wife, lying on the bed,
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grasps her own feet
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and draws them up until they reach her hair;
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you catch her breasts and make love:
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this is "Vyomapada" (Sky-foot).
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The round-thighed woman on the bed
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grasps her ankles and raises high her lotus
feet;
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you strike her to the root, kissing
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and slapping open-palmed between her breasts:
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this is "Markata" (The Monkey).
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She lies flat on her back,
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you sit between her parted knees, raise them,
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hook her feet over your thighs,
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catch hold of her breasts, and enjoy her:
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this is "Manmathpriya" (Dear to Cupid).
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Lying-down Positions - Samputa Group:
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------------------------------------
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If your penis is too small for a woman,
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the "Samputa" group of postures should be used:
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"Samputa" (the Jewel Case),
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"Pidita" (the Squeeze), "Veshtita (the Entwined)
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and "Vadavaka" (the Mare's Trick).
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In Samputa your legs lie along hers
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caressing their whole length from toes to thighs.
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Your lover may be below you,
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or you may both lie on your sides,
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in which case she should always be on your left.
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In Pidita the lovers' thighs
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are interlaced and squeeze each other in rhythm.
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In Veshtita she crosses her thighs
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or rolls each one inward,
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thus greatly strengthening her yoni's grip.
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When, like a mare cruelly gripping
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a stallion, your lover
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traps and milks your penis with her vagina,
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it is "Vadavaka" (the Mare's Trick),
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which can only be perfected with long practice.
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When she uses it, a woman
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should cease to kiss her lover
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and simply hold the lock.
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Courtesans are adept at Vadavaka,
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and it's a speciality with ladies from Andhra(*).
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*The South-Eastern state of India.
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From The Medieval Texts:
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When lovers, with legs stretched rigid
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and feet caressing feet,
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make love according to their hearts' desire,
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"tantra" scholars call it "Sampada" (Equal Feet)
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and agree it is a way to ecstasy.
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Stiff as a pole in the bed's center,
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she lies making love,
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cooing and warbling like a woodpigeon,
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the jewel of her clitoris well-polished:
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this is Mausala" (the Pestle).
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When she lies on her back
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with her two thighs pressed tightly together
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and you make love to her,
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keeping your thighs outside hers,
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it is "Gramya" (the Rustic).
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If, encircling and trapping
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her thighs with yours,
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you grip so hard that she cries out in pain,
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it is "Ratipasha" (Love's Noose),
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a device most charming to the ladies.
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Her limbs, entwined in yours
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like tendrils of fragrant jasmine creeper,
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draw taut and slowly relax
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in the gentle rhythm of linga and yoni:
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this is "Lataveshta" (the Clinging Creeper).
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She draws her limbs together,
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clasping her knees tightly to her breasts,
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her yoni, like an opening bud,
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offered up for pleasure:
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this is known as "Mukula" (the Bud).
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When she draws up her knees
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and you clamp yours about her raised thighs,
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trapping them in a tight knot
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while riding saddle upon her buttocks
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and kissing her, it is "Shankha" (the Couch).
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Sitting Positions:
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-----------------
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Seated, mouth to mouth,
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arms against arms, thighs against thighs:
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this is "Kaurma" The Tortoise).
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If the lovers' thighs, still joined, are raised,
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it is "Paravartita" (Turning).
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If within the cave of her thighs
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you sit rotating your hips like a black bee,
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it is "Markata" (The Monkey).
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And if, in this pose, you turn away from her,
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it is "Marditaka" (Crushing Spices).
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She sits with raised thighs,
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her feet placed either side of your waist;
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"linga" (penis) enters "yoni" (vagina);
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you rain hard blows upon her body:
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this is "Kshudgaga" (Striking).
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When your wife sits
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with both knees drawn tight to her body
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and you mirror this posture,
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it is known to experts in the art of love
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as "Yugmapada" (The Foot Yoke).
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Seated erect, the lovely girl
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folds one leg to her body
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and stretches the other along the bed,
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while you mirror her actions:
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this is "Yugmapada" (The Feet Yoke).
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If, with left leg extended,
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she encircles your waist with her right leg,
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laying its ankle across her left thigh,
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and you do the same,
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it is "Svastika" (The Swastika)*.
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*An ancient good-luck talisman based on the
symbolism of a
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cross whirling sun-wise. The Nazis used it the
wrong way
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round, whirling widdershins, and the Indian
pundits
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always said this was sacrilegious and would
doom them.
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Sitting face to face in bed,
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her breasts pressed tight against your chest,
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let each of you lock heels
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behind the other's waist,
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and lean back clasping one another's wrists.
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Now, set the swing gently in motion,
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your beloved, in pretended fear,
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clinging to your body with her flawless limbs,
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cooing and moaning with pleasure:
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this is "Dolita" (The Swing).
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If, seated face to face,
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your toes caress the lovely woman's nipples,
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her feet press your chest
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and you make love holding each other's hands
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it is "Kaurma" (The Tortoise).
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Seated, the lady raises
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one foot to point vertically over her head
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and steadies it with her hands,
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offering up her "yoni" for lovemaking:
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this is "Mayura" (the Peacock).
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If, sitting facing her,
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you grasp her ankles and fasten them like a
chain
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behind your neck, and she
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grips her toes as you make love,
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it is the delightful "Padma" (the Lotus).
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Sitting erect, grip your lover's waist
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and pull her on to you,
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your loins continuously leaping together
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with a sound like the flapping of elephants'
ears:
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this is "Kirtibandha" (the Knot of Fame).
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Kneeling between her thighs,
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tickle her breasts and under her arms,
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call her 'my lovely darling'
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and print deep nailmarks around her nipples:
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thus "Jaya" (Victory) is expounded.
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Rear-Entry Positions:
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She bends well forward and grips
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the bedstead, her buttocks raised high;
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cup your hands to serpents' hoods
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and squeeze her jar-shaped (sic) breasts together:
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this is "Dhenuka" (the Milch Cow).
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If you mount her like a dog,
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gripping her waist,
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and she twists round to gaze into your face,
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experts in the art of love say
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it is "Svanaka" (the Dog).
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If the lady, eager for love,
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goes on all fours, humping her back like a doe,
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and you enjoy her from behind,
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rutting as though you'd lost all human nature,
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it is "Hirana" (the Deer).
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When, with lotus-feet
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set well-apart on the ground, she bends,
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placing a hand upon each thigh,
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and you take her from the rear,
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it is "Gardabha" (the Ass).
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If she lies on her stomach
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and you seize her ankles in one hand,
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lift them high and make love,
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tilting her chin back with your other hand,
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it is "Marjara" (the Cat).
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She lies on her front,
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grasping her ankles in her own hands
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and pulling them up behind her:
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this difficult posture is known to experts
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as "Mallaka" (the Wrestler).
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When your mistress (sic) lays
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breasts, arms and forehead to the carpet,
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raising her buttocks high,
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and you guide your penis into her yoni,
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it is "Aibha" (the Elephant).
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You lift her ankles high;
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she draws up
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and extends her legs as though she were
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crawling through the air:
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this is "Hastika" (the Elephant).
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She stands on palms and feet;
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you stand behind her
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and lift one of her feet to your shoulder,
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enjoying the lovely girl:
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this is "Traivikrama" (the Stride).
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Seize her feet and lift them high
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(like a wheel barrow),
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drive your penis into her yoni
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and pleasure her with vigorous strokes:
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this is "Kulisha" (the Thunderbolt).
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You kneel, as in archery,
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take her on your lap
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and bend her forward till her breasts
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are pressed to her thighs:
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this is "Ekabandha" (One Knot).
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Lying on her side, facing away,
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the fawn-eyed girl
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offers you her buttocks
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and your penis penetrates the house of love:
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this is "Nagabandha" (the Elephant).
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Standing Positions:
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------------------
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And now for the love postures
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with which sculptors adorn our temple walls.
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When a couple make love standing,
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or leaning against a wall or a pillar,
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it is called "Sthita" (Steadied).
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When the woman sits in her lover's
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cradled hands, her arms around his neck,
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thighs gripping his waist,
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her feet pushing back and forth against a wall,
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it is "Avalambitaka" (Suspended).
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When, catching and crushing your lover
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in the cage of your arms,
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you force her knees apart with yours
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and sink slowly into her,
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it is "Dadhyayataka" (Churning Curds).
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When she leans against a wall,
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planting her feet as widely apart as possible,
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and you enter the cave
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between her thighs, eager for lovemaking,
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it is "Sammukha" (Face-to-face).
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If, as you lean against the wall,
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your lady twines her thighs around yours,
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locks her feet to your knees,
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and clasps your neck, making love
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very passionately, it is "Dola" (the Swing).
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When your lover draws up one leg,
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allowing the heel
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to nestle just behind your knee,
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and you make love, embracing her forcefully,
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it is "Traivikrama" (the Stride).
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If you catch one of her knees
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firmly in your hand
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and stand making love with her
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while her hands explore and caress your body,
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it is "Tripadam" (the Tripod).
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If she raises one leg
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and you catch hold of her little foot,
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caressing her breasts
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and telling her how much you love her,
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it is "Ekapada" (One Foot).
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Her foot pressed to your heart,
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your arms encircling and supporting her,
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lean back against the wall
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and enjoy the lovely girl:
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this is "Veshta" (the Encircling).
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She stands against the wall,
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lotus-hands on hips,
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long, lovely fingers reaching to her navel.
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Cup her foot in your palm
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and let your free hand caress your angel's limbs.
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Put your arm around her neck
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and enjoy her as she leans there at her ease.
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Vatsyayana (the author) ans others
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who knew the art of love in its great days
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called this posture "Tala" (the Palm).
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If you lean back to a wall
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and your lover, clinging to your neck,
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places both her feet
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in your palms and thus makes love,
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this is "Dvitala" (Two Palms).
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If you lift your lover
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by passing your elbows under her knees
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and gripping her buttocks
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while she hangs fearfully from your neck,
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it is "Janukurpara" (the Knee Elbow).
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Your wife grips your neck
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and locks her legs around your waist:
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this is "Kirti" (Fame) - a posture
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not described in "Kama Sutra" or "Ratirahasya".
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Never try it with heavy girls.
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Oral Pleasures -- Fellatio Techniques:
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When your lover catches your penis
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in her hand and, shaping
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her lips to an 'O', lays them lightly to its
tip,
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moving her head in tiny circles,
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this first step is called "Nimitta" (Touching).
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Next, grasping its head in her hand,
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she clamps her lips tightly about the shaft,
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first on one side then the other,
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taking great care that her teeth don't hurt
you:
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this is "Parshvatoddashta" (Biting at the Sides).
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Now she takes the head of your penis
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gently between her lips,
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by turns pressing, kissing it tenderly
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and pulling at its soft skin:
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this is "Bahiha-samdansha" (the Outer Pincers).
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If next she allows the head to slide
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completely into her mouth
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and presses the shaft firmly between her lips,
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holding a moment before pulling away,
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it is "Antaha-samdansha" (the Inner Pincers).
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When, taking your penis in her hand
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and making her lips very round,
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she presses fierce kisses along its whole length,
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sucking as she would at your lower lip,
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it is called "Chumbitaka" (Kissing).
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If, while kissing, she lets her tongue
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flick all over your penis
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and then, pointing it, strikes repeatedly
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at the sensitive glans-tip,
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it becomes "Parimrshtaka" (Striking at the Tip).
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And now, fired by passion, she takes
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your penis deep into her mouth,
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pulling upon it and sucking as vigorously
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as though she were stripping clean a mango-stone:
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this is "Amrachushita" (Sucking a Mango).
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When she senses that your orgasm
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is imminent she swallows up the whole penis,
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sucking and working upon it
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with lips and tongue until you spend:
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this is "Sangara" (Swallowed Whole).
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Oral Pleasures -- Cunnilingus Techniques:
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----------------------------------------
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With delicate fingertips,
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pinch the arched lips of her house of love
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very very slowly together,
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and kiss them as though you kissed her lower
lip:
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this is "Adhara-sphuritam" (the Quivering Kiss).
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Now spread, indeed cleave asunder,
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that archway with your nose and let your tongue
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gently probe her "yoni" (vagina),
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with your nose, lips and chin slowly circling:
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it becomes "Jihva-bhramanaka" (the Circling
Tongue).
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Let your tongue rest for a moment
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in the archway to the flower-bowed Lord's temple
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before entering to worship vigorously,
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causing her seed to flow:
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this is "Jihva-mardita" (the Tongue Massage).
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Next, fasten your lips to hers
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and take deep kisses
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>from this lovely one, your beloved,
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nibbling at her and sucking hard at her clitoris:
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this is called "Chushita" (Sucked).
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Cup, lift her young buttocks,
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let your tongue-tip probe her navel, slither
down
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to rotate skilfully in the archway
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of the love-god's dwelling and lap her love-water:
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this is "Uchchushita" (Sucked Up).
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Stirring the root of her thighs,
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which her own hands
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are gripping and holding widely apart,
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your fluted tongue drinks at her sacred spring:
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this is "Kshobhaka" (Stirring).
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Place your darling on a couch,
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set her feet to your shoulders, clasp her waist,
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suck hard and let your tongue stir
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her overflowing love-temple:
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this is called "Bahuchushita" (Sucked Hard).
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If the pair of you lie side by side,
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facing opposite ways,
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and kiss each other's secret parts
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using the fifteen techniques described above,
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it is known as "Kakila" (the Crow).
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Role Reversal:
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-------------
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During lovemaking, ten types of blows
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may be struck with the penis,
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but of these only "Upasripta" (Natural),
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which is instinctive even to untutored cowherds,
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results in full clitoral stimulation.
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It is a gentle forward stroke
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which may be varied for depth and speed,
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allowing a subtlety, rhythm
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and spontaneity which
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the other nine each lack to some degree.
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If you grasp your penis and move it
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in circles inside her yoni,
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it is "Manthana" (Churning).
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When you strike sharply down into the yoni,
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it is "Hula" (the Double-edged Knife).
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If, when her hips are raised by a pillow,
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you strike a rising blow,
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it is "Avamardana" (Rubbing).
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If you hold your penis pressed breathlessly
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to her womb it is "Piditaka" (Pressing).
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If you withdraw completely
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and then strike her violently to the womb,
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it is "Nirghata" (the Buffet).
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Continuous pressure on one side of her yoni
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is "Varahaghata" (the Boar's Blow).
-
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If you thrust wildly in every direction,
-
like a bull tossing its horns,
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it is "Vrishaghata" (the Bull's Blow).
-
Quivering in her yoni is "Chatakavilasa" (Sparrow
Sport),
-
which usually heralds orgasm.
-
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The involuntary shuddering of orgasm
-
is called "Samputa" (the Jewel Case).
-
But no two women make love quite the same way,
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so orchestrate your rhythms
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to the moods and colors of each lover's "raga"
(emotions).
-
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If long lovemaking exhausts you
-
before your lover has reached her orgasm,
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you should allow her
-
to roll you over your back
-
and sit astride you, taking initiative.
-
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If the posture gives her deep pleasure,
-
or you enjoy its novelty,
-
she may transpose into it as a matter of course,
-
taking great care, however,
-
not to expel the linga from the temple of love.
-
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Consider: she climbs upon you,
-
the flowers dropping from her tousled hair,
-
her giggles turning to gasps;
-
every time she bends to kiss your lips
-
her nipples pierce your chest.
-
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As her hips begin to churn,
-
her head, flung back, bobs ever faster;
-
she scratches, pummels you with small fists,
-
fastens her teeth in your neck,
-
doing unto you what you've often done unto her.
-
-
When she takes the man's role,
-
your lady has the choice
-
of three famous lovemaking techniques:
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"Samdamsha (the Tongs),
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"Bhramara" (the Bee) and "Prenkholita" (the
Swing).
-
-
If she uses the Mare's Trick,
-
gripping your penis with her yoni's vice,
-
squeezing and stroking it,
-
holding it inside her for a hundred heart-beats,
-
it is known as "Samdamsha" (the Tongs).
-
-
If, drawing up her feet,
-
she revolves her hips so that your penis
-
circles deep within her yoni,
-
you arching your body to help her,
-
it is "Bhramara" (the Bee).
-
-
If she now swings her hips
-
in wide circles and makes figures-of-eight,
-
swaying upon your body
-
as though she were riding on a seesaw,
-
it is "Prenkholita" (the Swing).
-
-
When her passion has ebbed,
-
she should rest, bending forward to lay
-
her forehead upon yours
-
without disturbing your yoked bodies:
-
it won't be long before desire stirs again.
-
-
Catching your penis, the lady
-
with dark eyes like upturned lotus petals
-
guides it into her yoni,
-
clings to you and shakes her buttocks:
-
this is "Charunarikshita" (Lovely Lady in Control).
-
-
Enthroned on your penis,
-
she places both hands on the bed
-
and makes love, while you
-
press your two hands to her thudding heart:
-
this is "Lilasana" (Seat of Sport).
-
-
She sits upright upon you,
-
her head thrown back like a rearing mare,
-
bringing her feet together
-
on the bed to one side of your body:
-
this is "Hansabandha" (the Swan).
-
-
The young woman has one foot
-
on your heart and the other on the bed.
-
Bold, saucy women adore this posture,
-
which is known to the world
-
as "Upavitika" (the Sacred thread).
-
-
If, with one of her feet
-
clasped in your hand
-
and the second placed upon your shoulder,
-
your young lady enjoys you,
-
it is "Viparitaka" (Reversed).
-
-
If your lover, seated above you
-
with feet lotus-crossed
-
and her body held erect and still
-
makes love to you,
-
it is known as "Yugmapada" (the Foot Yoke).
-
-
If she strides you,
-
facing your feet,
-
brings both her feet up to your thighs,
-
and works her hips frantically,
-
it is known as "Hansa-lila" (Swan Sport).
-
-
Your lover places one foot
-
on your ankle, lodges
-
her other foot just above your knee,
-
and rides you, swinging and rotating her hips:
-
this is "Garuda" (Garuda).
-
-
If you lie flat on your back
-
with legs stretched out
-
and your lover sits astride you, facing away
-
and grasping your feet,
-
it is called "Virsha" (the Bull).
-
-
Clasping each other's hands,
-
you lie sprawled like two starfish making love,
-
her breasts stabbing your chest,
-
her thighs stretched out along yours:
-
this is "Devabandha" (the Coitus of the Gods).
-
-
Lying upon you, your beloved
-
moves round like a wheel,
-
pressing hands one after the other on the bed,
-
kissing your body as she circles:
-
experts call this "Chakrabandha" (the Wheel).
-
-
If, by means of some contraption,
-
your lover suspends herself above you,
-
places your linga in her yoni
-
and pulleys herself up and down upon it,
-
it is "Utkalita" (the Orissan).**
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**I must admit that this is kind of far fetched.
However,
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there is an illustration on the next page depicting
this
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position and showing two women pulling the woman
up!!
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Love Potions and Sex Aids
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To Enslave a Lover:
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Anoint your penis, before lovemaking,
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with honey into which
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you have powered black pepper,
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long pepper and "datura" (the green thorn apple)
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it will utterly devastate your lady.
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Leaves caught as they fall from trees
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and powdered with peacock-bone
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and fragments of a corpse's winding-sheet
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will, when dusted lightly
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on the penis, bewitch any woman living.
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If you crush milky chunks of cactus
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with sulphur and realgar,
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dry the mixture seven times, powder it
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and apply it to your penis,
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you'll satisfy the most demanding lover.
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And if, to these powerful ingredients,
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you add a monkey's turd,
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grind them together and sprinkle the powder
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on your unsuspecting lover's head,
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she will be your devoted slave for life.
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To Increase Potency:
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Honey-sweetened milk in which
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the testicles of a ram
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or a goat have been simmered
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has the effect, when drunk,
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of making a man as powerful as a bull.
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Pumkin seeds ground with almonds
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and sugarcane root,
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or with cowhage root and strips of bamboo,
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and stirred into honeyed milk,
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have the same arousing effect.
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The sages say that wheat-flour cakes
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baked with honey and sugar
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and sprinkled with the powdered seeds
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of pumpkin and cowhage
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give one strength for a thousand women.
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The yolk of a single sparrow's egg
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stirred into rice pudding
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that has been thickened with cream,
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wild-honey and "ghee" (clarified butter)
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has the same invigorating effect.
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Enlarging the Penis or "Yoni" (Vagina):
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First rub your penis with wasp stings
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and massage it with sweet oil.
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When it swells, let it dangle for ten nights
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through a hole in your bed,
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going to sleep each night on your stomach.
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After this period use a cool ointment
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to remove the pain and swelling.
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By this method men ... of insatiable
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sexual appetite, manage to keep
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their penises enlarged throughout their lives.
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By applying an ointment made from
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crushed barleria leaves
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to her "yoni", the elephant (large) woman
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can spend at least one night
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discovering the delights of being a doe ("small"
woman).
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Likewise the doe can use honey
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mixed with powdered roots
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of lotus, madder, "sal" (tree of aromatic gum),
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the blue lotus and the mongoose plant
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to accomodate a stallion for one night.
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To Cope With Impotence:
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A man who climaxes too swiftly
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should arouse his lady
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by caressing her clitoris with his fingers
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and flooding the well
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of her yoni before he enters her.
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If, during lovemaking, the erection
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cannot be sustained because
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the man is old, or simply exhausted
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he should use the delicate
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oral techniques given in an earlier chapter.
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The man who is utterly unable
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to achieve an erection
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should pleasure his wife/lover with a phallus
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crafted from materials like
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gold, silver, copper, iron (!!), ivory or horn.
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The artificial phallus should be shaped
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to your natural proportions.
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It will be more arousing for the lady
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if the outside is studded
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with a profusion of large, smooth nodules.
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