FOR
IMMEDIATE RELEASE
|
The
The Persian Cultural Center and The Center for World Music
proudly present |
A
Celebration of RUMI
The Music of
Sufism
Grand Master of Persian Music
Mohammad Reza Lotfi
with Omid Lotfi (setar) and Mehrdad A'raabi (tombak, daf)
Saturday, June 25, 2005 8 PM
San Diego State University, Music Dept, Smith Recital Hall
5500 Campanile Drive, San Diego, CA 92182
Admission: General $35, Students $15 (at the door)
Tickets
and information:
(858) 653-0336
http://www.oocities.org/darvaksd/events.html
Mohammad Reza Lotfi, a leading interpreter of traditional Persian music, will be making a rare Southern California appearance on Saturday, June 25. A virtuoso of the tar and setar (long-necked lutes), he will perform extended improvisations from the classical Persian repertoire - music that is highly ornamental and noted for it's poetic and spiritual qualities.
Maestro Lotfi's instruments, the tar and setar, are both members of the lute family. The tar, which derived from the Central Asian rebab, is known in Iran as the "king of instruments". It is a long-necked lute with six strings which are tuned in pairs. The mulberry wood body is in the shape of two hearts and it's long neck has 25 or more movable frets. The setar, because of it's delicacy and intimate sonority, is the preferred instrument of the Sufi mystics. It is a four-stringed, long-necked lute of the tanbur family. Smaller than the tar, the pear-shaped body is also made of mulberry wood. Its long narrow neck has 25-27 movable frets which produce intervals similar to the tar.
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Mohammad Reza Lotfi is recognized thoughout Iran, Europe and the United States as a brilliant composer and interpreter of traditional Persian music. Born in Gorgan in northern Iran, he graduated from the College of Fine Arts at Tehran University, where he later taught and served as dean. He studied tar and setar under such great masters as Shahnazi, Boroumand, Davami, and Salehi. In the 1970s he was the director of the Center for the Preservation and Propogation of Traditional Iranian Music in Tehran and Chavoosh Conservatory. He contributed for many years to Iranian National Radio and Television and founded the group Sheyda, which was instrumental in the revival of Iranian traditional music. After an extensive concert tour of Europe, he moved to the United States in 1987. In addition to performing widely throughout this country, he established the Shayda Cultural and Artistic Center in Washington D.C. to continue his teaching and scholarly activies. |