One day, a woman pedestrian is killed horrifically in a motor accident, which is witnessed by Jiney on her way to school. Feeling stimulated by this terrible accident, she approaches and photographs the mutilated victim.

Coming to experience a profound "high" from developing the film in her basement, she discovers the things that have been missing from her portfolio of work: the blood and the moment of death. Jiney has a revelation: to capture that moment of death.

She begins to photograph dead animals, but this is not enough. The photos of dead animals are not as exciting as that one of the dead person. She knows that she needs dead human subjects for her experiment.

By some coincidence she encounters a girl who is about to leap off the top of a building, and Jiney instinctively takes a series of shots of the jumper falling down. Suddenly, the girl's dress is ripped off, giving her a full view of the girl's bottom. Aroused sexually by this new experience, Jiney is afraid of her own thoughts -- of herself. She knows that it is wrong to take those pictures but she cannot control her cravings.

There is a new twist to the story, as it turns out that there is a secret admirer who is following Jiney's activities, and who sends her a video tape that shows a girl being beaten to death, and bleeding. Who else loves death as she does? What is Jiney going to do about her abnormal behaviour? Who sent her the disgusting tape? She is terrified, but she has nowhere to turn to.