This easy-to-read modern tablature should be completely faithful to Anthoine Carre's original tablature. Let me know of any errors you find. Donald Sauter.
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Short ID: AC17. Title: Sarabande Plainte. Composer: Anthoine Carre. Source: Livre de pieces de guitarre et de musique. Page 17. Date: ca. 1690? Tuning: Baroque guitar (A D G B E). Time sig: 3. Fixes, modifications and comments (M=Measure; p=Place in measure; s=String): Richard Pinnell, in his dissertation on Corbetta, notes that this Sarabande Plainte is the same as Corbetta's sarabande on p65 of his 1671 book. Tablature elements to be added by hand: Slurs. If only a starting point is given, slur includes all the following uninterrupted notes on the same string. M1 p3-4s3. M3 p3s2. M8 p3s3. M11 p3s2. M12 p3s2, p5s5-m13p3s5. M15 p3s2. M16 p2s3. Strums: Arrowheads ^ and v indicate strums. Open strings in strummed chords were not shown in the tablature; add as many open strings as sound good. Take a moment to re-draw the ^ arrowhead right at the top of the associated stem. Explanation of symbols: " = trill (starting on upper neighbor). , = mordent (main note to lower neighbor and back to the main note). . = do not strum this string in the chord. ( = "chute." A note in a chord is reached by a slur from its lower neighbor. It is not crushed like a mordent. For example: ^ ___ ___ ___ ___ ___ | | | | | | | | | | | _____v_______ __^___v_______ |_(3________| |_2_3________| |__3________| |_3__________| |______3_2_0| = |_______3_2_0| |___________| |____________| |__1________| |_1__________| |___________| |____________| | = play the bottom note and then the upper note. For example: __ ___ __ | |. | | | |. | __________ _____________ |_3_3___2| |___3_3___2_| |________| |___________| |_|______| = |___________| |___0____| |_____0_____| |_3______| |_3_________| |________| |___________| Octave doublings: If you are playing on a modern, single-string guitar, consider adding or substituting the next octave up almost everywhere you see a 4th- or 5th-string note. Performance style: consider playing the 8th notes inegales, that is, as dotted 8ths or "swing" 8ths (triplet feel). Leading measures in Carre's original tablature: 1 6 12 17. Last measure is 21. *** Download and edit out all material above and below the tablature. *** See my printing tips in the page, "General comments on the tablature." *** Print out starting with the title line below. Sarabande Plainte. AC17: Page 1 of 1. Baroque guitar (A D G B E). Leading measures: 1 9 18. Anthoine Carre. ^ ___ ___ __ ^ ___ ___ ^ ___ ___ ^ ___ ^ ___ ^ __ ^ __ ___ | | | | | | |. | | | | | | | | | | | | | | | | | | | | |. | | |. | | | ______v_________________________________v_______________________________________________________ ___(3_________|_5_______|_3_________|_1_____5_6|_(8____3_5|_6_1___1|_3_______|_1_______|________ ____3_________|_3_"3____|_3_1_3_"1__|_1___8____|__5_______|_6_3_4__|_4_"1___1|_3_______|___1____ ________3_"2_0|________5|_3________3|_2________|__5_______|___3____|_3_______|_2_"3___2|_3______ ______________|_4_______|_5_2_______|_3________|__5_"3____|_0_3____|_1_______|____0___1|________ ____1_________|_________|_5_________|__________|__________|___1____|_1__0____|_________|________ ______________|_________|___________|__________|__________|________|_________|_________|________ ^ __ ^ ___ ___ ^ ___ ___ ___ __ ^ ___ ___ ___ ___ ___ ^ ___ |. | | | | | | | | | | | | | | | | |. | | | | | | | | | | | | | | | | | | | __________________________________v_____________________________________________________________ __1____|________||__1_______1|__1________|___________|___.____|___________|___________|___3___3| _"1____|________||__3___3_4__|_"1___1_3__|___________|___3___3|___1_3_"1__|________1_3|_3_3_6__| __2___2|_3_3___*||*_3________|__2________|______0____|___2____|_0_0______3|___2_,3___3|___4____| __3____|___0___*||*_3________|__3________|______2___3|_3_3_0__|_1_1_______|_0_________|___3____| _______|_1______||__1_1______|__________0|_1_3_"1____|_0______|___________|___________|_1_3____| _______|________||___________|___________|___________|________|___________|___________|________| ^ ___ ___ ___ ^ __ ^ | | | | | | | | | | |. | | | | ________________^_v__________________v__________________________________________________________ _____5_3_5|___0_2_3_5|_3_"3___2|_3_3____||______________________________________________________ __,4_4____|_____3___7|_________|___3____||______________________________________________________ ___5_5____|_____2___7|_|_______|_0_____*||______________________________________________________ _____3____|_0________|____0____|_______*||______________________________________________________ _____3____|__________|_3_______|___1____||______________________________________________________ __________|__________|_________|________||______________________________________________________