A Country Rag Distilled Spirits
Autumn Leaves, Winter Arrives
"No groans here as we understand but try to ignore the inevitable.
Winter's on its way. My wife, the avid flower gardener, bemoans
winter even though she knows that without it there would be no
spring burgeoning of blossoms and greenery. Back in high school
biology we learned about plants in the northern hemisphere
requiring a minimum number of days of freezing temperatures. But
in the throes of bleak, icy winter that consolation seems too
remote for any comfort.
"Is winter merely a temporary seasonal setback to be endured until
the 'good' weather returns? As much as our environment defines
us, to the extent we think of Minnesotans as stoic, hardy
Norwegian types, our mindset defines us as well. How we regard
the dormant months seems to have something to do with how long
winter seems to drag on.
"I'm looking out over the valley here on a fall morning, seeing
the morning sun cut through the low-slung fog hanging thickly
just below the ridge of hills to the west. The reds and golds of
hardwoods among the pines will have to suffice for fall foliage
viewing this year. We won't make our autumn trip along the
Skyline Drive, down the Blue Ridge Parkway and back up the
Shenandoah Valley; too many things to do as we prepare for our
son's November wedding. Son Tim and his fiancé, Kate, will tie
the knot early in November, in ceremonies complete with Scottish
pipers, rehearsal dinner and reception. Then, another pair of
birds fledge and leave the nest.
"Maybe it will snow by then, considering the way our weather's
going so far this year. We're ready for it. There's a stack of
dry cordwood and more logs waiting to be split, from last year's
oak which had to come down before it fell on the house. The
fireplace has been cleaned out for months, ready for a quiet
winter evening's fire. I'll sit nearby, reading probably, while
my wife will sit on the floor in front of the fireplace, wrapped
in her furry robe, working on her new stitchery sampler. The dogs
and cats will camp around her, dozing in the heat. Maybe we'll
share a glass or two of wine, each doing our own thing, but
together. I'll look at her and marvel how lovely she is, how
lucky I am, and she'll look up, catch me staring, and ask,
'What?'
"Winter slows us down to make time for such reflections, to take
stock of life. Outdoors, winter often blankets everything under
several inches of snow, insulating tender plants from cold and
softening all sound, so you can almost hear the stars twinkling.
Indoors, while the fireplace cracks and pops, I'll put on some
music (television being banned on such evenings), and we'll
listen to an old recording, Sarah Vaughn singing 'Snowbound.' I'm
always mesmerized by her deep, throaty voice on those opening
words, 'Lost, lost in a snowstorm. . .' "
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"Great-Grandpa Was a Moonshiner"
By James Ross Wiley
graphic: The World In Your Cup, computer art, Ginger Stone Studio, Jonesborough, TN
Every year a precious part of Great-Grandpa's small corn crop was
ground into meal, made into mash, and then distilled into
whiskey. Great-Grandpa was a moonshiner, like his grandpa before
him. The first of my distilling ancestors plied his backwoods
trade in the post-Revolutionary War days of the 1790s, in
southwest Pennsylvania, when it was still a legitimate
occupation. That changed in 1791 with the passage of the Excise
Act levying additional taxes on whiskey distilling, and after the
1794 Whiskey Rebellion when the "Whiskey Boys" tarred and
feathered excise men, nearly starting the second American
Revolution. Only when George Washington threatened war on those
pioneer settlers did the rebellion end.
When things settled down, and hundreds of moonshiners (non-tax
paying distillers) were arrested to be taken to trial all the way
back east at Philadelphia, that's when G-G-G-Grandpa and other
recalcitrant and rebellious poor settlers took their families,
oxen and wagons loaded with as much as they could manage and
headed west. The 1795 Greenville Treaty opened up Ohio to
settlers, and western Virginia and the brand new state, Kentucky,
became more attractive to those pioneers once the Indian wars had
moved farther west. The migration was on, again, down the old
military roads to the rivers and streams to the Shenandoah
Valley, across the gaps and passes in the mountains, as far as
eastern Tennessee and western Virginia and North Carolina where
people were not so crowded, where a man could live his life
freely, as God intended.
Great-Grandpa was among the thousands of tough, independent Scots
and Scots-Irish (and Germans) who pushed farther west and south
into the hills, mountains, and creek branches of the
Appalachians. From the eighteenth century into the early decades
of the twentieth, generations of these folk lived isolated from
society and "progress," barely eking out existence in those
remote mountains. News rarely seeped into those back roads
settlements, up steep, narrow roads even horses couldn't
negotiate. Families lived as they chose, uninfluenced by the
outside world, though extreme isolation and poverty dictated a
harsh life.
Great-Grandpa built a rude log cabin along a creek branch,
nestled in the mountains just below the poplar range, and seldom
traveled more than a few miles from home. He made a "tomahawk"
claim by notching a tree at each corner of his land, then quickly
began felling trees to build a house before winter. That
temporary house, barely improved beyond rough logs and a plank
floor, remained the family home for a generation. Windowless, the
dark cabin was lit by daylight coming in the open door in summer
and by what light seeped in through the chinks and drafty cracks
between the logs in the winter. The drafts also were necessary to
keep the smoke from the fireplace going up the stone chimney. But
the drafts weren't foolproof against a contrary wind.
Up a creek, in a woods remote from his cabin, Great-Grandpa built
a tiny lean-to shack, and in it a small "oven" where he could
boil down his corn mash. After the mash had cooked about fourteen
hours, with constant stirring, it was percolated through a spiral
copper tube, called "the worm," from which crystalline drops of
Appalachian "white lightning" whiskey were collected in glazed
crockery jugs. The still had to be remote because of the distinct
aroma of percolating mash, and to protect it from prying eyes of
passing strangers or vindictive neighbors who might report on
him. A felled spruce tree lay in front of the little shack,
further camouflaging it.
Making their own whiskey was as necessary and natural to mountain
folk as making soup. In a remoteness where they either made what
they needed or did without, folks harvested their meager hillside
corn crops and turned part of it into mash, to distill into
whiskey. The remainder of the precious crop went for bread flour,
and hogs and cows fattened themselves as best they could in the
wild, until fattening time, when the spent mash was fed to the
hogs. Whiskey was a natural supplement to a Spartan diet. It also
constituted one of their few medicinal products, used for
everything from antiseptic for cleansing wounds to anesthetic
when setting broken bones. Back woods etiquette dictated that you
offer a guests and visitors a gourd-cup of whiskey, much the same
as any wedding ceremony included toasting the new couple by
passing 'round the jug.
Whiskey was as elemental as water and air. There was no stigma
attached to enjoying it, and no criminal behavior to making it
until the government levied new taxes, during the Civil War. The
war time government even made it criminal to convert much needed
grains into whiskey. Even so, patriotic and loyal mountain men in
those secessionist states volunteered in large numbers to fight
for the Union, even when taxes on whiskey doubled and tripled. In
later years, as the South went "dry," and later still during
Prohibition years, mountain men insisted on their right to make
their own whiskey, to sell it if they could. There was precious
little else to sell, to pay taxes and buy necessities they
couldn't make from natural resources at hand.
To enforce the whiskey excise or "revenue" laws, sheriffs and
prosecutors were paid by the number of arrests they made and
cases they won. Revenue collection agents similarly profited by
prosecution (and persecution) of illegal distillers. Some of the
revenuers took the job because it paid better than distilling,
with which they were intimately familiar. (Sometimes the job gave
a revenuer the opportunity to even an old feud with a rival
family, too!) But the mountain man selling his home-distilled
whiskey ran the blockades as his ancestors had done since the
seventeenth century in England, prepared to defend his rights
with a gun. He was merely pursuing his ancestral heritage and
time-honored roles, like cattle rustling and blockade running. He
was not, in those hills, called a moonshiner, but a "blockader."
There probably remain a few moonlight distillers of white
lightning, hidden somewhere up remote "crick branches" where the
water runs cold and clear. Except for a government which insists
on taxing and licensing, many a mountain man would today be
stirring his corn mash, collecting the distilled spirits in jugs
and jars, continuing centuries old traditions.
Jim Wiley writes from Akron, Ohio, where he lives with his wife
of 34 years and their congregation of dogs and cats, and amid
flower gardens (front yard) and forest (back yard). Among several
things he's published in various magazines and journals was a
story in "Cats & Kittens" coauthored with his first ever cat,
titled (equally believably) "Never Teach Your Pets to Talk."
Aside from the infrequent pet story, recurring themes fuel his
writing such as history, ancestors, genealogy and cultural
traditions. "Great-Grandpa Was a Moonshiner" resulted from such
historical research as much as did "Harley Quinn," a totally
whimsical story about two pension-poor old women who go into the
moonshine business, in a big way. "Harley" won the Tennessee
Mountain Writers' 1999 fiction contest.
In addition to "Mountain Light," Jim has seen the light in
publishing otherwise as well, evidenced by his e-zine
publications, recently including "Another Time, Another Place,"
at www.darkstormy.com. "AT,AP" also taps several recurring themes
(young boys, extremely old women, and "magik"), and is likely to
be included in an upcoming e-book anthology. It's equally likely
to be resurrected soon as a finished novel.
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Whisk me away --
Where the heck am I?
‡
© James Ross Wiley, December 1999.
Original material © A Country Rag April, 1996. All rights reserved.
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