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The disk music is modeling sound of existing and not existing instruments. It is experiment in the field of using tunings which are alternative to now dominating 12 tone equal temperament. Therefore disk can not be a subject of sale and is spreaded free of charge. Send the message on e-mail commator@ukr.net where tell me your name and mail address. I'll send addressed for you exemplar of this disk . I'll be glad to receive from you any review and list of tracks, in decreasing order of your interest to them. . |
Музыка диска моделирует звучание существующих и не существующих инструментов. Это эксперимент в области использования настроек, альтернативных доминирующей ныне 12 тоновой равномерной темперации. Поэтому диск не может быть предметом продажи и распространяется бесплатно. Пришлите сообщение на электронный адрес commator@ukr.net и укажите в нем Ваше имя и почтовый адрес. Я отправлю по Вашему адресу экземпляр этого диска, надписанный для Вас. Я буду рад получить от Вас любые отзывы и список треков, в порядке убывания Вашего интереса к ним. |
| 01. | M. Khramov, 12 tone Equal Temperament (tET). | Dome Sky. | To L. Tataurova. |
| 02. | M. Khramov, 12 tET. | Prelude. | To L. Tataurova. |
| 03. | M. Khramov, 12 tET. | Exposition. | To L. Tataurova. |
| 04. | M. Khramov, Left Speaker(LS)53/Right(RS)31 tET. | Affinities. | To J. S. Allen. |
| 05. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Prelude 22 in B Flat Minor. BWV 867. | To L. Tataurova this interpretation. |
| 06. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Fugue 22 in B Flat Minor. BWV 867. | To L. Tataurova this interpretation. |
| 07. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Prelude 1 in C Major. BWV 846. | To V. Bondar this interpretation. |
| 08. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Fugue 1 in C Major. BWV 846. | To V. Bondar this interpretation. |
| 09. | A. Previn by M. Khramov, LS53/RS22 tET. |
Like Blue Fragment. | To V. Trusov this interpret. |
| 10. | R. Johnson by J. Monzo by M. Khramov, LS53/RS12&PB tET. | Drunken Hearted Man Sequence. | To J. Monzo this interpretation. |
| 11. | A. D. Fokker by M. Khramov, LS53/RS31 tET. | Rippling Diesis Waves. | To Huygens-Fokker Founation & London Science Museum this interpretation. |
| 12. | Nichiren Daishonin by M. Khramov, 53 tET | Namu-Myo-Ho-Ren-Ge-Kyo. | To Nipponzan Myohoji & Sangha. |
| 13. | J. S. Bach by M. Khramov, 31 tET. | Chorale Prelude in F Minor. BWV 639. | To E. Artemiev this interpretation. |
| 14. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Prelude 14 in F Sharp Minor. BWV 859. | To G. Wohl this interpretation. |
| 15. | J. S. Bach by M. Khramov, 31 tET. | WTK I. Fugue 14 in F Sharp Minor. BWV 859. | To G. Wohl this interpretation. |
| 16. | J. S. Bach by M. Khramov, Solos(Sl)19/Orchectra(Or)31 tET. | Concerto BWV 1043. Part I. | To Moyseenkos Family this interpretation. |
| 17. | J. S. Bach by M. Khramov, Sl19/Or31 tET. | Concerto BWV 1043. Part II. | To My Granddaughter this interpretation. |
| 18. | J. S. Bach by M. Khramov, Sl19/Or31 tET. | Concerto BWV 1043. Part III. | To My Daughter this interpretation. |
| 19. | J. S. Bach by M. Khramov, 19 tET. | Suite BWV 1068. Air (on a G String). | To N. Borodina this interpretation. |
| 20. | W. A. Mozart by M. Khramov, Sl31/Or19 tET. | Concerto KV 488. Part I. | To N. Kotova this interpretation. |
| 21. | W. A. Mozart by M. Khramov, Sl31/Or19 tET. | Concerto KV 488. Part II. | To N. Kotova this interpretation. |
| 22. | W. A. Mozart by M. Khramov, Sl31/Or19 tET. | Concerto KV 488. Part III. | To N. Kotova this interpretation. |
| 23. | M. Khramov, 19 tET. | Like Green Sleeves. | To I. Inyakina. |
| 24. | M. Khramov, 31 tET. | Tonight. | To R. Pashkevitch. |