This easy-to-read modern tablature follows Anthoine Carre's original tablature faithfully, but has modifications for use on the modern guitar. Donald Sauter.
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Short ID: AC23mod. Title: Alemande. Composer: Anthoine Carre. Source: Livre de pieces de guitarre et de musique. Page 23. Date: ca. 1690? Tuning: MODERN GUITAR (A D G B E). Time sig: Cut (slashed "C".) ATTENTION!!! The tablature presented below has been modified from Carre's original for use on the MODERN GUITAR. Octave notes have been added above 4th and 5th string notes, and chords have been explicitly filled out. Compare this tablature with the original in AC23 - it is laid out identically. The point is to provide you with an example of how easy it is to modify baroque guitar music for the modern guitar. The texture is almost always thin enough so that you can easily add the necessary octave note. The decisions made here are not authoritative! Change anything you don't like! For another example of baroque guitar tablature modified for the modern guitar, see the Passacaille by Gallot. Fixes, modifications and comments (M=Measure; p=Place in measure; s=String): Same as for AC23. Tablature elements to be added by hand: Slurs. If only a starting point is given, slur includes all the following uninterrupted notes on the same string. Some slurs will have to be rethought after adding the extra notes for the modern guitar. In m17, m19 and m52, I slide the octaves up a fret. Dunno what the early music police would say about that... M3 p2s2. M5 p4-6s2. M6 p2-4s1. M8 p3-4s1. M13 p1s1. M14 p2-4s2, p2s4. M17 p2s5. M19 p2s5. M22 p4s1. M23 p2s2. M24 p4s1. M25 p2s2. M33 p2-3s1. M35 p2s1. M39 p2s2. M46 p3s2. M49 p2s2. M51 p2-4s2. M52 p3-4s5. M53 p2-4s1. M57 p2-3s1. M59 p4s3. Strums: Arrowheads ^ and v indicate strums. Open strings in strummed chords were not shown in the tablature; add as many open strings as sound good. Take a moment to re-draw the ^ arrowhead right at the top of the associated stem. Explanation of symbols: " = trill (starting on upper neighbor). , = mordent (main note to lower neighbor and back to the main note). . = do not strum this string in the chord. $ = petite reprise symbol. Return to the sign and play to the end. ( = "chute." A note in a chord is reached by a slur from its lower neighbor. It is not crushed like a mordent. For example: ^ ___ ___ ___ ___ ___ | | | | | | | | | | | _____v_______ __^___v_______ |_(3________| |_2_3________| |__3________| |_3__________| |______3_2_0| = |_______3_2_0| |___________| |____________| |__1________| |_1__________| |___________| |____________| Performance style: consider playing the 8th notes inegales, that is, as dotted 8ths or "swing" 8ths (triplet feel). Leading measures in Carre's original tablature: 1 7 14 21 30 38 45 52 60. Last measure is 62. *** Download and edit out all material above and below the tablature. *** See my printing tips in the page, "General comments on the tablature." *** Print out starting with the title line below. Alemande. AC23mod: Page 1 of 2. MODERN GUITAR (A D G B E). Leading measures: 1 11 20 31 41 51. 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Alemande. Leading measures: 61. AC23mod: Page 2 of 2. ^ | | | | | | ________________________________________________________________________________________________ ________|__0____||______________________________________________________________________________ ________|__0____||______________________________________________________________________________ _2_____2|_,2___*||______________________________________________________________________________ ________|__2___*||______________________________________________________________________________ _____0__|__0____||______________________________________________________________________________ ________|_______||______________________________________________________________________________