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NIETZSCHE spent the winter of 1879-80 at Naumburg, his old home. During the ensuing year he was very ill, indeed, and for awhile he believed that he had but a short while to live. Like all such invalids he devoted a great deal of time to observing and discussing his condition. He became, indeed, a hypochondriac of the first water and began to take a sort of melancholy pleasure in his infirmities. He sought relief at all the baths and cures of Europe: he took hot baths, cold baths, salt-water baths and mud baths. Every new form of pseudo-therapy found him in its freshman class. To owners of sanitoria and to inventors of novel styles of massage, irrigation, sweating and feeding he was a joy unlimited. But he grew worse instead of better.
After 1880, his life was a wandering one. His sister, after her marriage, went to Paraguay for a while, and during her absence Nietzsche made his progress from the mountains to the sea, and then back to the mountains again. He gave up his professorship that he might spend his winters in Italy and his summers in the Engadine. In the face of all this suffering and travelling about, close application, of course, was out of the question. So he contented himself with working whenever and however his headaches, his doctors and the railway timetables would permit - on hotel verandas, in cure-houses and in the woods. He would take long, solitary walks and struggle with his problems by the way. He swallowed more and more pills; he imbibed mineral waters by the gallon; he grew more and more moody and ungenial. One of his favorite haunts, in the wintertime, was a verdant little neck of land that jutted out into Lake Maggiore. There he could think and dream undisturbed. One day, when he found that some one had placed a rustic bench on the diminutive peninsula, that passersby might rest, he was greatly incensed.
Nietzsche would make brief notes of his thoughts during his daylight rambles, and in the evenings would polish and expand them. As we have seen, his early books were sent to the printer as mere collections of aphorisms, without effort at continuity. Sometimes a dozen subjects are considered in two pages, and then again, there is occasionally a little essay of three or four pages. Nietzsche chose this form because it had been used by the French philosophers he admired, and because it well suited the methods of work that a pain-racked frame imposed upon him.
He was ever in great fear that some of his precious ideas would be lost to posterity - that death, the ever-threatening, would rob him of his rightful immortality and the world of his stupendous wisdom - and so he made efforts, several times, to engage an amanuensis capable of jotting down, after the fashion of Johnson's Boswell, the chance phrases that fell from his lips. His sister was too busy to undertake the task: whenever she was with him her whole time was employed in guarding him from lion-hunters, scrutinizing his daily fare and deftly inveigling him into answering his letters, brushing his clothes and getting his hair cut. A number of young men, it would appear, essayed the impossible service, but all departed quickly. Finally, the philosopher's old friend, Rée, discovered a likely candidate in the person of Fraulein Lou Salomé, a young German woman. Fraulein Salomé (who afterward became Frau Andreas-Salomé) was an intellectual, but attractive person and her enthusiastic admiration flattered Nietzsche into engaging her. No more grotesque contrast than that which existed between the ponderous and humorless prophet of the superman and this superficial and flighty dilletante could be imagined. From the start they clashed and after five months Nietzsche sent her away. Later on, she printed a sort of fanciful biography of the philosopher, full of extravagant eulogy and truly feminine blunders.((1)) Nietzsche's sister dismisses it as a fabric of well-meant, but ridiculous errors and misrepresentations.
Early in 1881 Nietzsche published Morgenröte [The Dawn of Day]. It was begun at Venice in 1880 and continued at Marienbad, Lago Maggiore and Genoa. It was, in a broad way, a continuation of Menschliches allzu Menschliches. It dealt with an infinite variety of subjects, from matrimony to Christianity, and from education to German patriotism. To all the test of fundamental truth was applied: of everything Nietzsche asked, not, Is it respectable or lawful? but, Is it essentially true? These early works, at best, were mere notebooks. Nietzsche saw that the ground would have to be plowed, that people would have to grow accustomed to the idea of questioning high and holy things, before a new system of philosophy would be understandable or possible. In Menschliches allzu Menschliches and in Morgenröte he undertook this preparatory cultivation.
The book which followed, Die fröhliche Wissenschaft [The Joyful Science] continued the same task. The first edition contained four parts and was published in 1882. In 1887 a fifth part was added. Nietzsche had now completed his plowing and was ready to sow his crop. He had demonstrated, by practical examples, that moral ideas were vulnerable, and that the Ten Commandments might be debated. Going further, he had adduced excellent historical evidence against the absolute truth of various current conceptions of right and wrong, and had traced a number of moral ideas back to decidedly lowly sources. His work so far had been entirely destructive and he had scarcely ventured to hint at his plans for a reconstruction of the scheme of things. As he himself says, he spent the four years between 1878 and 1882 in preparing the way for his later work.
"I descended," he says, "into the lowest depths, I searched to the bottom, I examined and pried into an old faith on which, for thousands of years, philosophers had built as upon a secure foundation. The old structures came tumbling down about me. I undermined our old faith in morals."((2))
This labor accomplished, Nietzsche was ready to set forth his own notion of the end and aim of existence. He had shown that the old morality was like an apple rotten at the core - that the Christian ideal of humility made mankind weak and miserable; that many institutions regarded with superstitious reverence, as the direct result of commands from the creator (such, for instance, as the family, the church and the state), were mere products of man's "all-too-human" cupidity, cowardice, stupidity and yearning for ease. He had turned the searchlight of truth upon patriotism, charity and self-sacrifice. He had shown that many things held to be utterly and unquestionably good or bad by modern civilization were once given quite different values - that the ancient Greeks considered hope a sign of weakness, and mercy the attribute of a fool, and that the Jews, in their royal days, looked upon wrath, not as a sin, but as a virtue - and in general he had demonstrated, by countless instances and arguments, that all notions of good and evil were mutable and that no man could ever say, with utter certainty, that one thing was right and another wrong.
The ground was now cleared for the work of reconstruction and the first structure that Nietzsche reared was Also sprach Zarathustra [Thus Spake Zarathustra]. This book, to which he gave the sub-title of "Ein Buch für Alle and Keinen" ("A Book for All and None"), took the form of a fantastic, half-poetical half-philosophical rhapsody. Nietzsche had been delving into oriental mysticism and from the law-giver of the ancient Persians he borrowed the name of his hero - Zarathustra. But there was no further resemblance between the two, and no likeness whatever between Nietzsche's philosophy and that of the Persians.
The Zarathustra of the book is a sage who lives remote from mankind, and with no attendants but a snake and an eagle. The book is in four parts and all are made up of discourses by Zarathustra. These discourses are delivered to various audiences during the prophet's occasional wanderings and at the conferences he holds with various disciples in the cave that he calls home. They are decidedly oriental in form and recall the manner and phraseology of the biblical rhapsodists. Toward the end Nietzsche throws all restraint to the winds and indulges to his heart's content in the rare and exhilarating sport of blasphemy. There is a sort of parody of the last supper and Zarathustra's backsliding disciples engage in the grotesque and indecent worship of a jackass. Wagner and other enemies of the author appear, thinly veiled, as ridiculous buffoons.
In his discourses Zarathustra voices the Nietzschean idea of the superman - the idea that has come to be associated with Nietzsche more than any other. Later on, it will be set forth in detail. For the present, suffice it to say that it is the natural child of the notions put forward in Nietzsche's first book, The Birth of Tragedy, and that it binds his entire life work together into one consistent, harmonious whole. The first part of Also sprach Zarathustra was published in 1883, the second part following in the same year, and the third part was printed in 1884. The last part was privately circulated among the author's friends in 1885, but was not given to the public until 1892, when the entire work was printed in one volume. As showing Nietzsche's wandering life, it may be recorded that the book was conceived in the Engadine and written in Genoa, Sils Maria, Nice and Mentone.
Jenseits von Gut and Böse (Beyond Good and Evil) appeared in 1886. In this book Nietzsche elaborated and systematized his criticism of morals, and undertook to show why he considered modern civilization degrading. Here he finally formulated his definitions of master-morality and slave-morality, and showed how Christianity was necessarily the idea of a race oppressed and helpless, and eager to escape the lash of its masters.
Zur Genealogie der Moral (The Genealogy of Morals), which appeared in 1887, developed these propositions still further. In it there was also a partial return to Nietzsche's earlier manner, with its merciless analysis of moral concepts. In 1888 Nietzsche published a most vitriolic attack upon Wagner, under the title of "Der Fall Wagner" ("The Case of Wagner"), the burden of which was the author's discovery that the composer, starting, with him, from Schopenhauer's premises, had ended, not with the superman, but with the Man on the cross. Götzendämmerung ("The Twilight of the Idols") a sort of parody of Wagner's Götterdämmerung (The Twilight of the Gods) followed in 1889. Nietzsche contra Wagner (Nietzsche versus Wagner) was printed the same year. It was made up of extracts from the philosopher's early works, and was designed to prove that, contrary to the allegations of his enemies, he had not veered completely about in his attitude toward Wagner.
Meanwhile, despite the fact that his health was fast declining and he was approaching the verge of insanity, Nietzsche made plans for a great four volume work that was to sum up his philosophy and stand forever as his magnum opus. The four volumes, as he planned them, were to bear the following titles:
This work was to be published under the general title of Der Wille zur Macht: Versuch einer Umwerthung aller Werthe (The Will to Power: an Attempt at a Transvaluation of all Values), but Nietzsche got no further than the first book, Der Antichrist. This he wrote at great speed, between September 3rd and September 30th, 1888, but it was not published until 1895 - six years after the author had laid down his work forever.
In this same year C. G. Naumann, the great Leipsic publisher, began the issue of a definitive eight-volume edition of the philosopher's works, under the editorship of Frau Forster-Nietzsche, Peter Gast, Dr. Fritz Koegel and other friends and disciples. Later on his notes for various books, both completed and projected, were published in six additional volumes. His early essays upon philological themes and a great variety of memoranda were included. This collection is of interest to the student who desires to make an exhaustive study of the origin and development of Nietzsche's ideas, but it is unfortunate that the editors chose to print so much inconsequential matter. More of his early notes are in his sister's biography. The philosopher, back in the 1880s wrote a sort of introspective autobiography under the title of Ecce Homo!
In January, 1889, at Turin, after a severe attack of migraine, Nietzsche became hopelessly insane and was confined in a private asylum. In the summer of 1890 he recovered sufficiently to be taken to his old home at Naumburg, and when his mother died, in 1897, his sister removed him to Weimar, where she bought a villa called "Silberblick" ("Silver View"), in the suburbs. This villa had a garden overlooking the hills and the lazy river Ilm and a wide, sheltered veranda for the invalid's couch. But his mind never became clear enough for him to resume work. He had to grope for words, slowly and painfully, and his physical strength left him.
This is something poignantly pathetic in the picture of this valiant fighter - this arrogant Ja-sager - this foe of men, gods and devils - being nursed and coddled like a little child. His old fierce pride and courage disappeared and he became docile and gentle. "You and I, my sister - we are happy!" he would say and then his hand would slip out from his bed-clothes and grasp that of the tender and loving Lisbeth. Once she mentioned Wagner to him. "Den habe ich sehy geliebt!" he said. ["That man I loved well."] All his old fighting spirit was gone: he remembered only the glad days and the dreams of his youth.
Nietzsche died on August 25th, 1900,
1. Friedrich Nietzsche in seinen Werken; Vienna, 1894.
Back to the text2. Preface to Morgenrote, § 2; autumn, 1886.
Back to the text