The Complete Chess Studio Recordings

Info
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Label
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Chess
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Released
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March 10, 1992
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Original year of release
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1992
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Recorded
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1960 to 1969
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Total playing time
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CD1 67:58, CD2 71:16
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Producer
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Leonard and Phil Chess
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Musicians
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Buddy Guy
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Guitar, Vocals
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Gene Barge
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Sax (Tenor)
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Lefty Bates
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Guitar
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Fred Below
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Drums
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Milton Bland
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Sax (Tenor)
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Reggie Boyd
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Bass
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Leonard Caston
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Piano, Organ
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Al Duncan
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Drums
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Jarrett Gibson
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Baritone (Vocal), Sax (Tenor)
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Donald Hankins
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Sax (Baritone), Sax (Tenor)
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Clifton James
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Drums
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Lafayette Leake
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Organ, Piano
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Jack Meyers
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Bass
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Little Brother Montgomery
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Piano
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Matt "Guitar" Murphy
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Guitar
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Bob Neely
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Sax (Tenor)
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Robert Nighthawk
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Guitar
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A.C. Reed
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Sax (Tenor)
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Otis Spann
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Piano
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Charles Stepney
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Drums
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Leroy Stewart
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Bass
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Phil Thomas
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Drums
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Sonny Turner
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Trumpet
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Phil Upchurch
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Bass
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Murray Watson
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Trumpet
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Junior Wells
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Harmonica
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Sonny Boy Williamson (II)
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Harmonica
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Lacy Gibson
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Guitar
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Tracks
Reviews
All-Music Guide (Cub Koda)
A two-CD compilation of Guy's seminal work for the legendary Chicago
label. Full of explosive guitar and impassioned vocals, these are some
of Buddy's finest recordings. A two-CD compilation of Guy's seminal
work for the legendary Chicago label. Full of explosive guitar and impassioned
vocals, these are some of Buddy's finest recordings.
Emap Consumer Magazines Limited (Andy Gill)
The cream of Buddy Guy's Chess work on one CD, 22 tracks recorded
between 1960 and 1967, ranging from the brilliant Slop Around to I Suffer
With The Blues. It's easy to see why the young Eric Clapton was so heavily
influenced by Buddy Guy. The early '60s were the latter's golden era
and the former's formative years, and at that time Buddy Guy was the
equal of any blues guitarist in the world (and Chicago). This is the
blues becoming approachable, with the bevy of girl backing singers and
the rollicking rock 'n' soul arrangements of tracks like Hard But It's
Fair and Baby (Baby, Baby, Baby) offering a more commercial slant than
before, but without sacrificing one iota of hard blue passion.
Living Blues (10/92)
..well over 30 tracks of excellent blues....includes some of the
finest blues of the postwar era....set a standard for singing and playing
seldom equaled since...
Amazon (Ted Drozdowski)
Although Buddy Guy's first singles were for Chicago's Cobra Records,
the bulk of his work in the early to mid-'60s was for the Windy City's
most important blues label, Chess. Much of his work for the Chess brothers
was as a sideman, but this collection of Guy's own singles and alternate
or unreleased takes showcases the stinging guitar tone and preaching
vocal style that were to become his trademarks. Among these recordings
are the earliest versions of his signature tunes "I Got My Eyes On You,"
"Stone Crazy," "Watch Yourself," "When My Left Eye Jumps," and the nervy
cry for revenge "My Time After Awhile."
Dave Bair
This collection consists of 47 tracks, recorded from 1960 to 1966.
Buddy's music during his career with Chess ranged from commercial "dance"
songs/ to slow blues. There's a lot of emphasis on his vocal skills rather
than his guitar work, with horn sections on most tracks. The first outstanding
song is "I've got a strange feeling", with a great vocal, and fine harmonica
from Junior Wells. Some excellent slow blues tracks follow, "Ten Years
Ago", "Stone Crazy"(with some fine guitar), "I Found True Love" and
"When My Left Eye Jumps". More commercial tracks are "Hard But Fair"
and "Baby, Baby, Baby, Baby", which features girl backing singers. $100
Bill is very similar to "Money". "My Love Is Real" is a ballad in the
mould of "Need Your Love So Bad".
Disk 2 starts with "Worried Mind", which features some sensitive blues
guitar- both the vocals and guitar on this track remind me of BB King.
More guitar and keyboards here, with less brass. "Moanin" and "Night
Flight" are instrumentals including nice jazz guitar. There are 2 versions
of the classic blues song "My Time after a while". My favourite track
is "Leave My Little Girl Alone", with it's majestic guitar introduction,
and anguished vocal. This song was, of course, successfully covered
by Stevie Ray Vaughan on "In Step". "Going To School" was also recorded
by Stevie as "Mary Had a Little Lamb" on "Texas Flood". "I Suffer With
The Blues" is a fine showcase for Buddy's guitar playing, an uncluttered
arrangement with no brass. There are alternate takes of "Too Many Ways"
with some unconvincing backing vocals, and "Keep It To Myself", which
includes rather unnecessary organ. This is an excellent collection.
Fans of Buddy's more recent work may find it somewhat different to what
they are used to, but with a total of 139 minutes playing time, there's
bound to be something you like!