The Golden Age of Islam is a Myth
Author: Serge Trifkovic

The Golden Age of Islam is a Myth
Author: Serge Trifkovic
Publication: FrontPageMagazine.com
Date: November 15, 2002
URL: http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=4626
Second in a series of excerpts adapted by Robert Locke from Dr. Serge Trifkovic's new book The Sword of the Prophet: A Politically-Incorrect Guide to Islam

The hatred of Western Civilization, and the corresponding urge to glorify anything outside it, especially if it can be depicted as a victim of the West, is a well-known phenomenon of the contemporary liberal mind. One of the forms it has taken in recent years is the attempt to artificially inflate the historic achievements of other civilizations beyond what the facts support. The noble savage myth is a commonplace; what is more complex is the myth that has been bandied about concerning the supposed "golden age" of Islamic civilization during what we know as the Middle Ages.

The myth of an Islamic Golden Age is needed by Islam’s apologists to save it from being damned by its present squalid condition; to prove, as it were, that there is more to Islam than the terrorism of Bin Laden and the decadence of the oil sheiks. It is, frankly, a confession that if the world judges it by what it is today, it comes up rather short, being a religion that has yet to produce a democratic or prosperous society, or social and cultural forms admired by neutral foreign observers the way anyone can admire American freedom, Japanese order, Israeli courage, or Italian style.

Some liberal academics openly admit that they twist the Moslem past to serve their present-day intellectual agendas. For example, some who propound the myth of an Islamic golden age of tolerance admit that their goal is,

"to recover for postmodernity that lost medieval Judeo-Islamic trading, social and cultural world, its high point pre-1492 Moorish Spain, which permitted and relished a plurality, a convivencia, of religions and cultures, Christian, Jewish and Moslem; which prized an historic internationality of space along with the valuing of particular cities; which was inclusive and cosmopolitan, cosmopolitan here meaning an ease with different cultures: still so rare and threatened a value in the new millennium as in centuries past."

In other words, a fairy tale designed to create the illusion that multiculturalism has valid historical precedents that prove it can work.

To be fair, the myth of the golden age of Islam does have a partially valid starting point: there were times in the past when Moslem societies attained higher levels of civilization and culture than they did at other times. There have been times, that is, when some Moslem lands were fit for a cultivated man to live in. Baghdad under Harun ar-Rashid (his well-documented Christian- slaying and Jew-hating proclivities notwithstanding), or Cordova very briefly under Abd ar-Rahman in the tenth century, come to mind. These isolated episodes, neither long nor typical, are endlessly invoked by Islam’s Western apologists and admirers.

This "golden" period in question largely coincides with the second dynasty of the Caliphate or Islamic Empire, that of the Abbasids, named after Muhammad’s uncle Abbas, who succeeded the Umayyads and ascended to the Caliphate in 750 AD. They moved the capital city to Baghdad, absorbed much of the Syrian and Persian culture as well as Persian methods of government, and ushered in the "golden age."

This age was marked by, among other things, intellectual achievement. A number of medieval thinkers and scientists living under Islamic rule, by no means all of them "Moslems" either nominally or substantially, played a useful role of transmitting Greek, Hindu, and other pre-Islamic fruits of knowledge to Westerners. They contributed to making Aristotle known in Christian Europe. But in doing this, they were but transmitting what they themselves had received from non-Moslem sources.

Three speculative thinkers, notably the three Persians al-Kindi, al-Farabi, and Avicenna, combined Aristotelianism and Neoplatonism with other ideas introduced through Islam. Greatly influenced by Baghdad’s Greek heritage in philosophy that survived the Arab invasion, and especially the writings of Aristotle, Farabi adopted the view — utterly heretical from a Moslem viewpoint — that reason is superior to revelation. He saw religion as a symbolic rendering of truth, and, like Plato, saw it as the duty of the philosopher to provide guidance to the state. He engaged in rationalistic questioning of the authority of the Koran and rejected predestination. He wrote more than 100 works, notably The Ideas of the Citizens of the Virtuous City. But these unorthodox works no more belong to Islam than Voltaire belongs to Christianity. He was in Moslem culture but not of it, indeed opposed to its orthodox core. He examples the pattern we see again and again: the best Moslems, whether judged by intellectual or political achievement, are usually the least Moslem.

The Moslem mainstream of this time, on the other hand, emphasized rigid Koranic orthodoxy and deployed Greek philosophy and science solely to buttress its authority. "They were rationalists in so far as they fell back on Greek philosophy for their metaphysical and physical explanations of phenomena; still, it was their aim to keep within the limits of orthodox belief." But when the thinkers went too far in their free inquiry into the secrets of nature, paying little attention to the authority of the Koran, they aroused suspicion of the rulers both in North Africa and Spain, as well as in the East. Persecution, exile, and death were frequent punishments suffered by the philosophers of Islam whose writings did not conform to the canon.

On the other side of the Empire, in Spain, Averroës exercised much influence on both Jewish and Christian thinkers with his interpretations of Aristotle. While mostly faithful to Aristotle’s method, he found the Aristotelian "prime mover" in Allah, the universal First Cause. His writings brought him into political disfavor and he was banished until shortly before his death, while many of his works in logic and metaphysics had been consigned to the flames. He left no school.

From Spain the Arabic philosophic literature was translated into Hebrew and Latin, which contributed to the development of modern European philosophy. In Egypt around the same time, Moses Maimonides (a Jew) and Ibn Khaldun made their contribution. A Christian, Constantine "the African," a native of Carthage, translated medical works from Arabic into Latin, thus introducing Greek medicine to the West. His translations of Hippocrates and Galen first gave the West a view of Greek medicine as a whole.

The "golden age" of Islamic art lasted from AD 750 to the mid-11th century, when ceramics, glass, metalwork, textiles, illuminated manuscripts, and woodwork flourished. Lustered glass became the greatest Islamic contribution to ceramics. Manuscript illumination became an important and greatly respected art, and miniature painting flourished in Iran. Calligraphy, an essential aspect of written Arabic, developed in manuscripts and architectural decoration.

In the exact sciences the contribution of Al-Khwarzimi, mathematician and astronomer, was considerable. Like Euclid, he wrote mathematical books that collected and arranged the discoveries of earlier mathematicians. His "Book of Integration and Equation" is a compilation of rules for solving linear and quadratic equations, as well as problems of geometry and proportion. Its translation into Latin in the 12th century provided the link between the great Hindu mathematicians and European scholars. A corruption of the book’s title resulted in the word algebra; a corruption of the author’s own name resulted in the term algorithm.

The problem with turning this list of intellectual achievements into a convincing "Islamic" golden age is that whatever flourished, did so not by reason of Islam but in spite of Islam. Moslems overran societies (Persian, Greek, Egyptian, Byzantine, Syrian, Jewish) that possessed intellectual sophistication in their own right and failed to completely destroy their cultures. To give it the credit for what the remnants of these cultures achieved is like crediting the Red Army for the survival of Chopin in Warsaw in 1970! Islam per se never encouraged science, in the sense of disinterested enquiry, because the only knowledge it accepts is religious knowledge.

As Bernard Lewis explains in his book What Went Wrong? the Moslem Empire inherited "the knowledge and skills of the ancient Middle east, of Greece and of Persia, it added to them new and important innovations from outside, such as the manufacture of paper from China and decimal positional numbering from India." The decimal numbers were thus transmitted to the West, where they are still mistakenly known as "Arabic" numbers, honoring not their inventors but their transmitters.

Furthermore, the intellectual achievements of Islam’s "golden age" were of limited value. There was a lot of speculation and very little application, be it in technology or politics. At the present day, for almost a thousand years even speculation has stopped, and the bounds of what is considered orthodox Islam have frozen, except when they have even contracted, as in the case of Wahabism. Those who try to push the fundamentals of Moslem thought any further into the light of modernity frequently pay for it with their lives. The fundamentalists who ruled Afghanistan until recently and still rule in Iran hold up their supposed golden age as a model for their people and as a justification for their tyranny. Westerners should know better.

Serge Trifkovic received his PhD from the University of Southampton in England and pursued postdoctoral research at the Hoover Institution at Stanford. His past journalistic outlets have included the BBC World Service, the Voice of America, CNN International, MSNBC, U.S. News & World Report, The Washington Times, the Philadelphia Inquirer, The Times of London, and the Cleveland Plain Dealer. He is foreign affairs editor of Chronicles.. Robert Locke is Associate Editor of Front Page Magazine.