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Reconciliation
Jacotte Chollet
MultiDimensional Music, 2008

NOTES FROM THE THIRD LISTEN

The opening piece, “Reconciliation,” begins in one’s 
solar plexus with familiar meditative environment, 
close and comfortable, like sitting in your favorite 
chair. Quite soon, within two minutes, this opens up 
like a veil parting into a much more cosmic realm that 
stimulates the third eye and becomes increasingly 
celestial-angelic until by the fifth minute we have 
jetpacked up to rather dizzying rarefied heights.
	Amidst all kinds of numinous gases and 
electrifying twirlies, space opening depth charges 
begin to expand the chambers of one’s heart like 
small explosions of Light.
	The final third of this piece is a flooding 
of the body and its fields with love flowing out from 
the heart in all directions. By the end, one’s entire 
energy envelope has been softened with love.
	“To reconcile” means “to bring together again.” 
Mystically, this means to heal one’s orientation of 
being somehow separate from the Divine, the Universe, 
our living planet, Gaia, and the various beings living 
within the planet’s atmosphere. This metaphor is often 
generalized  to mean alleviating the tension between the 
Materialistic and the Noble (which I use to include not 
only the Spiritual, but also Holistic and Holoarchic 
values, Ethics and the various big words akin to Justice, 
Fairness, Care and so forth. Mythically, this is often 
deficiently depicted as the separation of the One into 
its two children: a good one and a bad one. The are
ASPECTS of the One.
	The solution offered here is that of flooding 
the body with Light; the reciprocal of which is the body 
incorporating Light into its’ structure.
	The second piece, “Compassion,” begins more 
forthrightly in the Heart than the first piece, which 
starts with the solar plexus and morphs it into Heart. 
This piece begins with a strong constellation of emphasis 
in the Heart. This then builds connection to the head, 
the third eye and crown chakras, with the introduction 
of a plucked or struck stringed instrument which 
sometimes sounds like a clavinet and other times like 
a plucked harp. Soon, an angelic atmosphere is invoked 
with synthstrings and starlight crown chakra twirlies 
reminiscent of the Ascension environments of Michael Hammer, 
but dreamier in a way that is part of Jacotte’s 
signature sound. Soon, we enter the main part of 
the piece which is a long dialogue between the Heart 
on one side and the third eye and crown on the other side. 
A mid-to-high theta state ensues within as the backdrop 
to this communication. It is like etheric packets 
of information are being traded back and forth. The packets 
are encoded with a symbolic code language which is 
integrated, modified and retransmitted. This is the main 
part of the composition. It is a two minute intro period 
followed by ten minute of theta dialogue. In the last few 
minutes, the murmur of the ocean waves become more pronounced. 
The sound of the waves seems to dissolve the encoding into 
the etheric substance of one’s body.
	“In The Heart Of Love” begins with a more Void-like 
mood, with a strong stimulate of the base chakra. This is a 
low-theta, high delta headspace, right in the twilight 
between dream and musing. At the time, I felt attracted 
to the delta wave, so I allowed myself to fall asleep into it. 
The environment is deep space, a flowing continuum in which 
there is what seems to be like a strange chirping of crickets 
mixed with wet innertubes rubbing together. This is actually 
a speaking voice. One’s brain seeks out patterns in the noise. 
This may not even happen consciously, but in the back 
of the mind. In the last few minutes, I started out of my sleep, 
having clearly heard a voice say, “Do some honest work or 
tomorrow more of the same.”
	“Visitation” is an interaction with the 
innerdimensionals. The piece begins in the solar plexus, 
but then builds a connection with the throat chakra, which 
is the corollary sensing apparatus for the fifth plane, 
the transdimensional matrix through which cosmic beings 
traverse dimensions. The healing beings of shamanic tradition 
sail their ships through here, as do ET-like innerdimensionals. 
The business and inscrutability of the fifth plane, 
the throat chakra and the energies keyed to them are some 
of the most fascinating realms of inward experience.
	A vortex portal is opened up and the UFOs and 
the Healing Ferries traverse the expanse. We are greeted by 
whoever beings are to participate with us and then an 
intense reprogramming of the fifth auric layer 
of the body ensues. This is conducted crisply, 
professionally and at length.
	The final piece, “Celebration,” portrays strong 
feelings of liberation and empowerment. Keyed to the top 
of one’s head, it is a strong crown chakra cleansing. 
The celebration here is expressed as joy and thankfulness. 
This piece is more joyful than festive, like simply enjoying 
being alive today on the very day that one is no longer 
a slave or no longer imprisoned. Even if one is just 
hanging out, being quiet, it is a celebratory occasion. 
I note that the Latin root compound for our word 
“celebration” is celebrare, to frequent. I believe that 
this song suggests that one should frequently reattune 
with the crown chakra frequencies, to frequent their 
climes of love, peace and bliss. To frequent the frequencies.

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