KEN HENSLEY
1977
It is measurably better and more significant than the last album.
TREVOR BOLDER
They were looking for a bass player and a friend of mine rang me up and said, "there
was a job going." I rang Kenny and he said, "Come down and we'll have an
audition, and play together." I went down and we spent about an hour messing around
and that was it, I got the job right away, straight in.
On leaving Spiders From Mars for Heep:
TREVOR BOLDER
I knew Heep were the right band for me - we hit it off immediately. I'd always been into
heavy rock before joining Bowie anyway.
MICK BOX
Image-wise he (John Lawton) wasn't quite what we were looking for, but his pipes were
perfect and so we went for the music end of it.
JOHN LAWTON
All the songs were there so basically I just had to go in and sing it. As soon as that was
ready we went out and toured for 6 months.
MICK BOX
I remember first hearing the song
Firefly written by Ken, and I thought that it was a terrif number with all the Heep
trademarks and dynamics. We first did a demo of this in his studio, "Dodgy
Demos", at his home in Henley-On-Thames, England. With the vocals of John Lawton
added, I knew we were entering into a new Heep era.
We released
Wise Man as a single in the UK, and as I remember, we were having a band break and I
had flown to the USA to be with my family. I had flown to Chicago and then on to El Paso,
Texas. I was halfway home to New Mexico by car when it broke down, and we had to stay in
what can only be described as a one-horse town. In the morning, whilst in reception
trying to get someone to fix the car, I had a call from our manager's wife, Lillian Bron,
who was phoning from the UK saying we had a spot on Top Of The Pops, a very important
show to do with a recently released single. How she tracked me down, I will never know,
but she convinced me to do the show. Then suddenly, I was surrounded by police cars. She
had arranged for them to escort me back to El Paso and put me on a flight to London once
again, via Chicago.
I did the show and I was in camera-shot for all of thirty seconds. Then they put me back on
a plane to Chicago, then on to El Paso, and eventually, after I had been flying for what
seemed to be forever, I arrived home with a severe case of jet-lag. I guess that's Rock
'n' Roll, and of course what becomes of having a very understanding family.
I enjoyed making this record, and I felt that we had finished a strong album by the end of
it. I hope you enjoy this re-mastered version with added bonus tracks.
KEN HENSLEY
I can still remember the first time I saw a firefly (or "lightning bug" as they
are sometimes called). I was eating dinner on the deck of my former in-laws' house in New
Jersey, and saw this glow in the bushes (the glow is the firefly's mating signal!). It
was spooky and amazing, and I ran into the house and started scribbling words down. From
that came the title track and the idea for the cover. I like this record. It's a little
light for Heep purists, but they never were into growth anyway! Other items you might
find interesting...
Rollin' On was born in Alvin Lee's (of Ten Years After) studio near my house in
Sonning Common, and Gerry Bron actually thought I wrote Wise Man about him!
Content Copyright © 1997 Jay Pearson
Manchester, UK, March 26, 1979
It wasn't the bands fault, it was finances, we couldn't afford to keep it going.
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