This easy-to-read modern tablature should be completely faithful to Anthoine Carre's original tablature. Let me know of any errors you find. Donald Sauter.

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Short ID:  AC54.
Title:     Tombau.
Composer:  Anthoine Carre.
Source:    Livre de pieces de guitarre et de musique.
           Page 54. 
Date:      ca. 1690?

Tuning:    Baroque guitar (A D G B E).
Time sig:  3. 

Fixes, modifications and comments (M=Measure; p=Place in measure; s=String): 
  M16 original shows a double-length measure, which is retained here.
  M21-22 original shows a tie connecting m21p3s5 with m22p1s5 (bass notes C.)
  Richard Pinnell, in his dissertation on Corbetta, notes that this Tombau 
    is similar to Corbetta's sarabande on page 8 of his 1671 book.  
  M22p3s3 original shows a trill, which doesn't seem possible.  It is retained 
    here for you to solve in your own way.  At the same place in the Corbetta 
    sarabande (see above) Pinnell shows a trill on the following 8th note.  

Tablature elements to be added by hand:
  Slurs. If only a starting point is given, slur includes all the following 
  uninterrupted notes on the same string.
    M10 p2-3s1.
    M14 p3-4s1.
    M16 p7-8s1.
    M17 p1s1.
    M20 p3s4.
    M21 p1-2s2.

Strums: Arrowheads ^ and v indicate strums. Open strings in strummed chords 
  were not shown in the tablature; add as many open strings as sound good. 
  Take a moment to re-draw the ^ arrowhead right at the top of the associated 
  stem.

Explanation of symbols: 
  " = trill (starting on upper neighbor). 
  , = mordent (main note to lower neighbor and back to the main note).
  . = do not strum this string in the chord. 

Octave doublings: If you are playing on a modern, single-string guitar, 
  consider adding or substituting the next octave up almost everywhere 
  you see a 4th- or 5th-string note. 

Performance style: consider playing the 8th notes inegales, that is, as dotted 
  8ths or "swing" 8ths (triplet feel).

Leading measures in Carre's original tablature:
  1 7 15 19.  Last measure is 22.


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                                    Tombau.                                 AC54: Page 1 of 1.
  Baroque guitar (A D G B E).  Leading measures: 1 10 18.                      Anthoine Carre.

   ^  __ ^  ^  __ ^     __        __    ^  __     ^  __    ^  __     ^  __        __  ^      __ 
   |.  | |  |.  | |  |.  | |   |.  | |  |.  | |   |.  | |  |.  | |   |.  | |   |.  |  |   |.  | 
_______v________v_______________________________________________________________________________
___3_____4|_1_____6|________|_________|_3___3__|_"1___1__|_6___6_4|_"3___3_8|_____10_11|__8__10_
___3_____6|_3_____3|________|_________|_4_____1|__1_____3|_3_____4|__3_____8|_"6______8|__9_____
___5_____5|_2______|_0___0_1|__3___3_0|_3_____1|__2_____3|_3_____5|__3______|_________8|_10_____
___5_____3|________|_1___1_3|_"0_____1|_1______|__1______|_3______|________6|________10|________
___3_____3|_______.|________|_________|_1______|__1______|_.______|_________|__________|________
__________|________|________|_________|________|_________|________|_________|__________|________

 ____                 __        __  ^     __ ___   ^  __ ^  ___ ^  ^  __ ^ ___  ___     __  ^   
 |  |   | | |      |.  | |   |.  |  |  |.  | | |   |.  | |  | | |  |.  | | | |  | |  |.  |  |   
___________________v___________________________________v______v________v________________________
_8_10|_"7______||__7_____8|_"8______8|_6___6_6_8|_"5___6_3|___3_4_"4___3___1_3|_3_1_______|_3___
_____|__8______||__8___6_8|__8___8_10|_6_____8__|__6___3_4|___4_6__3___4___0__|_1_________|_3___
_____|__0_____*||*_______8|__9_____10|_7_____8__|__5___3_3|___3_5__3___3___0__|_1_________|_4___
_____|________*||*________|________10|__________|__.___3_5|___5_3__3___1______|_____"1___3|_5___
_____|_________||_________|_________8|__________|__.___.__|_____3______1______|___________|_5___
_____|_________||_________|__________|__________|_________|___________________|___________|_____

    __        __      ___  ___  ^  __                                                           
 |.  |  |  |.  |  | | | |  | |  |.  |   | | |                                                   
________________________________________________________________________________________________
______|_________|_3______|______3____|_________||_______________________________________________
_0___0|_1_"0____|_3_3____|_4_3__3____|_________||_______________________________________________
______|_________|___4____|_____"5___4|_,5_____*||_______________________________________________
_0___0|_1_"0____|_____5_3|______5____|________*||_______________________________________________
______|________3|_2______|_3____3____|__3______||_______________________________________________
______|_________|________|___________|_________||_______________________________________________