Film Studies
Film Studies
Film Gender |
Film Genres |
Film Studies: General |
The Film Viewer |
'All
That Patriarchy Allows : Gay Figures and Female Desire in All That Heaven Allows':
Craig
Watts
Articles on Women in
Cinema (Queen's University Film Studies Student Papers)
Batman's Camp: Freya Johnson (Bad Subjects)
'Building the
Feminine: Feminist Film Theory and Female Spectatorship':
Gillian Swanson (Continuum)
'Can't Hollywood Treat Gays as Normal People?': Richard Corliss (Time
Magazine)
'Laura Mulvey
Against the Grain: A Critical Assessment of the Psychoanalytic
Feminist Approach to Film': Terje Skjerdal
Machines and
Male Hysteria in the Cinema of the Eighties: Marj Kibby
'Marketing
Masculinity in Jean-Claude Van Damme's Universal Soldier':
Jeff Akeley (Bad Subjects)
Notes on
Laura Mulvey's 'Visual Pleasure and Narrative Cinema': Kim Richards
'Notes on "The Gaze"':
Daniel Chandler
'On Cinema and
Perversion': Berys Gaut
Film Genres
"Fair
Dinkum Fillums": the Crocodile Dundee Phenomenon': Tom O'Regan
Film Genres and Sub-Genres:
Philip C Congleton
Genre
and Film: Carol Laseur (Continuum)
Genre Theory and
John Ford's Stagecoach: Katherine Lawrie
An Introduction to Genre Theory: Daniel Chandler
Asian Cinema (Continuum
Vol 2, No 1)
Criticism
and Ideology in Contemporary Film Theory: David N Rodowick
'A Brief Guide to
Watching Movies': John Harrington
'Cinematic
Representation of Mental Processes': Haim Callev
(from The Stream of Consciousness in the Films of Alain Resnais)
'Constructivism
in Cognitive Film Theory': Kevin Sweeney
'Documentary
and Self-Representation in the Post-Verité Age': Michael Renov
'The End of
Philosophy and the Rise of Films': Michael Bischoff
"Fair
Dinkum Fillums": the Crocodile Dundee Phenomenon': Tom O'Regan
'Film and Television
Theory': Ken Sanes
'Grammar' of Television and Film: Daniel Chandler
'A
History of Motion Pictures': Vito Russo
'(How) Does
Film Theory Work?': Toby Miller (Continuum)
'Imagining Futures, Dramatizing Fears: Technology in Literature and Film':
Daniel Chandler
'Imagining Hollywood' (The Star System): Sara Kittelty
Narrative
Conventions in Classical Hollywood Cinema: Notes by Julia Lesage
New Technologies of the Screen: Philip Hayward & Tana Wollen
'Notes on "The Gaze"': Daniel
Chandler
Performance
and Star Image in Film and Television: Jeremy G Butler
(from Star Texts: Image and Performance in Film and Television)
'Popular British
Cinema': Tom Ryall (Close Up)
'Post-Production
in Motion Pictures': Greg Edgar
'Theory Goes to the
Movies': Jonathan Sterne (Bad Subjects)
Video Images and
Ethnography: Ron Burnett (Continuum)
'The Work of Art in the
Age of Mechanical Reproduction': Walter Benjamin
'Building the
Feminine: Feminist Film Theory and Female Spectatorship':
Gillian Swanson (Continuum)
'Constructivism
in Cognitive Film Theory': Kevin W Sweeney (Film and Philosophy)
Culturally
Variant Readings of Crocodile Dundee: Stephen Crofts (Continuum)
'The Film Viewer:
An Unknown Entity': Alicija Helman (Continuum)
'Grammar' of Television and Film: Daniel Chandler
'The
Implicated Spectator': Betsy Weiss
(review of Judith Mayne's Cinema and Spectatorship, Semiotic
Review of Books)
'Laura Mulvey
Against the Grain: A Critical Assessment of the
Psychoanalytic Feminist Approach to Film': Terje Skjerdal
'Movie
Pleasures and the Spectator's Experience:
Toward a Cognitive Approach': Carl Plantinga (Film and Philosophy)
'Notes on "The Gaze"':
Daniel Chandler
Reading a Film Sequence:
Eric Rentschler and Anton Kaes
'The
Re-Emergence of Phenomenological Theories of Film':
Kevin W Sweeney (Film and Philosophy)
'Viewer
"Identification" with Characters in Television and Film Fiction':
Peter
van Beneden
'The Viewer Viewed: The
Reception of Ethnographic Films': Jay Ruby
