This easy-to-read modern tablature should be completely faithful to Anthoine Carre's original tablature. Let me know of any errors you find. Donald Sauter.
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Anthoine Carre,
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Short ID: AC45. Title: Air de balet. Composer: Anthoine Carre. Source: Livre de pieces de guitarre et de musique. Page 45. Date: ca. 1690? Tuning: Baroque guitar (A D G B E). Time sig: Cut (slashed "C".) Fixes, modifications and comments (M=Measure; p=Place in measure; s=String): None. Comparison of Guitar 1 melody with the Treble part: Pieces in this big suite have four parts: Guitar 1 and Guitar 2; and Treble and Bass parts written in music notation. The upper line of Guitar 1 and the Treble part are so consistently identical, that it seems they are supposed to be identical. Thus, discrepancies may be of interest. M16 beat2: Treble has a single 4er note, F. Guitar 1 has two 8th notes, F G. IF you want the Guitar 1 melody to correspond EXACTLY to the Treble part... DO NOT STRUM the 1st string in the following chords. Write "." in the tablature at: m7p1 m9p1 m21p1. DO STRUM the 1st string in the following chords. Write "0" in the tablature at: m2p3. Note that the melody note is found WITHIN the chord at: m13p1s3. Tablature elements to be added by hand: Slurs. If only a starting point is given, slur includes all the following uninterrupted notes on the same string. M6 p3s1. M10 p4-5s1. M11 p3-4s1. M12 p3-4s2. Strums: Arrowheads ^ and v indicate strums. Open strings in strummed chords were not shown in the tablature; add as many open strings as sound good. Take a moment to re-draw the ^ arrowhead right at the top of the associated stem. Explanation of symbols: " = trill (starting on upper neighbor). , = mordent (main note to lower neighbor and back to the main note). Octave doublings: If you are playing on a modern, single-string guitar, consider adding or substituting the next octave up almost everywhere you see a 4th- or 5th-string note. Performance style: consider playing the 8th notes inegales, that is, as dotted 8ths or "swing" 8ths (triplet feel). Leading measures in Carre's original tablature: Stand-alone: 1 5 10 14 19. Last measure is 21. Within suite: 16 20 25 29 34. Last measure is 36. *** Download and edit out all material above and below the tablature. *** See my printing tips in the page, "General comments on the tablature." *** Print out starting with the title line below. Air de balet. AC45: Page 1 of 1. Baroque guitar (A D G B E). Leading measures: 1 10 17. Anthoine Carre. ^ __ ^ __ ___ __ ___ ___ __ ^ ^ __ | |. | | | | | | | |. | | | | | | |. | | | | | |. | | | | | | | |. | ________________________________________________________________________________________________ ___3|_"0________|_________|___________|_____________|_____1_0_______|________||___|_____"0___1|_ ___1|______3_1_1|_,3_0_1__|_"0___1_3__|___0_1_"0___0|_1_______"3___1|_1______||__0|_1_3_______|_ ____|________2__|________2|__0_______0|_2___________|__________0____|_______*||*__|___________|_ ___2|________2_3|__0_____4|___________|________2____|_____3_________|_2_____*||*__|_2_________|_ ___3|__3________|______0_0|________2__|_0___0_______|_3_0___________|_3______||___|_3_2__3____|_ ____|___________|_________|___________|_____________|_______________|________||___|___________|_ ___ ___ ___ ^ __ ___ ___ __ ___ __ ___ ^ __ ___ ___ __ | | | | | | | |. | | | | | |. | | | | | | |. | | | | | | | | |. | | | | | |. | ________________________________________________________________________________________________ _0___0_1_0_1_3|_5___3_5_3_"1_0|_____________|___3_"3___2|_3___5__|_3_"1_0_1___0|___0_1_3_"0____| ___3_________1|_____5_________|_"3_____0_1_3|_0_________|________|________3____|_3____________3| ______________|_______________|_____________|_0_________|________|________2____|_______________| _2_____0_____2|_3_____________|__0__________|___________|_2___3__|_2___________|_______________| _____________3|_______________|______0_____2|______0____|________|_____________|_2________3____| ______________|_______________|_____________|___________|________|_____________|_______________| ___ ___ ___ ^ ___ ___ ___ __ __ ^ | | | | | | | | | | | | | | | | | | |. | |. | | | | ________________________________________________________________________________________________ _____0______|_3_3_3_"1_0|_1_"0___0_______|______________|________||_____________________________ _1_3___1_3__|___________|_3____4___3_"1_0|_,1___3_"3___1|_1______||_____________________________ ___________0|_0_________|_2______0_______|______________|_______*||_____________________________ _2__________|_____2_____|________________|_________3____|_2_____*||_____________________________ _____3___2__|___________|________________|__0___________|_3______||_____________________________ ____________|___________|________________|______________|________||_____________________________